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IMDbPro

The Sense of an Ending

  • 2017
  • PG-13
  • 1h 48min
CALIFICACIÓN DE IMDb
6.4/10
8 k
TU CALIFICACIÓN
Jim Broadbent, Charlotte Rampling, Matthew Goode, Emily Mortimer, Michelle Dockery, Freya Mavor, and Billy Howle in The Sense of an Ending (2017)
Trailer for The Sense Of An Ending
Reproducir trailer1:57
38 videos
31 fotos
DramaMisterio

Un hombre se ve atormentado por su pasado y se le presenta un legado misterioso que lo lleva a reconsiderar su situación actual en la vida.Un hombre se ve atormentado por su pasado y se le presenta un legado misterioso que lo lleva a reconsiderar su situación actual en la vida.Un hombre se ve atormentado por su pasado y se le presenta un legado misterioso que lo lleva a reconsiderar su situación actual en la vida.

  • Dirección
    • Ritesh Batra
  • Guionistas
    • Julian Barnes
    • Nick Payne
  • Elenco
    • Jim Broadbent
    • Charlotte Rampling
    • Harriet Walter
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    6.4/10
    8 k
    TU CALIFICACIÓN
    • Dirección
      • Ritesh Batra
    • Guionistas
      • Julian Barnes
      • Nick Payne
    • Elenco
      • Jim Broadbent
      • Charlotte Rampling
      • Harriet Walter
    • 71Opiniones de los usuarios
    • 119Opiniones de los críticos
    • 61Metascore
  • Ver la información de producción en IMDbPro
    • Premios
      • 1 premio ganado en total

    Videos38

    The Sense of an Ending
    Trailer 1:57
    The Sense of an Ending
    The Sense of an Ending
    Trailer 2:17
    The Sense of an Ending
    The Sense of an Ending
    Trailer 2:17
    The Sense of an Ending
    Official Trailer #1
    Trailer 2:30
    Official Trailer #1
    Get A Drink
    Clip 1:33
    Get A Drink
    Meeting With Veronica
    Clip 1:34
    Meeting With Veronica
    Tonys Confession
    Clip 1:09
    Tonys Confession

    Fotos31

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    + 25
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    Elenco principal55

    Editar
    Jim Broadbent
    Jim Broadbent
    • Tony Webster
    Charlotte Rampling
    Charlotte Rampling
    • Veronica Ford
    Harriet Walter
    Harriet Walter
    • Margaret Webster
    Michelle Dockery
    Michelle Dockery
    • Susie Webster
    Matthew Goode
    Matthew Goode
    • Mr. Hunt
    Emily Mortimer
    Emily Mortimer
    • Sarah Ford
    James Wilby
    James Wilby
    • David Ford
    Edward Holcroft
    Edward Holcroft
    • Jack Ford
    Billy Howle
    Billy Howle
    • Young Tony
    Freya Mavor
    Freya Mavor
    • Young Veronica
    Joe Alwyn
    Joe Alwyn
    • Adrian Finn
    Peter Wight
    Peter Wight
    • Colin Simpson
    Hilton McRae
    Hilton McRae
    • Alex Stuart
    Jack Loxton
    • Young Colin Simpson
    Timothy Innes
    Timothy Innes
    • Young Alex Stuart
    Andrew Buckley
    Andrew Buckley
    • Adrian Junior
    Karina Fernandez
    Karina Fernandez
    • Eleanor Marriott
    Nick Mohammed
    Nick Mohammed
    • Postman Danny
    • Dirección
      • Ritesh Batra
    • Guionistas
      • Julian Barnes
      • Nick Payne
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios71

    6.47.9K
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    Opiniones destacadas

    9MOscarbradley

    Someting rare in British cinema; an intelligent and literate movie

    Something rare in British cinema these days; a highly intelligent, highly literate film based on a highly intelligent and literate book by Julian Barnes, (it won the Man Booker Prize). It's one of those films in which people think everything out before acting on their feelings, sometimes shelving their feelings altogether in favour of a purely intellectual approach. It's mostly told in flashbacks by Jim Broadbent's cynical old curmudgeon to his ex-wife Harriet Walter as he recounts the events of his past and his relationships with a potentially unstable girl, her family and his best friend.

