Get Rich Free

Do not waste your time with this movie. My teenagers with no acting or production experience could've done a better job.

Get Rich Free was truly an artist's blank canvas for the taking thanks to producer Paul Thind. Given the collaborative artistic efforts of our director Shayan Sharmahd and the creative freedom given by the cast and crew this story was simply as much of an adventure to create as it was to be told. With it's vivid cinematography, original scoring, and the biting humor behind every performance I'm thrilled to see this blank canvas transform and truly come to life! The art department was really effective for such a small crew. Being that it was only me hahaha. All in all it was pretty awesome seeing everyone's obvious hard work culminate into a film that is hilarious, beautifully shot and edited, and pretty well acted.

Exceptionally ambitious 23-year-old, Paul Thind, in the directorial debut brings a spectacular adventure and comic-inspired movie to the big screen.

The watchers are introduced to many new faces who held their attention and kept them on the edge of their seats with inspiring dialogues and impeccable character interpretations.

Immediately after Paul (Brendan Morais), Pockets(Amir Stephens) and Ty(Hollis Chambers) are fired and blackmailed by their boss, Sandra D. MCMeyer, who the threesome are required to pay $15,000 or risk serving 23 years in a state controlled prison, they decided to take part in drug dealing but things went skewed when J-Rock(Fletcher) came for his payback they could not pay for.

The only way out they can think of was finding a hidden treasure.

The adventure comedy movie describes the reckless lives of three friends, who after losing their jobs, had no other choice than to find means to "get rich free" thus embarking on a risky adventure on the lookout for a hidden treasure.

This film functioned as great entertainment with several colorful casts and many straightforward plots.

Brendan Morais was exceptionally brilliant in its his starring role interpretations subsequently failing to disappoint in its first gig as a Russian thug in the movie Equalizer, whereas Amir Stephens and Hollis W. Chambers were both outstanding- and evidently at ease with Thind's directing style as well as the film's theatrical tone.

Thind's $20,000 budget film is regarded as a 92 minutes of perfect scene transitions, with very clear visual images and well-rehearsed scripting and sounds. Get Rich Free will surely have an Anime version represented by colorful graphics and fantastic themes.

This movie showcase astonishing actors who actually made the film. The most exciting thing about this movie is that it is definitely relatable.

It shows three friends with absolutely different desires, living and working together to make ends meet.

The over- ambitious Paul (Brendan) wishes to start up a Manga Anime business and is prepared to go to any length so as to actualize his dreams. Pockets (Amir Stephens) is fascinated by fashion whereas Ty (Hollis W. Chambers) wishes to be a Disc Jockey (DJ).

Moreover, nothing in our everyday live comes on a platter of gold, because they were met with numerous twists and turns that could surely make you to be longing for more. I love how the movie seemingly looks unpredictable. Be ever ready to get on the edge of your respective seat in anticipation of the next scene in the movie.

Nevertheless, there have been some particular scenes in which the movie felt somewhat drawn out, and the swapping of scenes weren't that good. There were a variety of undue repetition of so many scenes; a typical example is the first scene in the movie (where one character should wake other characters up from deep sleep). This was really done on four or more other instances.

However, numerous comical and action packed components were spread all over the movie to make it entertaining, adrenaline-filled and sensible.

In general, this is a remarkable movie that has a great plot.

If you are longing to watch a genuine movie, have a very good laugh and get enthusiastically engaged, then this is a seamless recipe for you in all ramification.

It was really cool seeing this movie evolve from just a script into a living organism throughout the various stages of production. Paul was able to bring together a great group of people. Everyone that worked on it brought something different to the table, which made it fun and memorable. It's kind of unbelievable seeing the final cut after all those long days and nights. It was funny as hell. That whole cast was perfect man. Great job and can't wait to share. Believe it was nicely directed. Great camera shots and the type of comedy was funny. Thanks to Paul and Shayan for letting me be a part of it. Getting the Opportunity to work with Paul and Shayan on Get Rich Free was a great experience. A lot of great, talented and bright minds working on this film from Cast to Crew and everyone involved!!!

My film as a debut is something to behold. At its roots, it simultaneously disregards and incorporates executing the fundamentals of storytelling. What most consider tried and true has become cliché in Hollywood. There needs to be a break from it, and this may very well be the next wave. What many consider plot structure in America is different from that of Japan and other foreign storytelling. Many may not understand it, unless they have an affinity towards and for anime. The ridiculousness and singular focus of the film is refreshing, where we don't worry about the complexity of the characters, as the ensemble case is handled beautifully and the audience will love the singular goals of the characters. Money. And as we all know, money is simple but the issues that come along with it are complex. Much of the dialogue, interpersonal interactions, and turning points seem to be forced, though life must be forced if you have a success driven mentality. The directors covered almost every behind the camera skill position and have singularly defined the vision. We get to peer into the creators' minds. The movie contains great shots that have great composition and lighting. Maybe in the future, we will have more filmmakers who decide to cover all the skill positions themselves instead of presenting us art with multiple opinions and philosophies being allowed into the art because of commercialism. Though this film is almost, at least on the surface, as commercial as it can get. We all have to start somewhere, this film is an ambitious attempt to integrate anime into a live action with limited resources. During a time when major studios and producer are pouring millions into doing the exact same thing; I did it for $20,000.