Zappa

I was expecting all sorts of over-the-top freaky posturing and interviews for the sake of a buck, which Frank would have despised. Instead it was a decent and accurate synopsis of a man who will forever be shrouded in mystery.

The impact Frank Zappa had on many generations of slowly aging young persons coming of age, listening to FZ albums and never being the same again, seems to be the point of this documentary.

I was impressed through the whole thing. The production was never sensationalist. It is a somewhat gripping bio of a man finding his way as an artist. I think they call themselves "influencers" now.

Who doesn't like Frank Zappa? Probably quite a lot of people, but do they know Zappa, have they listened to his records? He's one of those divisive artists that I think a lot of people don't give enough time or respect to. Getting into Zappa is daunting. There are a lot of records, over a hundred (seriously). I've not heard them all but some can be quite... challenging. That for me sums up Zappa, challenging. If indeed he can be summed up at all. I suspect director Alex Winter (yes that one) has listened to them all and loves every one. A prolific recording artist, targeting politics, social issues, pretty much anything he tuned his brain to, he's an interesting guy. Musically he was all over the shop, but it's the scale of Zappa's output that's, well... quite daunting. This doc tells Franks life in his own words. Thanks in large to an incredible self curated archive that Frank introduces us to. Recording masters, photos, videos, all labelled on shelves. I like Franks dedication to his work. Considering it's scope, there's an amazing clarity and focus to it. Inspired by Edgar Varèse as a teen, he's drawn to the weirder side of music, alongside some rhythm and blues. Self taught on the guitar and pretty much everything else, Zappa wasn't constrained by rules. It's a dizzying trip, there's a lot going on in Franks early life. Scoring b-movies, illustrating greetings cards, buying an old studio, seriously don't blink or you'll miss some interesting detail that makes up the fabric of the man. 1965, The Mothers of Invention are born and this is probably the beginning of how most people identify Zappa. He's he's the source at the centre of the band, of everything really. A workaholic perfectionist. Uncompromising and not afraid to go against the grain, piss people off and generally be very demanding. It was a trippy time in California though and there was an audience for Zappa's far out experimentation. An articulate composer creating undefinable music, whilst also keeping an eye on the business side of the industry. Zappa was savvy. Perhaps a control freak, but a capable one. There's a real sense that Frank was the most capable in any room he put himself in. Genius might not be a ridiculous word by any stretch. The centre of the music scene in West Coast America, he's the artist that others want to be and be with. The Stones, Beatles, Clapton, Bowie, Alice Cooper all get a mention... oh and Charles Manson. He's not concerned with success, with hits, just expression. Be it through music, animation, theatre or perhaps most of all, everything together at once. This covers Zappa's dizzying life remarkably well. Never getting too bogged down in any one place and although it's the albums that make him (in)famous, there's a ton of fantastic live footage to enjoy here. If you're not a fan, it probably won't convert you, but I think will give you an appreciation to a genuinely interesting musical icon. A serious man, realistic, artistic, funny, principled and political. Winter has done him justice.

As a backer of the vault saving project which lead to this movie, and a long time Zappa fan I have read 'The Real Frank Zappa' book and many other articles, clips, etc. throughout his life so maybe I'm coming from a different viewpoint than the average viewer.

There is a lot of new footage and a few new things to be learnt about his life but there are many moments in the movie where I feel that the details are left out just a little too much - for example Frank worked for Studio Z before he bought it - he also bought up film sets with expectation of making movies.

I would have loved to have seen/heard more about his younger life, and the Garrick theater shenanigans, etc.

Otherwise the movie is beautifully made..

Frank Zappa was a unique and extremely talented composer and producer, with a sharp mind and a lovely dark sense of humour. I was quite the fan as a young man and have seen him in concert on several occasions. His death at only 52 came too soon, the body of work he managed to produce in such a short life defies belief.

However this documentary falls flat in showing this brilliance. Most of the material showing Frank is not new, the added interviews don't add much as everything has basically been said before. The editing is messy, jumping around timeperiods without a rhythm or arc. It struck me that Moon and Dweezil weren't interviewed, but when I saw that Ahmet was a producer it made sense; unfortunately Zappa's children have fallen out so they probably weren't asked or interested.

