Mil-jeong

If you said to me that a Korean Film can beat 95% of the top films produced in the last 20 years, I would have serious doubts. To explain, I am an Hollywood Worshipper, a Hollywood lover and a picture goer with strong views, likes and dislikes. What we have here is a film that is in the same 'sleeper league; as the ShawShank Redemption, a film with a wonderful story, script, a great cast and one of the best films I have seen for ages. It shown on British TV 23 October 2019, my wife put it on, when she saw it was Korean she lost interest and went to bed, big mistake, I stayed, and was totally hypnotised and absorbed with it, great technical strides have been made in the last 40 years in every department of film production - but in Korea, with a foreign cast, with no familiar names, a film made for adults not 11-year old children, without one car chase, or male film star whose next film is to save the world, or rescue it from Mr Evil Doom, this Korean film Age of Shadows, is one to be fond of, to watch again and again, and in some respects to relive your great film memories sitting in the Empire Cinema, Stockton on Tees, England, when sitting in the Nine-Penny seats watching the African Queen, All About Eve, or the Wizard of Oz, Yes, it is that good. Watch it.

Mil Jeong (밀정 ~ The Age of Shadows).

Viewed at 2016 Venice FilmFestival. Tremendous Korean epochal drama about life and resistance under the oppressive Japanese occupation in the early decades of the century. Director Kim Jaewoon really knows how to set up drama and suspense mixed with blazing action. There was so much in this film that I felt like I was watching a Beethoven symphony. Dark Sepia toned photography used to good effect enhances period feel. Musical soundtrack employs jazz and adrenaline tensor stretches and the final shootout in the train station is orchestrated deftly to Ravel's Bolero.

139' running time is long and winds up with several anticlimactic codas but never lets you out if its grip. For Koreans this is clearly a film with heavy patriotic messages. The final theme is "Don't let your failures stop you -- build on them and rise to the next level" -- until victory is achieved. I would love to see this film with a Korean audience and would expect to see people on their feet cheering at the end... A young Italian I met afterwards said he loved it even though he knows nothing of the history involved. I could easily see why -- in a way this is something like a Kimchee spaghetti western and charismatic actor Kang-ho Song, 49, has got to be the Korean equivalent of John Wayne, or at least, Robert Mitchum.

* This was South Korea's official submission for the Best Foreign Language Oscar of 2016. There were four, notable SK movies released in 2016 and this movie was the one officials felt was the best to submit....boy were they wrong. Both "The Handmaiden" and "The Wailing" are simply superior in just about every reguard.

* The movie is not bad by any measure, it's technical merits (cinematography, acting, production design, etc) are all great. The movie has a great stoic, 1920s feeling to it. And Song Kang-ho is outstanding (no surprise here). This was clearly well planned and organized by top workers in SK. It just didn't have a strong story behind all the great acting and camera-work.

* It's the story that feels just a tad underwhelming. It ends up going exactly where you expect it to (with a few MINOR surprises along the way). But right from the get go, you know where this one is heading. And it's this predictability and makes the 2 hours and 15 minutes feel a bit long.

* When all's said and done, this is a good movie from South Korea, but not great. It's not among the all time greats (and boy there are a lot), and it's not even the best movie from South Korea in 2016. But if you are a fan of period dramas (this one is light on action), then this is something you should check out.

South Korean thrillers rarely misfire even if they aren't that well reviewed or rated. Coming for Kim Jee-woon, who masterfully directed "I Saw the Devil" and "A Bittersweet Life", "The Age of Shadows" makes a notable entry to his filmography. The Western audience doesn't really get to see period South Korean film set in early 20th century and it gives us a chance to perceive life on the Eastern front.

"The Age of Shadows" takes place in the 1920's around a back-and-forth game between a group of resistance fighters and Japanese agents. The film is deeply rooted in the Korean independence movement from the Empire of Japan. While most of the people back home wanted to gain independence, they could not do anything in front of the strong Japanese authorities. The key was to form resistance groups to overtake the Japanese dominion.

The film stars two of South Korea's biggest actors working in the industry today, Song Kang-ho and Lee Byung-hun. They have paved the way of the South Korean new wave by delivering outstanding performances that helped the film industry achieve new heights. In "The Age of Shadows" they play on the opposite side of the fences, Song as a Korean police officer charged to sniff out the resistance and Lee as the leader of the resistance fighters. Lee's character begins to sense that the police officer can turn ways and be persuaded to help the resistance by feeding them information. At this point the wheels start to be in motion and it will be a very bumpy and eventful train ride, literally.

"The Age of Shadows" is a good period thriller with twists and turns that will keep you entertaining until the end.

A period drama pierced with elements of action & thriller that's polished in all filmmaking aspects and manages to be a tense, riveting ride for the majority of its runtime, The Age of Shadows maintains its gripping aura for the first two acts with its cleverly constructed & palpably tense cat-n-mouse premise but falters during the final act that feels a tad too drawn out & melodramatic. Worth a shot for the impressive set pieces it has in store.