    Dramatically not a great deal happens and yet, as they say, all human life is here but it is so well written, acted and directed you cling to every word and it's a real pleasure to hear such good dialogue delivered as beautifully as it is here. Broadbent hasn't been this good in years and Walters is wonderful as his ex-wife while Charlotte Rampling, in what is really just a cameo, is her usual outstanding self as the older version of Broadbent's first love. The younger players are also very fine; Billy Howle as the young Broadbent, Joe Alwyn as the friend, Downton's Michelle Dockery as a heavily pregnant daughter. It's also very touching and very funny; something of a real treat in fact.
    7ferguson-6

    Telling a life story

    Greetings again from the darkness. In 1967 Cat Stevens wrote "The First Cut is the Deepest" and the song has since been recorded by many artists (including Rod Stewart and Sheryl Crowe). The song's title is also an apt description of director Ritesh Batra's film version of the popular 2011 novel from Julian Barnes. It's one man's look back at the impact of his impulsive actions more than 50 years ago.

    "When we are young, we want emotions to be like what we read in books". So says the narrator and lead character Tony Webster (as played by Jim Broadbent). Tony runs a tiny second hand camera store (specializing in Leica models) while leading a mostly benign life – rising daily at 7:00am, coffee with his ex-wife, and periodic errands for his pregnant daughter. One day a certified letter arrives notifying him that he has been named in the Last Will and Testament of the mother of a girl he dated while at University. And so begins the trek back through Tony's history and memories.

    Of course, a film version can never quite cut as deeply as a novel, but this preeminent cast works wonders in less than two hours. Curmudgeonly Tony is accessible and somewhat sympathetic thanks to the stellar work of Mr. Broadbent, who always seems to find the real person within his characters. Harriet Walther ("The Crown") turns in a tremendous performance as Margaret, Tony's most patient and quite wise ex-wife. Michelle Dockery ("Downton Abbey") is their pregnant 36 year old daughter Susie, and just these three characters could have provided a most interesting story. The film's best scenes feature the comfort and familiarity of a once-married couple, as Tony and Harriet talk through previously never mentioned topics. However, there is so much more to explore here as Tony's thoughts bring the past splashing right smack dab into the present.

    Billy Howle does a nice job as young Tony, an aspiring poet, who falls hard for the enigmatic Veronica (Freya Mavor). Complications arise when Tony spends a weekend with Veronica at her parents' estate. It's here that Emily Mortimer energizes things (and clouds thoughts) with minimal screen time as Veronica's mother. It's also around this time where new student Adrian Finn (played by Joe Alwyn of Billy Lynn's Long Halftime Walk) captures Tony's imagination and a friendship bond is formed … only to be later shattered in a most painful manner.

    There is so much going on that director Batra's (The Lunchbox, 2013) low-key approach is often misleading. Looking back on one's life can lead to the twisted version that our mind has edited/revised in order to make things seem better or worse – definitely more colorful – than they likely were at the time. Tony's distorted view of history crumbles when documented proof of his actions is presented at his first face to face meeting with Veronica (the great Charlotte Rampling) in five decades. It's at this point that regret and guilt rise up, and the only question remaining is whether this elderly man can overcome his repressed emotions and self-centeredness in order to make the best of what time he has left. Each of us has a life journey, and though few of us ever actually tell the story, there are undoubtedly numerous lessons to be had with an honest look back.
    7CineMuseFilms

    a slow introspective study of how we make sense of our lives

    Everyone is a storyteller in their own way. Some use the big screen, others a book or a painter's canvas, but most of us tell stories to ourselves. In 1967, acclaimed literary theorist Professor Frank Kermode published a seminal book called The Sense of an Ending: Studies in the Theory of Fiction. He argued that we all internally write the fictions of our lives into a coherent pattern so things appear to have a logical beginning, a middle and an ending. We do this for one simple reason: to make it possible to "coexist with temporal chaos" and to "humanise the common death". This philosophical insight inspired the 2011 Julian Barnes novel of the same name that is now adapted in the film The Sense of an Ending (2017). Joining these dots help us to understand what this film is about.

