Perdido sin rastro

Bryan Cranston did a great job as always, but the plot was a little drawn out. Interesting idea for a movie, there isn't much explanation as to why he hid away for so long and why no-one ever checked the attic, but quirky and funny at times. The ending was a little frustrating but overall a decent but not amazing movie.

Let's start first with Bryan Cranston's performance. When watching this movie, I think it would be easy for someone to overlook just how good he is. 85% of the movie is Cranston sitting in a room talking to himself, and yet he is able to bring such dimension and drama to it. He makes it look so easy and natural, and that's why it would be easy to overlook his performance. He absolutely carries the film, and it does not work without his ability as an actor. Jennifer Garner is also really good in this movie, however she is absolutely outshined by how brilliant Cranston is. Her role was also minute enough that really anyone could have played her character, whereas I don't think just anyone could have played Howard Wakefield. What struck me most about Wakefield was how much of a character study it was. It was actually more of a situational study. What does an average human being reduce themselves to when stripped of all their possessions? When they become entirely deprogrammed from society? This idea has been explored before, in films like Cast Away, but never quite in this way...

This movie starts out a little weird and confusing, but once you get into it, the story is extremely interesting and intriguing. The story is so absurd, that even though it's a little tragic, it has some funniness to it. It's also very unpredictable, so you want to keep watching to know what will happen. Lastly, Bryan Cranston's acting in this movie is amazing. I would definitely recommend watching this if you're up for a freakish drama film.

A successful New York attorney (Bryan Cranston) lives in a nice suburban home, has been married to his wife (Jennifer Garner) for 15 years and has teenage twin daughters. He thinks about the ups and downs of their relationship, loses his job and walks out on his family. Except he is not far as he is hiding in a small room above the garage spying on his family for months from a window in the garage, watching their different stages of grief.

Cranston practically carries this film alone on this parable on human relationships and family. Not short of humour, it is both an interesting and sad study that sometimes stretches credibility.

This was a very strange film especially to find Cranston in but yet again I can think of anyone better suited. Worth the watch for Cranston alone