The Mauritanian

I had modest expectations going into "The Mauritanian," a screen adaptation of the book "Guantanamo Diary," which blew the whistle on the U. S. treatment of prisoners of Guantanamo Bay. Usually, if a movie as Oscar-baity as this one fails to receive a single nomination, it's because it's not very good. So call me pleasantly surprised when I discovered the film to be the exact opposite.

To some, "The Mauritanian" will likely be too heavy handed. It's one of those liberal Hollywood diatribes (and I say this as a self-identified liberal progressive) that can be too much even for those who've already bought what the movie is selling. I might have been turned off if I'd been in a different mood when I watched it. But sometimes, the commitment of the people making the movie can overcome its excess earnestness, and that was the case for me here. Among the usual Liberal Activists = Good, U. S. Government and Military = Bad tropes, the film does try for some nuance in its characters. Jodie Foster gives a sensational performance as the attorney dedicated to freeing the film's protagonist, played in an equally wonderful performance by Tahar Rahim, and we're allowed to see that she's unlikable and conflicted. Likewise, Benedict Cumberbatch, as the prosecuting attorney, is introduced as what we're sure is going to be a macho Southern military goon stereotype, complete with unacceptable accent, but the movie subverts our expectations and shows that he's capable of letting personal and patriotic feelings be outweighed by humanitarian ones. Granted, the film does none of this elegantly or delicately, but I just appreciated a story that at least attempted to populate a liberal/conservative issue movie with characters that are more than easy ciphers. The film could probably be criticized as yet another white savior story, and those criticisms would be justified. But it's a damn good one.

Shailene Woodley rounds out the cast as Foster's assistant, and she's excellent as well. The director is Kevin Macdonald ("The Last King of Scotland"), who has a knack for making blisteringly entertaining movies out of gruesome true event subject matter.

Grade: A.

... but even then you're still guilty, because somebody has to pay, so it might as well be you! If it wasn't for people like Nancy Hollander we wouldn't have the outstanding Tahar Rahim to thank for portraying, through an award worthy performance, the unbelievable injustices endured by Mohamedou Ould Slahi. Unlocking some of the not so secret secrets behind the incarceration of the innocent, the torture and torment of the unfortunate, the proximity in time and space to a place you probably call home reinforcing the impact of lessons seldom learnt and the overwhelming ignorance of those entrusted to protect us when given carte blanche to do so.

This is a difficult movie to watch or write a review on. At the core is outrage. Those who don't want to believe that such outrageous things could be done by their beloved country and those entrusted with its values and justice will deny its assertions to protect the vision they hold as sacred. Others will raise their fist and proclaim they fight for the right of those abused and violated. Both sides will claim they know the truth. I am not surprised by man's inhumanity. Indeed, my faith calls it original sin. The difference being, I believe we are all capable of it. But my faith also believes in deliverance and hope, responsibility and the power of redemption. This film does a remarkable job of representing this man's story. The performances are flawless. The storytelling is compelling. The warning is important. For those reasons, I give this film an 8 (well told) out of 10. {Drama}

This is a very very powerful film, that brings a very dark page of history to light. My heart is so heavy from the horror I saw. When the credits rolled, I didn't want to stop the film. I'm amazed by how he keeps his positivity, or even the will to live through years of darkness.

A lot of great talent make this a particularly riveting film. No punches are spared when it comes to how incompetent and inhumane Rumsfeld's policies were at Guantanamo. I criticized The Report for being too visceral in trying to make its point. This film had some very disturbing scenes as well but they were much more effective. You actually cared for the characters in the film. The Report and the Mauritanian make the same points, but where the Report was dry with little character development, The Mauritanian tells a fascinating personal tale.