    The film plot is simple but the story complex. Retired divorcée Tony (Jim Broadbent) is known as a curmudgeon by his ex-wife Margaret (Harriet Walter) and daughter Suzie (Michelle Dockery). He busies himself in his tiny shop selling second-hand Leica cameras when one day a lawyer's letter arrives that reopens memories of his first love. What follows is a jigsaw of glimpses into an old man's obsessive quest for redemption as he becomes haunted by an act of spite that he believes led to the suicide of his best friend. When he renews contact with his first love Veronica (Charlotte Rampling) he must confront unresolved emotions that were buried beneath the fictions he has constructed about his life.

    This slow and serious film is not for everyone. Younger people are too busy making memories to be rewriting the story of their lives. Older audiences will recognise what Tony is experiencing and empathise with his need for a 'sense of an ending'. Despite the film's stellar cast and fine acting, none of the characters are especially likable, so it is possible to leave this film disengaged with the people while having been thoroughly immersed in the story. This is a well-directed dialogue-driven film. Its multiple flashbacks capture the disjointed half recalled fragments that many of us store as life memories. Most of all, it is an introspective and insightful essay on how we make sense of our lives.
    8hou-3

    Fine, moving adaptation of one of Barnes' best novels

    After somewhat iffy reviews and some discouraging interviews I was really pleased by this movie. The novel has great depth and touches on weighty topics, leaving certain unresolved issues in its wake. Payne (scriptwriter) and Batra take on a very challenging job and with the help of a stellar cast they make as good an adaptation as anyone could reasonably expect. Broadbent is magnificent as the male lead and all the female ones are excellent. The cinematography is outstanding with some exterior shots that take your breath away, indeed Batra lingers on them a bit too long, though one can see why!

    There is a good deal to admire. The interweaving of past and present is highly skilled, the recreation of sixties milieus authentic. The school scenes rang true - I went to an all boys grammar school in the sixties and they get it right with the exception of the swearing. Incredible as it may seem to some people, swearing was unusual fifty years ago. I loved the way the painful weekend at Chislehurst - central to the mystery - was handled.

    There were a few lapses of judgement and taste but overall I would rate this as one of the best movies I have seen in the past year. It deserves awards.
    9Red-125

    Don't let the low rating fool you. This is a great movie!

    The English film The Sense of an Ending (2017) was directed by Ritesh Batra. This excellent movie has an all-star cast. Jim Broadbent portrays Tony Webster, a divorced man who is technically retired, but who runs a camera repair shop that specializes in Leica cameras. Dame Harriet Walter plays Margaret Webster, his divorced wife. They have a grown daughter Susie (Michelle Dockery) who is a pregnant, partner-less lesbian. Charlotte Rampling plays Veronica Ford. She holds a secret that is the key to a critical moment in Tony's life that took place 50 years earlier.

    Jim Broadbent is one of the greatest actors of the late 20th and early 21st Century. I've seen him in many films, and he always inhabits his role as if he were, indeed, that person. Dame Margaret Webster is a fine actor, and has appeared in dozens of movies and made-for-TV specials. However, I think the only time I've seen her on screen was as the vile Fanny Dashwood in Sense and Sensibility (1995). She does a highly professional job as a embittered woman, whose life is absorbed by her business interests.

