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Mil-jeong

  • 2016
  • TV-MA
  • 2h 20min
CALIFICACIÓN DE IMDb
7.1/10
12 k
TU CALIFICACIÓN
Lee Byung-hun, Song Kang-ho, Gong Yoo, and Han Ji-min in Mil-jeong (2016)
Trailer for The Age of Shadows
Reproducir trailer1:39
2 videos
56 fotos
AcciónHistoriaThriller

Los combatientes de la resistencia coreana hacen contrabando de explosivos para destruir instalaciones controladas por las fuerzas japonesas en este thriller de acción de período.Los combatientes de la resistencia coreana hacen contrabando de explosivos para destruir instalaciones controladas por las fuerzas japonesas en este thriller de acción de período.Los combatientes de la resistencia coreana hacen contrabando de explosivos para destruir instalaciones controladas por las fuerzas japonesas en este thriller de acción de período.

  • Dirección
    • Kim Jee-woon
  • Guionistas
    • Kim Jee-woon
    • Lee Ji-min
    • Jong-dae Park
  • Elenco
    • Lee Byung-hun
    • Gong Yoo
    • Song Kang-ho
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    7.1/10
    12 k
    TU CALIFICACIÓN
    • Dirección
      • Kim Jee-woon
    • Guionistas
      • Kim Jee-woon
      • Lee Ji-min
      • Jong-dae Park
    • Elenco
      • Lee Byung-hun
      • Gong Yoo
      • Song Kang-ho
    • 32Opiniones de los usuarios
    • 78Opiniones de los críticos
    • 78Metascore
  • Ver la información de producción en IMDbPro
    • Premios
      • 16 premios ganados y 41 nominaciones en total

    Videos2

    The Age of Shadows
    Trailer 1:39
    The Age of Shadows
    The Age of Shadows
    Trailer 1:46
    The Age of Shadows
    The Age of Shadows
    Trailer 1:46
    The Age of Shadows

    Fotos55

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    Elenco principal45

    Editar
    Lee Byung-hun
    Lee Byung-hun
    • Jeong Chae-san
    Gong Yoo
    Gong Yoo
    • Kim Woo-Jin
    Song Kang-ho
    Song Kang-ho
    • Lee Jung-Chool
    Park Hee-soon
    Park Hee-soon
    • Kim Sang-ho
    Heo Sung-tae
    Heo Sung-tae
    • Ha Il-Soo
    Jeon Yeo-been
    Jeon Yeo-been
    • Gisaeng
    Han Ji-min
    Han Ji-min
    • Yoon Gye-soon
    Go Joon
    Go Joon
    • Shim Sang-do
    Won Jin-ah
    Won Jin-ah
    • Nun on Bike
    Lee Sang-hee
    Lee Sang-hee
    • Baby's mom
    Kwak Ja-hyoung
    Kwak Ja-hyoung
    • Seo Jin-Dol
    Sin Seong-rok
    Sin Seong-rok
    • Jo Hwe-ryung
    Um Tae-goo
    • Hashimoto
    Kwon Soo-Hyeon
    Kwon Soo-Hyeon
    • Sun-Gil
    Joo Suk-tae
    Joo Suk-tae
    • Prosecutor
    Kim Dong-young
    Kim Dong-young
    • Heo Chul-joo
    Han Soo-yeon
    Han Soo-yeon
    • Mae-Hyang
    Seo Yeong-ju
    • Joo Dong-Sung
    • Dirección
      • Kim Jee-woon
    • Guionistas
      • Kim Jee-woon
      • Lee Ji-min
      • Jong-dae Park
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios32

    7.111.7K
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    Opiniones destacadas

    8ArminCallo-PalmSprings

    Wonderfully Atmospheric Period Film

    This film has strong commercial potential because of its suspenseful narrative structure; the bravado cinematography and editing; the strong acting; the powerfully evocative production design; and the effective musical score. Loved the entire look of the film. Love the sepia tone, the 1920s period costumes and sets, the compelling storyline, and the circularity of the narrative structure. To me, the strongest storytellers working today in cinema are from Asia, and that makes me so very happy as Asian cinema has lost a lot of its standing in World Cinema without the post-War (II) Japanese masters.

    Score Grid (out of 4)

    Script/Story: 4

    Cinematography/Visual Effect: 4+

    Editing: 4

    Sound/Musical Score: 4

    Production Design: 4+

    Acting/Performance: 4

    Recommend the film? Absolutely. This foreign film has the appeal of today's Hollywood products: the action, suspense, music, etc. The operatic concluding scene -- underscored by Ravel's Bolero -- owes so much to both Scorsese and FFCoppola. Also to Andrze Wajda really in look and feel; wonder if Kim Jee-woon is familiar with the Polish master's work?

