Hampstead

A nonsensical little film, but pleasant and enjoyable. A little out of touch with real social housing problems maybe. It has the Jane Austen theme of destitution when one is down to one's "last servant". I couldn't ,in all honesty, feel heartfelt compassion for a silly woman whose lot was not really terribly tragic. Oh, for the enviable position of having to sell everything and still end up living in idyllic retirement in a "roses round the door" beside the river, cottage.My sympathies lay with her son. Trying to argue some sense into a spoilt,helpless, twerp of a Mother.

This is very different from most films, not sure I would call it a comedy, but no foul language, interesting characters from the irish chap living on the heath to the leading (American) living in luxury she cant afford across from the Heath. Most enjoyable, very different and highly recommended. Brendan Gleeson is a joy to watch

"Do you drink too much all the time? No, only when I drink."

You're lying relaxed on your sofa on a Saturday night and you don't have the energy to do something useful? Well, that will certainly not change after watching this romantic comedy which takes place in the vicinity of Hampstead Heath. The whole film proceeds at a leisurely pace and tells about the strange relationship between Emily (Diane Keaton) and Donald (Brendan Gleeson). Emily is a middle-aged widow living in a respectable appartment opposite Hampstead park. Donald is a wayward tramp living in a little self-build shack in that same park, growing his own potatoes and carrots and fishing for lunch in the local pond. The two relate to eachother as yin and yang. Emily is having money troubles after the death of her husband, who left her a mountain of debt. She works voluntarily in an Oxfam clothing store and is reasonably socially engaged. Donald, on the other hand, never worries about money and wants everyone to leave him alone. In his eyes, the rest of the community consists of money-minded egocentric know-it-alls who do not understand and appreciate his wilful lifestyle.

The advantage of films such as "Hampstead", is that you won't be flabbergasted by it. You get a warm and blissful feeling from it and your brain cells are spared an exhausting effort. My philosophizing about "being amazed while watching a movie" (read my review about "Paddington 2" once again) isn't applicable to this film, because there's really nothing to be surprised about. The choice of its title is quite obvious. And when Emily looks unconsciously with binoculars through the attic window and thus discovers the bare belly of a bathing Donald, you immediately know what the tree-hugging activist is planning to do. What follows is a succession of endearing conversations and predictable misunderstandings. Fortunately, it doesn't lapse into romantic excesses and we are simply witnessing a burgeoning friendship between two individuals who have their own personal problems. One person fails to make ends meet financially and her gossiping high-society neighbor tries to link her to an accountant. The other is urged to leave his premises or he'll be expecting some legal proceedings. Well, it's clear from the beginning how this will resolve itself.

I really enjoy the acting of Diane Keaton. In every film she's the personification of a very cozy, hugely affectionate and huggable elderly lady. Such a granny who looks immensely friendly, helpful and old-fashioned. And on that level, she's of course the correct choice to play the character Emily in this not so surprising film. Because to be honest, it seems as if Diane Keaton always plays the same movie character. I'm sure Diane Keaton is a similar person in real life and thus plays herself all the time. Brendan Gleeson, on the other hand, was a joy to watch. A bearded garden gnome who's sometimes a real old grumbler but next shows he also owns a caring heart. Even though they look like an odd couple and it feels as if they don't really belong together, I can understand that someone like Emily can succumb to the sometimes hidden charms of Donald.

Apparently the story is based on true facts but some things are a bit romanticized and made up. The whole thing reminded me of "5 Flights up" where Diane Keaton also had a real estate problem together with Morgan Freeman. "Hampstead" is like some household tasks. You do not necessarily have to do them, but if you can bring yourself to carry them out, it won't hurt either. So it's not required to watch this average, easy-going romantic comedy. But if you do, it won't seem as if you've ruined your precious time.

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23 June 2017 Film of Choice at The Plaza Dorchester Tonight - Hampstead. Why do people find it so hard to reconcile themselves to the fact that it's OK to be different. This story takes us on a journey of burgeoning love between a widowed American and a man who deliberately chose to remove himself from society. Putting nothing into society, yet taking nothing out, he is persecuted for his lifestyle and when he is being threatened with eviction he finds support from an unexpected source....namely Emily, played the the wonderful Diane Keaton, who brings her flighty style to this put upon, widowed character. Almost forced into rebelling by Fiona, her busy body head of the tenants association neighbour, Emily discovers Donald Horner, a man who has been practising his lifestyle for 17 years, yet is facing eviction by the developers who want to utilise his plot of land. Based on a true story this film shows the unpleasant side of some people's characters and the nicer side of those who are drawn out from their shells. A feel good film which only had one uneasy moment for me, that was when Emily seemed to change her personality momentarily leading me to wonder where things were going. A good rainy Sunday afternoon film.

I watched this under the mistaken impression it was Woody Allen's 'Match Point' and was called 'Wimbledon'; a misapprehension compounded by the presence of Diane Keaton.

Very much an American's eye view of Blighty, teaming with caricature Brits and with the usual fluttering music score. But Keaton has outgrown those mannerisms that made her work post 'Annie Hall' such a trial, and her performance and that of Brendan Gleason keep you interested until it comes to a satisfactory conclusion.