Shi fu

I could not disagree more with the reviewer who calls this a "laughable" movie. I did not see the whole movie, only the fight scene where the main character uses his Bart Cham Dao to defeat his challengers. Of course the movie is "choreographed". All martial arts movies are, and especially this one where nothing but real blades are used could not be filmed otherwise.

The choreography is probably the best I have seen in the entire series of "Ip Man" movies. I have never seen a fight scene involving the Wing Chun double blades that had better timing and more realistic techniques and exchanges than this one. Over-dramatized? Of course. That's what martial arts movies are all about. But here it was done in a credible way that leaves you with the impression that the actors actually know what they are doing and have practiced for a long time in real life.

A Wing Chun master (Fan Liao of "Black Coal, Thin Ice") has to defeat eight martial arts schools to open his own school. At the same time, he has become a chess piece in the local power dynamics.

Right off the bat, anyone who loves good cinematography is going to appreciate "The Final Master". Director of photography Tianlin Wang brings with him a rich color palette that makes even the opening credits appear sharp and vibrant. The hues and crispness bring to life this time period in ways that only a great man behind the camera can. Accompanied by an interesting score composed of horns and strings (thanks to Wei An), we almost have a noir or mystery feel.

There is a fascinating mix of Asian and European cultures, with the Chinese embracing certain elements of upper class British culture. For those in the West, it is usually the American or Englishman in a story who wanders into the foreign land ("the Orient")… seeing things from the Chinese perspective is a nice switch. The inclusion of Belarusian dancers is also a nice touch, adding in a third component of cross-culture. Not only is there the dominant East-meets-West aspect, but a Soviet bloc piece, as well, which fits in neither one side or the other.

While the reviewer's knowledge of martial arts and its history is admittedly limited, there is something strange about the film referring to our hero as the last of the Wing Chun masters. Today, Wing Chun is known as the martial arts variant of Ip Man, Bruce Lee and even Robert Downey, Jr of all people. Perhaps this was lost in translation, but it defies belief that the ancient art was known by only one man in 1930 before becoming the most popular form of "kung fu" today.

Those looking for a classic, Shaw Brothers-style movie should be aware that the hand-to-hand martial arts is limited in this picture. However, the blade-on-blade action is intense and more than makes up for it. Every possible variation of sword, axe, dagger and more is utilized, including some that seem impossibly large to wield. In an era (1930s Tianjin) where guns were plentiful, it is fascinating that there is some level of honor about what is allowed in combat.

Historical nitpicks aside, this is a great film with beautiful cinematography and plenty of action. We also get a great supporting character in Madame Zou, played by Wenli Jiang ("Farewell My Concubine"). The movie was nominated for Best Adapted Screenplay at the 52nd Golden Horse Film Awards, as well as Best Supporting Actress and Best Choreography. It rightfully won in the latter category. North American audiences now get a chance to see the picture, as it screens July 16 at the Fantasia International Film Festival.

I went into this motion picture expecting more of a Kung Fu extravaganza (although the last showdown in the film was pretty bad ass).

When the movie opens and the lead actor explains that he is a Wing Chun master I was totally expecting a rip off of Ip man, but with swords instead of fist. Though the movie showcases that screeching sound two swords make during signature Wing Chun blade fights this movie does not hold a candle to the Ip Man Franchise.

Like Ip Man, it's both a drama and an action flick, but to both genres I felt Ip Man was far more compelling. As this movie try to do both it became unbalanced trying to sustain it.

I found the drama too dry and weak to want to pay attention to it. I thought the wing Chun was just OK due to fast cuts that make it seem like the movie had no one in it who was a master of the style. In fact the whole movie seem to be cut together at a pace that makes neither genre work well for me.

I did appreciate some scenes where it looked like the camera shot was paying homage to old school Kung Fu flicks and the art direction does really take you back to the 1920s, but honestly this movie moved too slow and had too much to take in to really entertain.

Poor writing, pretentious, lack of resolution. The only worthwhile scene from this film is the alley fight. Reviewers lauding t his film as some sort of modern martial arts rebirth are grasping at straws.

This is a highly watchable movie with great cinematography, costuming and set design. However it suffers from a slow pace, confusing plot, and unclear character motivations. Some scenes leave me thinking "what is happening?" The martial arts are fun, with lots of varied weapons work. If you think you are going to get something like Ip Man well you are going to get something more like the store brand cola version of ip man.