Springfloden

While not as polished and gripping as the best police dramas out there (with the first series of True Detective as the category benchmark), Springfloden does a good job in most of the departments.

The very beautiful Olivia is a Swedish police academy student who stumbles by chance on an old unsolved murder case that obsessed her father - the detective investigating on it - up until his death. Of course she can't resist the lure of this mystery and embarks herself on an unofficial investigation that will bring a lot of surprises and messes all around Sweden.

The writing and the side stories are well crafted and interestingly enough deal with social issues in developed countries (homeless, children without an economically stable/culturally evolved family). There's also some room for slightly humorous moments that in my opinion just add up points to the realistic tone of the drama.

As a whole I could find very few holes in how the pieces got connected together, yet for some reason or another I couldn't suspend the disbelief: most of the time everything was clearly part of an acted TV fiction. This might be due to the depth of the backstories of the characters we get to know which barely comes to the surface when these characters act. However It's hard to say this is any specific actor's fault (at least the leads showed a proper range): I would instead point the finger to the writing (which may have tried too hard to include cool stuff) or to the direction (which possibly wasn't able to capture the complexity of the characters in an expressive way).

This said Springfloden is a series you can't miss if you are into detective stories because it's more realistic and better executed than the 90% of the genre's other incarnations.

I don't know why programs like this are so rare over here in the U. S. All the Scandinavian countries - Sweden, Norway, Finland, Iceland, Denmark - produce impressive dramas frequently enough that "Nordic noir" has become a distinct, recognizable genre. For that matter, the French, Belgians, and Dutch do some pretty darned good shows, as well. Rarely do you see a car chase, thank goodness.

Springfloden ("Spring Tide") is one of Sweden's better offerings in the past several years. It began slowly, and built at a snail's pace, but every moment was important to the plot. For my money, season 2 was much better than the first, though I give both very high marks. Knowing there were only 10 episodes for each meant I knew there would be story resolution and not some endless cliffhanger arc with no conclusion. There were some mildly frustrating moments for me that I can only attribute to cultural differences between American and North European societies. Characters' attitudes toward homelessness, drug use, the sex trade, and other issues surprised me in some instances. I think what makes these programs so interesting to me is when the action goes in a slightly different direction than I expect. Keeps me on my toes. Anyway, this is a great series, and I hope to see a third season. But as with all good things in life, we may only get this little bit and no more.

Definitely another binge series. thank you for absolutely great entertainment. It is the intricate plot split in two murders in two countries and it is much more then just that. It is the variety of likable characters' lives the viewer will care about just as much as the unfolding of the story, brilliantly keeping your attention.

Had to score down for some glaring little plot holes, otherwise a very well thought out, acted and unique mini-series.

My wife and I just finished Season 1. It was wonderful: well-acted with a gradual unfolding of information and clues that finally allow the police to solve the murders in Episode 10. Unlike many series where there is obvious padding to fill up some of the episodes, every episode is important. This is one of the best series we've watched recently.