Axolotl Overkill

Couldn't make it to the halfway point. i still didn't know what the movie was about. it was just boring nothingness. i had to watch it on amazon prime or i woulda watched it at high speeds early on and maybe gotten thru more of it. but at normal speed it, i couldn't believe i was only 40 minutes in when i looked, felt like over an hour (1 viewing)

The films description appeared authentic and catchy in theory, but after viewing, the execution of these characters and their situations unfolding; all together sat on the line of try-hard and unnecessary tragicness. There was a lot of odd dialogue/sense of comedy (for those with an acquired taste I'm sure) and unexplained, random and pointless scenes that felt like intermissions in between happenings. Judging by this film, I'm not sure if adults having casual romantic interest/intercourse with minors is normal in Berlin after a certain age but it sure was portrayed as something casual and not a big deal for both parties involved here.. it was even joked about. There really isn't a plot here, and when movies are shot with the intention of walking the viewer through a characters journey with action based storytelling, they usually follow some sort of organized plot line (the best ones do). But perhaps the director was telling different stories in one, or a true story of some sort? Who knows. All I know is this film left me utterly confused and quite discomfited as events came just as quick and dramatic as they went.

Unlike the protagonist of Klip (Serbia, 2012), teen Mifti does not allow her self-worth to be defined by her lovers. Either misunderstanding or being intentionally misled in her relationship with middle-aged Alice, Mifti naturally reacts with pain and anger, but any bad choices she makes arise from instinctual attempts (without forethought) to find or please herself, not others.

Axolotl Overkill shows a slice of life of a teen with too little parental guidance and too much urban opportunity for self-destructive behavior. But it's just one slice, from the middle of the loaf. Unlike a true coming-of-age tale, nothing here hints that sex, drugs, or rock-and-roll are new to Mifti; she's been like this for a while, apparently. And unlike Goodbye First Love (France, 2011), Axolotl Overkill shows no maturation of the main character. The salamander called "axolotl" is neotenic - its development halts at a juvenile phase, never taking adult form, and we are left expecting Mifti won't grow up any time soon, either. The resulting storyline may thus be less satisfying to many viewers (including me), but it's a realistic portrayal of one possible youth experience, of a nature that may be unfamiliar to many.

It's very well acted, directed, and filmed. It lacks traditional story-telling closure. Whether it has heart, whether you will feel empathy for the young character, depends on each viewer. It's worth watching once.

A hugely stylised character study of a German teenage girl who, after struggling to cope with family issues, resorts to Berlin nightlife. The film is so in the moment though that when it is all over you ask yourself 'oh wait, what was that about again?' Winner of the Sundance cinematography award, it has a keen visual feeling and the main character Mifti is somehow endearing despite her bad behaviour. It sets the scene nicely through Mifti's confrontations with people too caught in the moment to really have a grasp on life but the story line is so convoluted that it spoils the film's charms.

The confused meanderings of a teenage girl who is a spoilt brat and borderline psychotic. I suppose the film tries to portray rebellion for the sake of rebellion by an adolescent from a privileged world with colluding adults who are materially loaded and equally nihilistic and egocentrically exploitative. So, she challenges everyone's intentions and views whilst on an aimless, self-destructive merry-go-round of chain-smoking, alternatively smouldering and cursing, boozing until vomiting, screwing strangers at a whim, sniffing cocaine, to flopping wherever when she is spent. Quite weirdly, all this estrangement and aberrant behaviour doesn't evoke any empathy or real interest. Without wit or any development, the film fails to engage or provide any notion worth thinking or reflecting upon. It's a meaningless mish-mash dressed up as a road movie with no beginning, no direction, no plan or plot, no substance, no structure and no ending. Thus, the film is as self-indulgently serious as the main character. I found it unbearably boring and meaningless. Actually, apathy is so yesterday! Trying to be cool and postmodern it merely reveals itself as a pretentious, lazy, boring, time-wasting exercise. As the Romans said: CACATUM NON EST PICTUM.