Hymyilevä mies

Very, very good film. An unusual one with the boxing theme. Must see it. It will stay for you long after it has ended. 1962, black and White, Finnish movie. Amazing.

It may seem surprising, but there are other directors in the land of Aki Kaurismaki. And they are making enjoyable films as well. "The happiest day ... " is a small but pleasant production situated in the '60s.

For the boxing genre the film is remarkable relaxed. This time not a touchy flammable Jake La Motta as the main character ("Raging bull", 1980, Martin Scorsese) but the somewhat shy Olli Maki. Olli is very realistic about his chances of becoming world champion in his weight class, but he has luckily other interests too.

This is in my opinion the essence of the movie. The ego of Olli Mäki (Jarkko Lahti) has not to be tempered but rather to be fueled. The relationship with his trainer is not very good, but this is not due to the fact (as in many other boxing movies) because his trainer is corrupt. It is the task of the trainer to raise the money for the title-fight and this cannot be done without some commercial events. Events Olli doesn't like because he is shy in the first place and in love in the second place (or the other way round).

For a film about a boxing title fight you would be surprised what, at the end of the day, has happened on the happiest day in the life of Olli Mäki.

In Holland the film showed only for a very short period of time and only in a couple of art house theaters, but it is nonetheless well worth seeing.

A baker in Finland, through an unsuspected order in his life, finds himself in exercises for boxing world championship whereas he was joining only amateur competitions before ten matches. This is a movie of an ordinary man's falling in limbo of his common life and the new life surrounded by sponsors, journalists, filmmakers, parties, feasts and shows. Olli's girlfriend represents his ordinary and peaceful life while the championship represents the new life. Movie has great scenes knitted by awesome cinematography and acting performances; plain, unexagerrated and aesthetic.

With a prize at Cannes, favourable reviews and complimentary buzzwords (such as 'delightful' and 'impeccable') all in the mix, you could be forgiven for believing that European cinema had chanced upon the next 'Cinema Paradiso' or 'Amelie' and unearthed the next great take on heartwarming universality. Despite this, my suspicion is that the average cinema goer will ultimately come away from viewing 'The Happiest Day in the Life of Olli Maki' slightly underwhelmed.

It would probably help to accurately define what it is, but here the film isn't shy of a bit of bobbing and weaving. Is it a boxing movie, is it a love story, is it a lovingly recreated slice of history, is it a tale of 'the little man facing mighty odds', is it a wry look at sporting optimism tainted by commercialism and self-interest? In truth, the movie invites each of these elements into the ring, feints and jabs with them, but without ever really hitting any of these targets square on.

The bulk of the story is devoted to Olli's pre-fight schedule, in the days immediately preceding the big match. So there's plenty of sparring, running and sweating on view, but this is also interlaced with the multiple promotional and commercial events Olli must attend in order to satisfy the sponsors and financiers of the bout. Rather than developing Olli's character (which remains fairly fixed as an affable, modest everyman) this routine is most successful at conveying how an event, which is billed as one man's dream, can incrementally drift away and become something he almost no longer recognises as his own. A man who merely wishes to test his talent, suddenly finds himself as a performer in a grand spectacle, carrying the weight of a nation's expectation on his shoulders. It's not 'one giant leap' to imagine a biopic of astronaut Neil Armstrong treading a similar path.

If I haven't mentioned the love story until this juncture, it's probably because, despite it producing some of the film's best moments, its presence feels a little token. Narratively, it teases us with the possibility that Raija is a distraction for Olli, dislodging his focus from 'his dream' or instead that she is actually the only genuine thing he has left to hold on to; especially given the fickle nature of the 'media circus' surrounding him. Whether it's preparing for sleep in a children's bunk bed, a stolen kiss at a local wedding reception or stealing an evening for themselves away from the pre-fight hoopla, Raija's wide-eyed openness and Olli's shuffling chivalry certainly imbue the film with some much needed emotional texture, but it's not enough. Given that we've had no access to them before the whole machinery of the 'big event' is in motion, for the most part, it's difficult to see them as much more than chess pieces in a game not of their own making.

The performances of the two leads and that of Eero Milonoff, as Olli's scheming promoter, all do the film credit, and as an impressively rendered piece of history, it's easy to see the film resonating with a domestic audience. But the rest of the art-house crowd may find the current 7.8 average IMDb rating a little generous; 6.8 is probably closer to the mark. (insert your own joke about the film not being a 'knockout' here)

A beautiful film. not memorable. but real nice. about love, sport, media pressure, a honest and modest man . nothing to reproach . nothing bad. only sin - impression to see a sketch. the viewer options for colors and lines, for define it as boxing story or love story is the thing who transforms the film as a spring drawing. the absence of director to give real roots to the story is, maybe, the lead error. sure, it is a biopic and the "true events" are enough for a reasonable adaptation. but you expect more than a neutre , interesting portrait. sure, one of good points is the predictability of story. you know the end. you expect it. and the basic motif for not be bored or apathetic is the performances of Oona Airola,Jarkko Lahti and Eero Milonoff. I admitt, I expected with enthusiasm to see this film. and I was not dissapointed. because it is a beautiful film.