LBJ

Lyndon Johnson gets a very sympathetic (while RFK does not) look from the most unlikely of defenders in liberal film maker Bob Reiner's LBJ. The grossly misleading title about this larger than life character however covers little of his career, deciding instead to zero in on the period around JFKs assassination, Johnson's ascendancy to the Presidency and passage of The Civil Rights Bill. It offers an interesting look at power play at the highest levels as Johnson intimidated to begin with by all the Harvard intelligentsia in the cabinet attempts to establish himself.

Woody Harrellson's LBJ passably captures the crassness and incertitude but fails to deliver the man in full that as Senate Majority leader bullied and cajoled members into line. There are flashes of the famed abrasiveness but they are far out weighed with a pouting, insecure LBJ huddling with Lady Bird. Anyone familiar with this man's public career know the material Reiner had in his arsenal to make an outstanding character study. Instead he only gives us a chapter of an incredibly controversial career when we are expecting a book. LBJ shortchanges.

Always enjoy movies of history and political ones and this latest "LBJ" is one good look at the past president from west Texas. It shows that Lyndon Johnson was a man of faith and courage despite what the no doubters and others thought of him. Johnson(Woody Harrelson) is shown as a senator who's taken a back seat to many as he's a southern democrat, yet things change when president Kennedy asks him to be his running mate and vice presidential candidate in 1960 and upon election, Lyndon still gets a cold shoulder from Kennedy brother Bobby and other northern democrats.

Yet all of that changes as Johnson is thrown into the spotlight and becomes president after president Kennedy is hit and killed with an assassin's bullet in Dallas in 1963. Oh Lyndon has come along way from west Texas to the white house. Along the way doubt and indifference is found even from his own party, yet Johnson thru hard work determination and political back room workings gets the landmark Civil Rights Act passed in 1964.

Overall good film that's a historical and political look at a great figure a president that was for the people and their rights and a society changer even when it wasn't popular or it didn't seem the norm. "LBJ" is one picture to watch for historical and political social reasons.

Woody Harrelson completely disappears into the role of LBJ.

Great acting. A good inside look at LBJ and the aftermath of JFK's assassination, especially for those not alive when it happened.

Worth a rental.

I was 10 when LBJ became president. I associated him more with possibly putting me in Vietnam than anything else. It wasn't a good impression. This movie and Harrelson's excellent portrayal fleshes out the man as someone who had mastered the art of political give and take, who was as powerful a senator as you could become, and yet someone who needed people's approval and even love. If you expect to see LBJ the great manipulator and master politician, you'll only get a little of that. More, you'll get exposed to LBJ's complex relationships with his wife Lady Bird, John and Bobby Kennedy, Kennedy's presidential staff, and one or two congressmen such as Senator Russell of Georgia. Set against a huge backdrop, this is still an intimate movie of LBJ the man. My wife and I both enjoyed it.

Greetings again from the darkness. More than 50 years after his death, President John Kennedy casts an ever-present shadow over Lyndon Baines Johnson's career as a stellar politician and a President with significant accomplishments. Part of the reason is presentation – JFK was a story book leader straight from the fashion magazines, while LBJ was a vulgar-at-times comic book adversary who looked and talked funny. Each has been portrayed on film numerous times and from various perspectives.

Woody Harrelson and his facial prosthetics play LBJ, and Mr. Harrelson seems to be enjoying the swagger and emotional range of the titular man. What this film does that's a bit different from others is embrace the comedic elements – enhanced by both the performance and the script from Joey Hartstone. It seems odd (a somewhat awkward) to have so many laughs in a movie where the infamous 1963 Presidential motorcade, and subsequent assassination, form the backdrop.

Director Rob Reiner presents LBJ in all his crude and gruff glory, but also shows the ultimate politician – a man who was constantly negotiating. Intimidation was always part of the LBJ motif, and the film effectively displays the tactics used by John and Bobby Kennedy (Jeffrey Donovan, Michael Stahl-David) to take the wind out of LBJ's sails after the election.

There are reenactments throughout the film that place us back in the middle of iconic images seared into our memories … the motorcade after the shots, the scene at Parkland, and the swearing in aboard Air Force One with Jackie still wearing her blood-stained Chanel suit. This was an incredible time in our history, as the nation was emotionally shattered. It's for this reason that much of the film seems disjointed or misguided. Too much (or maybe not enough) attention is on LBJ's strained relationship with Georgia Senator Richard Russell (Richard Jenkins), one of the most racist men we've seen on screen. Their discussion of race relations while being served dinner by the black woman is beyond uncomfortable – yet still somehow too stagey.

Most of the film is spent on LBJ's time as Senator and Vice President, with only the final act being about his famous networking upon ascending to the Presidency … after which the entire focus is on the Civil Rights Act. The flow of the film seems a bit off, though most will enjoy watching Harrelson's performance – especially when paired with Jennifer Jason Leigh's Lady Bird. Together, the two almost rescue the script.