Anne of Green Gables

I thought the first episode was lovely, and drew me into the scene. It depicted a charming setting on a rural farm in Prince Edward Island. I would not want to be overly critical for these young actors who put a great effort into their acting. The young girl who played Anne did a marvelous Job.

I am not sure why we have to compare each version and be so critical. I also saw the 1985 version and also enjoyed it but I was a teen then so it was awhile ago but I think Ella Ballentine and Martin Sheen did a great job. The friendship between her and Diana was so very sweet. I do agree it was a little rushed but was a very sweet story.

I have read the books and have seen all adaptations of Anne of green gables. This new movie doesn't even come close to what was done in 1985 with Megan follows. I had to force myself to watch the entire movie. The casting and the direction was very poor. Anne in this movie did not flow effortlessly in her acting like Megan follows did and I found it particularly annoying how Matthew was not true to his character. The dialogues felt rushed and not natural. Many scenes were not given enough attention to detail and proper care. I had to re=watch the 1985 version to get over the disappointment. Please do not do a remake if you can't do a better version of the previous.

Lucy Maud Montgomery's 'Anne of Green Gables' is a literary classic, and, while not every adaptation of 'Anne of Green Gables' has been watched by me, count me in as somebody who also adores the 1985 version and who considers it vastly superior to this latest effort.

Every adaptation deserves to stand on its own two feet, regardless of how well or badly it fares to the source material or how it stacks up with other adaptations. As has been said, this 'Anne of Green Gables' underwhelms as an adaptation, the details are there but not the spirit with the film seeming to forget what it is about the story that makes it resonate so much. On its own terms, it also is just as problematic. To me it isn't as awful as has been said, but the disappointment is understandable.

There are good things with 'Anne of Green Gables' (2016). On the most part it looks very attractive, with beautiful and quaint scenery, evocative costume and production design and photography that gives off a real wholesome charm that reminds one fondly of cosy period dramas or something like 'The Waltons'. The music is lilting and suitably whimsical as well as with the right understated touch when needed.

'Anne of Green Gables (2016)' casting has been criticised and again understandably, with reservations for a few also shared. Ella Ballentine, starting with the positives of the casting, is a spirited and charming Anne, even if Megan Follows embodied the role much more Ballentine doesn't fare badly at all on her own and her spirit and charm lifts the film from mediocrity at best to something a little better. Julia Lalonde is perfectly cast as Diana, and Stefani Kimber's Josie is a bright spot too.

However, despite most of the details being there the spirit (apart from a cosy wholesomeness) isn't there, suffering from the pacing and dialogue delivery especially being too rushed and characters and essential plot points being either underutilised or re-written in polar opposite fashion. Gilbert is both downplayed and underused, with a too young Drew Haytaoglu being pretty bland in the role, and while it was appreciated that the relationship between Anne and Marilla had more prominence when it is often the romance it would have been appreciated more if it didn't feel like it dominated too much and that the character of Marilla had a better mix of the hard and soft rather than just being cranky and also less severe to usual. This too would have given Sara Botsford more room to stretch herself and her talents, what should have been a pretty juicy role limited her too much and never allows her to disappear into it.

Martin Sheen overplays in the role of Matthew, that is also written too extrovertedly. As much as this sounds like a purist, one of the book's biggest pleasures (of which there are too many to list) is how momentous the reader feels when Anne wins Marilla and Matthew over, when you have the roles written in polar-opposite fashion, Marilla needing more severity and more of a mix of hard and soft and Matthew needing to be more introverted and gentle, like here this momentous feeling is lost. The editing also feels very jerky too, while the script is rushed and often stilted in delivery and has a anachronistically modern feel that distracts too much from the period (as well as a few gratuitous darker elements that was best omitted). The ending has too much of a too sudden and unfinished feel to it.

Overall, looks attractive, has a nice score and with a few casting bright spots but feels both too bland and rushed. 5/10 Bethany Cox

I was hesitant to watch this because I read reviews that said it was pretty bad. Well, it wasn't terrible. It had a lot of elements that were true to the book. Of course, some parts were changed a little, which is always an unfortunate part of book to movie adaptations.

The actress playing Anne does a good job and I think she looks closer to Anne's description from the book than Megan Follows did, although Anne was supposed to be tall and both actresses seemed rather short.

The actress playing Diana is all wrong. In the book, Diana is slightly plump and beautiful, with black hair. This Diana is much taller than Anne, very thin, and has a medium-brown hair.

Most of the important moments are there and the outdoor scenes are lovely. I will probably be watching the next installment soon.

I'm not going to tell anything as far as the story line because it would retract from the experience one gets from watching this movie. Just know to sit back and be ready to share in crying, laugh, worry and love with all the characters in this movie. Everything in this story spells family. Ella Ballentine did a superb performance bringing her character to life. She as well can lead an audience in any direction and not disappoint in any way or form. A human firecracker in the making and an array of feelings that will bring you back to childhood with a convincing connection, that's for sure. Sarah Botsford did an awesome job with her character. Her ways of motherhood and friend locks you into her character and takes you for a ride that will for sure not only get you thinking but I actually was hoping for acceptance from her character as if she was my own mother. Martin Sheen's character blended in so naturally that you forget while watching that it's a movie. He brought a as he put it a kindred spirit to the audience. If there were ever a dad figure you would want to grow up with, it would be with Matthew Cuthbert. You will not be disappointed with this movie. Great Sunday movie to watch with your family or friends. Be ready to shed some tears, that is, if you have a heart. I know I teared up and not ashamed to admit it.