Zappa was great, but most of the stuff that came out after his death, including documentaries, is missing the quality that made his work so special. If you like FZ, listen to his music. I you want visual stimulation, just watch the things he made himself, it will tell you al you need to know about the man. Or read The Real Frank Zappa Book.

Greetings again from the darkness. Frank Zappa's music was never considered mainstream. His songs were rarely played on the radio. In his entire career, he charted one Top 40 song, and that was driven by his daughter. To some, he was known as a political activist and a spokesperson first, and a musician second. At times he was an enigma and a rebel or maverick, and he's even described as trying not to write a hit song. Alex Winter may be best known as Bill in the "Bill and Ted" movies, and he's also a successful documentary filmmaker (DEEP WEB, 2015). This time out he turns his focus on the career and life of Frank Zappa.

One of the first things we see is Frank Zappa taking us on a tour of his personal vault located at his Laurel Canyon home. It's an enormous private collection that captures quite a bit of history from the 1960's forward. Zappa points out some of his favorites including his jams with Eric Clapton in the basement and music with his friend Captain Beefheart (Don Van Vliet). These are original masters of Zappa's work over the decades, and he was nothing if not prolific, releasing 62 albums during his career, and another 53 following his death in 1993.

Acting as bookends for the film are clips of Zappa's 1991 live show in Prague, where he is helping celebrate the withdrawal of Russian troops. It's also his last guitar performance on stage. An incredible amount of footage exists of Zappa pontificating on one subject or another, sometimes on television, sometimes in front of news cameras, and even in front of a Senate committee. His music and his life was usually focused on social commentary, opinions not always popular with the establishment.

It's very interesting to hear Zappa talk about his early influences, particularly how he never outgrew his love for editing - something that began with the 8mm films at his childhood homes. He didn't begin playing music until his early teenage years, and it was orchestral before rock. He always considered himself a composer, and what a prolific writer he was. It's an unusual film in that it not only tracks the timeline of his career, but we are privileged to hear Zappa's opinions directly from him thanks to the unending recordings and archival footage available.

Mr. Winter includes much more than Zappa. We hear from musicians that made up the Mothers of Invention, including Steve Vai, Bunk Gardner, Ian Underwood, and an emotional Ruth Underwood. We also hear from renowned Rock n Roll groupie Pamela Des Barres, and Frank's wife Gail. It's noted that Zappa disbanded the Mothers of Invention in 1969, and there were many iterations that played afterwards. Some of the prominent names included violinist Jean Luc Ponty, and Howard Kaylan and Marc Volman of The Turtles fame. There is even a terrific clip of John Lennon and Yoko Ono performing on stage with Zappa and his band ... shocking for anyone not familiar with Yoko's infamous primal screams.

One of the best stories included is how Zappa's biggest hit came to be. A note from his young daughter, Moon Unit, introducing herself to her frequently absent father led to a collaboration on the single "Valley Girl", which cracked the Top 40. There are also stories on his dreaded hosting of "Saturday Night Live", as well as pieces on the Kronos Quartet, London Symphony Orchestra, and Ensemble Modern performing his music. In 1979, Zappa became the first musician to go completely independent with his own label, and this is only a few years after he was seriously injured by being attacked on stage.

Some may recall Zappa's appearance in front of the Senate committee in regards to the drive to include Parental warning labels on published music. Zappa viewed this as nothing more than censorship, and he was one of the few musicians to fight the battle against the opponents led by the wife of White House Chief of Staff James Baker. Zappa was certainly a man of principles, and had no time for those who weren't. It was pancreatic cancer that took his life, but a life well lived it was. His time as a symbol of freedom in Czechoslovakia is proof that he never shied away from standing up for what he believed in. So like his music or not - he surely didn't care. But he respected those who cared for society and freedom. Filmmaker Winter does a nice job with a two hour run time, when the material exists for a 4 part series.