The Ministry of Ungentlemanly Warfare

It's the true WWII story of Operation Postmaster. This Guy Ritchie movie is most definitely highly fictionalized. It's 1942. Britain is in its darkest hour. The Blitz is destroying London. U-boats are cutting off the Atlantic supply route. America remains on the sidelines. The Nazis' main U-boat supply ship is located in a neutral Spanish colonial west African port. British parliament refuses to attack a neutral country. Winston Churchill secretly orders the unauthorized mission led by imprisoned soldier Gus March-Phillips (Henry Cavill) with his motley crew of outsiders.

This is one of those real fake history movies. It's more than the normal fictionalization. It's got the wild sardonic Guy Ritchie humor. These characters are rather one dimensional with a few exceptions. It feels more like a comic book movie although that's fine since that's the intention. A highlight is the insanely gorgeous Eiza González. Alan Ritchson and his giant muscles seem to be popping up everywhere. I like this, but I don't love it.

The Ministry of Ungentlemanly Warfare is directed by Guy Ritchie and stars Henry Cavil. It is (very) loosely based on a true story of a British WW2 covert operation called 'Operation Postmaster'. And the film is advertised as a 'Spy Action Comedy'....

I have to admit I'm not a huge Guy Ritchie fan (except for the Sherlock Holmes movies, which Robert Downey Jr. Really brought alive). And the fact that they messed around with what was already a totally remarkable TRUE story, I find strange. Personally, I would have much preferred a straight up historical action / drama / thriller than what is essentially an over the top gorefest. This is as much a WW2 movie as 'Overlord' (think zombies on D-Day). Stranger is that they show the true actual heroes at the end of the movie, goodness knows what their families think of being linked to this fantasy.

It's really not awful, it's a mindless action romp with a huge body count. As some have noted, the dialogue is smug and annoying in equal measure. The shots of sets and extras are all done well though and as you can see from the extremes of the reviews it is the kind of film to polarise opinion.

I enjoyed it, but was just disappointed it veered so far away from what is actually a truly remarkable historical event. But the fashion at the moment seems to be away from this type of movie making.

6/10.

Let me start with the positives.

Like most Guy Ritchie films, the ensemble has great chemistry. Henry Cavill doesn't disappoint, he keeps the pace going and interactions between everyone fun to watch. Alan Ritchson does great as a force of nature, dude is built like a tank. Babs Olusanmokun is slick, he has a very smooth demeanor to his performance. Lastly, Eiza Gonzalez is absolutely beautiful, however her performance was hit or miss for me. But she hit more than she missed.

Now, the negatives.

The movie doesn't feel like it was even made by Guy Ritchie. Instead it feels like someone else were trying to make a "Guy Ritchie" film.

I would watch it again, but it is not in my recommendation list if I were to convince someone to get into Guy Ritchie films.

And it honestly should have been. With this nice ensemble and decent budget, great production design, and a director who in theory definitely should have the chops, THE MINISTRY OF UNGENTLEMANLY WARFARE had everything it needed and more.

And yet, it misses the mark. Much of it has to do with the direction, I'm afraid. A lack of spirit and inspiration can be felt throughout the film, sometimes worse than other times, but neither the shots he called nor his direction of the actors are worthy of Ritchie's potential. The script could have used a bit more polishing, especially concerning the dialogue, but it's really mostly the practical aspects where this falls flat.

If you're a native German speaker, you will also notice how bad the fake Germans actually are. They should have been dubbed, but nobody seemed to care. Even Til Schweiger messed up some lines in German (probably drunk on set, as usual) - nobody cared.

What also made the film worse than it could have been is the score. Someone told the composer to go for "Schifrin meets Morricone", I guess, and what he delivered was a weak attempt at copying both. No swing, no drama, no feeling whatsoever. Just flat and boring, matching the direction perfectly.

That being said, you can still kill a bit of time watching this, since Cavill, Ritchson, et al are very likeable and have a lot of charming presence. Locations are nice, the DoP did a great job with the lighting, and Eiza González has a great singing performance (refreshingly with no audible pitch correction, but as a professional singer with an amazing voice she really doesn't need any), even though the arrangement and interpretation of the famous "Mack The Knife" is quite horrible.

But if anything, this has made me wish for a more silly WW2 comedy with Cary Elwes in the lead. I'd buy that for a dollar.

Some good performances and a good story but it's let down by poor pacing and an almost complete lack of flair. It's feels like an 'action movie by numbers'. It doesn't have the charm of Kelly's Heroes, the dignity of The Guns of Navarone, the credibility of The Longest Day or the sheer star power and likeability of The Great Escape. If you're bored and want to watch Alan Ritchson play a Scandinavian Jack Reacher going on a nazi killing spree with the help of some friends then you might enjoy it. The fact that it's based on true events doesn't make it feel any more believable than any number of b-movie war films. It *could* have been great but it's a misfire. Perhaps a director who approached the subject more seriously would have had more success. Guy Ritchie seemed torn between doing a 'proper' war movie and doing his usual stylish blokey silliness, and the result is that this is neither.

The absolute worst thing about it is Rory Kinear who is horribly miscast as Winston Churchill. He's shocking. He looks nothing like him, despite mountains of prosthetics and he sounds like a northern comic doing a bad impression.