    Thumbs way up!
    10alexdeleonfilm

    So much in this film it feels like watching a Beethoven Symphony!

    Mil Jeong (밀정 ~ The Age of Shadows).

    Viewed at 2016 Venice FilmFestival. Tremendous Korean epochal drama about life and resistance under the oppressive Japanese occupation in the early decades of the century. Director Kim Jaewoon really knows how to set up drama and suspense mixed with blazing action. There was so much in this film that I felt like I was watching a Beethoven symphony. Dark Sepia toned photography used to good effect enhances period feel. Musical soundtrack employs jazz and adrenaline tensor stretches and the final shootout in the train station is orchestrated deftly to Ravel's Bolero.

    139' running time is long and winds up with several anticlimactic codas but never lets you out if its grip. For Koreans this is clearly a film with heavy patriotic messages. The final theme is "Don't let your failures stop you -- build on them and rise to the next level" -- until victory is achieved. I would love to see this film with a Korean audience and would expect to see people on their feet cheering at the end... A young Italian I met afterwards said he loved it even though he knows nothing of the history involved. I could easily see why -- in a way this is something like a Kimchee spaghetti western and charismatic actor Kang-ho Song, 49, has got to be the Korean equivalent of John Wayne, or at least, Robert Mitchum.
    9ewleeds

    This Korean Film Just Pushed Gone With the Wind Away! Toppled it.

    If you said to me that a Korean Film can beat 95% of the top films produced in the last 20 years, I would have serious doubts. To explain, I am an Hollywood Worshipper, a Hollywood lover and a picture goer with strong views, likes and dislikes. What we have here is a film that is in the same 'sleeper league; as the ShawShank Redemption, a film with a wonderful story, script, a great cast and one of the best films I have seen for ages. It shown on British TV 23 October 2019, my wife put it on, when she saw it was Korean she lost interest and went to bed, big mistake, I stayed, and was totally hypnotised and absorbed with it, great technical strides have been made in the last 40 years in every department of film production - but in Korea, with a foreign cast, with no familiar names, a film made for adults not 11-year old children, without one car chase, or male film star whose next film is to save the world, or rescue it from Mr Evil Doom, this Korean film Age of Shadows, is one to be fond of, to watch again and again, and in some respects to relive your great film memories sitting in the Empire Cinema, Stockton on Tees, England, when sitting in the Nine-Penny seats watching the African Queen, All About Eve, or the Wizard of Oz, Yes, it is that good. Watch it.
    6kluseba

    Pales in comparison to Choi Dong-hoon's "Assassination"

    "The Age of Shadows" is a historically inspired dramatic action-thriller about a group of Korean resistance fighters who are opposing the peninsula's Japanese occupation. Directed and written by creative mastermind Kim Jee-won and starring South Korean top actors like Lee Byung-hun, this epic film became South Korea's official submission for the "Best Foreign Language Film" category of the 89th Academy Awards in 2017. While the premises seemed to be very positive, I was slightly disappointed by the movie.

    First of all, a much better movie with a very similar story line called "Assassination" was released only one year earlier and it beats this flick in terms of acting, pace, settings and story. It's quite difficult to identify with the main character in "The Age of Shadow" who constantly changes sides and doesn't seem to know what he believes in. Instead of portraying a man torn between two choices, the movie focuses on a rather antipathic and egoistic character who is thinking about his own advantage at all times. Even an outstanding actor like Song Kang-ho can't make this dull main character any more exciting.

    "The Age of Shadow" starts with an explosive opening scene only to lead towards a lengthy introduction with endless dialogues and numerous characters. It takes close to one hour before the pace quickens up again. The first half of the movie is definitely too long and often lost my interest.

    While the settings of the movie are very realistic and bring to life a genuine depiction of the Korean peninsula in the forties, the costumes and locations aren't as detailed and memorable as in many other South Korean high-quality productions.

    The story remains somewhat shallow in my opinion. It's obvious that the members of the resistance are trying to attack the Japanese occupants but the film never really explains what they are organizing precisely. It's quite unsatisfying to realize that the resistance's charismatic leader is taking many risks by trusting a highly unreliable main character and personally organizing an attack against the enemy that is never ever specified. The ending also leaves many questions open and feels unfinished to me.