    Michelle Dockery looks as if she just changed costumes and walked into this movie from Downton Abbey. She is always angry and depressed. For the record, her part is small and non-central in this film. I think she wants to broaden her range, but that didn't happen here. Could she ever star in a comedy?

    Charlotte Rampling was one of the most beautiful women in movies. At age 70, she still is one of the most beautiful women in movies. She is not only beautiful, but she is a consummate actor who is made for this role.

    This film is complicated. About 75% of it takes place in present time, and about 20% takes place in flashback. (The other 5% are dream and imaginary scenes, when the present enters into the past.) You'll have to pay close attention or you'll miss the point. In fact, during the middle of the film, I missed the point. However, towards the end, it all came together and made sense.

    (Incidentally, there's a tedious sequence in the beginning, when Tony gets a certified letter, and he almost opens it, then he sort of opens it, then he opens it and doesn't read it, and finally, finally reads it. The letters starts off the entire plot, so he needs to read it, and we need to know what it says. That's the only weak part of the movie.)

    We saw this film at the excellent Little Theatre in Rochester, NY. Even though it's meant to be seen on the large screen, it will work well on the small screen. This movie has a ridiculously low IMDb rating of 6.5. It's much better than that. This is one of those ratings that you have to ignore. Don't miss this movie just because it's rated so low.

    P.S. Relevant to The Sense of an Ending: The Moving Finger writes; and, having writ, Moves on: nor all thy Piety nor Wit. Shall lure it back to cancel half a Line, Nor all thy Tears wash out a Word of it." From the Rubaiyat of Omar Khayyam.

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    • Trivia
      At a festival screening in San Francisco, Ritesh Batra said that he had tea with Julian Barnes, author of The Sense of an Ending, ahead of filming. Batra was so nervous at meeting Barnes that he subsequently forgot most of their conversation, save for Barnes's parting line, spoken in jest: "Go ahead and betray me."
    • Errores
      Young Tony affixes a 'first-class' stamp to his fateful letter, sent in 1967. This sort of stamp was not produced for another 26 years (in 1993).
    • Citas

      Tony Webster: [Voice over] When you are young you want your emotions to be like the ones you read about in books. You want them to overturn your life and create a new reality. But as that second hand insists on speeding up and time delivers us all too quickly into middle age and then old age, that's when you want something a little milder, don't you? You want your emotions to support your life as it has become. You want them to tell you that everything is going to be okay. And is there anything wrong with that?

    • Conexiones
      Featured in Power of Memory: Making 'The Sense of an Ending' (2017)
    • Bandas sonoras
      Psychotic Reaction
      Written by Sean Byrne (as J. Byrne) / John Michalski (as J. Michalski) / Craig Atkinson (as C. Atkinson) / Ken Ellner (as K. Ellner) / Roy Chaney' (as R. Chaney)

      Performed by Count Five

      Published by Bucks Music Group Ltd / The Bicycle Music Company

      Licensed courtesy of The Bicycle Music Company

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    Detalles

    Editar
    • Fecha de lanzamiento
      • 10 de marzo de 2017 (Estados Unidos)
    • Países de origen
      • Reino Unido
      • Estados Unidos
    • Sitio oficial
      • Official site (Japan)
    • Idioma
      • Inglés
    • También se conoce como
      • Cam Giac Khi Ket Thuc
    • Locaciones de filmación
      • Painshill Park, Cobham, Surrey, Inglaterra, Reino Unido(location)
    • Productoras
      • Origin Pictures
      • BBC Film
      • CBS Films
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Total en EE. UU. y Canadá
      • USD 1,274,420
    • Fin de semana de estreno en EE. UU. y Canadá
      • USD 39,692
      • 12 mar 2017
    • Total a nivel mundial
      • USD 5,081,495
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      • 1h 48min(108 min)
    • Color
      • Color
    • Mezcla de sonido
      • Dolby Digital
    • Relación de aspecto
      • 2.35 : 1

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