Cuando las luces se apagan

This is the full length film that all horror fans waiting for after watch short movie at YouTube.

Great storyline and great acting from al cast.

The atmosphere is there and wayyy to many jump scare plot.

In the film, a young woman must confront her childhood fears to protect her brother from a vengeful supernatural entity holding a mysterious attachment to their mother.

In a textile factory during closing hours, an employee named Esther encounters a silhouette of a strange woman with claw-like hands when the lights are off, but cannot see it when the lights are on. After she leaves, her boss Paul encounters the woman and tries to run away, but he is killed.

You guys need to watch this.

After the short film's success, Sandberg announced a film adaptation based on his short film.

Really recommended. Enjoy and entertaining movie.

Lights Out wasn't a bad film, and it's always nice when a horror film comes out that has some scary moments and is only PG-13. Usually I go into PG-13 horror films with low expectations, which allowed me to enjoy the movie for what it is: a bunch of jump scares. The short film this movie was based off was simple, and effectively scary. By adding so much to the concept, it threw off the pacing. This film tried to be more than what is was. It tried to explore a deeper meaning, touching on mental illness and family problems (think The Babadook but not nearly as good), but it only managed to scratch the surface in a pretty shallow and uninteresting way. This was only accentuated by sub-par acting from quite a bit of the cast.

However, the film succeeded in making Diana frightening. By not ever showing her real form for much time outside of the shadows, she managed to be pretty horrifying. Definitely a creature to inspire nightmares when you turn out the lights.

Overall it was fun to go see in a theater filled with jumpy teenagers, but not really worth a second watch.

If you want to make it in Hollywood's horror industry nowadays, you have to make a scarily good short movie with one terrific idea and a handful of spooky images, and then simply hope that it'll go viral on the internet. If it works, influential producers will undoubtedly offer you a big sum of money to turn the short into a full-feature film and, with a bit of luck, your career is launched. It worked for Andy Muschietti with "Mama", and now he's helming the massively popular "It" remakes. It even worked for James Wan in 2003 already, with "Saw", and he's now so successful that he can act as influential producer to launch the careers of new arrivals, like he did for David F. Sandberg and his splendid "Lights Out".

I'm honestly happy to state that "Lights Out" is - at least in my own personal and humble opinion - the first mainstream horror movie in a very long time that is truly good and genuinely frightening. As cliched as it might sound, "Lights Out" is the type of fresh new film that restores hope and faith in in the horror genre for old and narrowly cynical fans like myself. The story is simple but highly effective, the lead characters are sympathetic and identifiable for a change, and the special effects (or even the lack thereof) definitely rank the most unnerving ones of the decade. Yes, it's another tale of an eerie ghost terrorizing a poor family, and admittedly several of the jump-scare moments are foreseeable, but the Diana character is authentically nightmarish and for me it was quite exceptional that I hoped for all these likable lead characters to survive instead of to die a quick & painfully.

Lights Out is an interesting stab at a horror movie based on a 2013 short film of the same name. The movie's novel concept is a creature that can only be seen and manifest in the dark. Turn a torch on, and it disappears. Naturally, this means that a lot of the movie is spent in the dark but this works well.The use of lighting is one of the movie's strong points and allows for some creative, and occasionally funny, uses of torches, candles and even car headlights. This technique generates a lot of the scares and atmosphere and given the movie's title, this is a must. Definitely top marks for the director on this part.

Teresa Palmer and Gabriel Bateman do well in the lead roles as the unfortunate kids with a crazy mother, played by Maria Bello. The problem with the movie is that apart from its main concept, it doesn't add much else. Clichés abound and yes, there is the mandatory dark basement (groan). Most of the scares are jump-out-at- you shocks and it's all been done before. Hollywood seems to have forgotten how to use psychological horror and churns out movies that are just twists on the same theme. This is probably a bit harsh as the movie is enjoyable enough and it's well-written, but I long for something new that isn't so long in the tooth.

The supernatural horror is effective and does elicit a genuine threat to the characters. Maria Bello, in particular, does well to ramp up the threat levels and makes you wonder who is going to make it out alive. As already mentioned, this was based on a short film and it really still is, coming in at around 80 minutes. Perhaps there wasn't enough material to make a longer movie but there's a feeling that it ends just as it gets going.

Lights Out is a decent film if you feel the need for a dash of supernatural horror but don't expect anything stand-out; it just doesn't deliver enough of a impact to make it memorable. It's good for what it does but don't buy too much popcorn as you may not have time to finish it.

It wasn't until I checked the credits that I realized this was based off of the short film by David F. Sandberg. I knew the lights off/lights on shadow figure thing seemed familiar. While I really loved the short film, I don't necessarily agree that it needed the full length treatment. I feel like we see this a lot - capitalize off some popular internet thing that, when extended, loses some of what made it special in the first place. The short film was unsettling and creepy as it was; giving it a back story and more detail made it feel cheapened. I'm not a huge fan of "BOO!" gotcha horror movies, though; I come from a generation that was raised on the original Halloween and, for me, that is the apex of subtle, creepy, slow burn etc - everything that makes one get enveloped in a movie. When there are two many jump-atchas, it is jarring and does not make for high replay value (for me, anyway). I thought the mental asylum backstory was so played out; I feel like maybe that trope should be burned alive. We get it. Although that's kind of how I also feel about kids being creepy (or "troubled"), too. There's just so little variation in horror these days. Not all bad, though - I feel like the choice of Teresa Palmer as Maria Bello (Sophie)'s character's daughter was a fantastic choice. I not only enjoyed her performance but I feel she looks the part; she looks like a younger version of her.