    Despite these flaws, the movie also has many strong points. The side characters are portrayed excellently and add some depth to the movie. Especially the clever villain portrayed by Um Tae-goo is very creepy. The movie also convinces in its more intense passages. The opening scene is both dynamic and memorable. The climax on the train is very tense and will get you on the edge of your seat. The last thirty minutes of the film have a welcome dramatic and emotional touch. The settings are authentic and especially the scenes on the train, in different torture chambers and in the prison are beautifully crafted and provide a gripping and sinister atmosphere. While the story is maybe the movie's biggest flaw, it still requests some thinking from the audience and includes a few minor twists in the second half of the film that save this movie for me.

    Maybe my rating would be slightly more generous if the excellent "Assassination" hadn't been released a year earlier. That film's excellent execution from any point of view makes "The Age of Shadows" look quite predictable, redundant and even unnecessary. Faithful fans of contemporary South Korean cinema should still watch both movies but I would only recommend "Assassination" to occasional international audiences. "The Age of Shadows" really pales in comparison to Choi Dong-hoon's "Assassination". On a closing note, South Korea should have chosen the outstanding horror film "The Wailing" as official submission for the "Best Foreign Language Film" category of the 89th Academy Awards in 2017.
    8kanyeezy-28832

    The movie you have to experience

    Based on the real story that happened during the time that Japan ruled the Korea, The Age of Shadow is very successful history-based movie. It is a fine mixture of Korean characteristics and Western characteristics. Until these days, many Korean movies have sought for ways to put Korean-exclusive stories into the frame of Western film-making. The result has been somewhat successful but also somewhat disappointing. It fulfilled Korean people's wishes to watch Hollywood-ish Korean movies. However, it couldn't convince foreign people of the reason to watch Korean movies instead of Hollywood movies. I mean, no matter how hard Korean movies try, the budget is lower than Hollywood, and spectacles are also lesser.

    However, this movie, The Age of Shadow, is different. This one is unique. I'm not going to praise action scenes, or comedy scenes because they were not that outstanding. What I want to praise is atmosphere in this movie that keeps suspense alive throughout the whole running time. Well, for better understanding I could use Quentin Tarantino as an example. Even though he is famous for violence in his movie, many people who watch his movies for the first time find them very non-blockbuster like but still quite amusing. The Age of Shadow is quite similar. This movie's acting, dialogue and visuals give this movie a special atmosphere that keep audiences' focus. I'm not saying that this movie is Tarantino-like though. Kim Jee-Woon and Tarantino are similar in a way that they use special atmosphere throughout the movie but their atmospheres are different. Kim Jee-Woon has the ability to form a Korean-exclusive atmosphere that is based on Korean culture. I'm not sure how to name it but it is something that can move Korean people's heart without stating it in a specific way. And I believe this movie will be quite amusing and also exotic experience for you if you are not Korean. This movie is not like other Korean movies, but also the most Korean-like movie. I recommend it.

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    Argumento

    Editar

    ¿Sabías que…?

    Editar
    • Trivia
      This film is Warner Bros. first Korean production.
    • Errores
      In the train one of the resistance members open the pocket watch with QUARTZ inscription on dial. Second hand of the watch moves in distinct steps reaffirming they have a quartz movement inside. Quartz watch was not invented in 20s and was not available till late 60s.
    • Citas

      Jung Chae-San: Even when we fail, we move forward. The failures accrue, and we tread on them to advance to higher ground.

    • Créditos curiosos
      The Warner Bros logo is set on a quiet street.
    • Conexiones
      Featured in Boléro, le refrain du monde (2019)
    • Bandas sonoras
      When you're smiling
      Written by Larry Shay (uncredited), Mark Fisher (uncredited) and Joe Goodwin (uncredited)

      Performed by Louis Armstrong

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    Preguntas Frecuentes19

    • How long is The Age of Shadows?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 7 de septiembre de 2016 (Corea del Sur)
    • Países de origen
      • Corea del Sur
      • Estados Unidos
    • Sitios oficiales
      • Official site (Japan)
      • Vidio (Indonesia)
    • Idiomas
      • Coreano
      • Japonés
      • Mandarín
      • Inglés
    • También se conoce como
      • The Age of Shadows
    • Locaciones de filmación
      • Seúl, Corea del Sur
    • Productoras
      • Grimm Pictures
      • Harbin
      • Warner Bros.
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • USD 8,620,000 (estimado)
    • Total en EE. UU. y Canadá
      • USD 541,719
    • Fin de semana de estreno en EE. UU. y Canadá
      • USD 165,685
      • 25 sep 2016
    • Total a nivel mundial
      • USD 54,491,162
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      • 2h 20min(140 min)
    • Color
      • Color
    • Mezcla de sonido
      • Dolby Digital
    • Relación de aspecto
      • 2.39 : 1

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