The Mauritanian

One can argue that a society shouldn't torture even its most committed enemies; or that torture is wrong because you might inflict it on the innocent. But one thing that is certain is that torture is a very bad way of finding out the truth: the guilty may confess, but the innocent will do so too, just to get the torture to end. Yet, in the wake of the terrorist attacks on the United States in 2021 and the subsequent wars, the U. S. government rounded up those it suspected of involvement, imprisoned them without trial, and subjected them to torture. Kevin Macdonald's film 'The Mauritanian' tells the story of one such victim. At first the film is hard to get into: it raises the possibility of the suspect's guilt (a possibility it does not so much allay as subsequently ignore) and saves the story of his torture to the end; the tale of that torture is then told impressionistically, rather than as a precise claim of exactly what was done. Also, a man languishes in gaol for 14 years: where's the plot in that? But the essential truth of how people were treated has been very well established, and the film does us an important service by bringing this to a wider audience. If civilised people are defined by how we treat our enemies, the story is a major fail for the west.

A lot of great talent make this a particularly riveting film. No punches are spared when it comes to how incompetent and inhumane Rumsfeld's policies were at Guantanamo. I criticized The Report for being too visceral in trying to make its point. This film had some very disturbing scenes as well but they were much more effective. You actually cared for the characters in the film. The Report and the Mauritanian make the same points, but where the Report was dry with little character development, The Mauritanian tells a fascinating personal tale.

This is a very very powerful film, that brings a very dark page of history to light. My heart is so heavy from the horror I saw. When the credits rolled, I didn't want to stop the film. I'm amazed by how he keeps his positivity, or even the will to live through years of darkness.

I had modest expectations going into "The Mauritanian," a screen adaptation of the book "Guantanamo Diary," which blew the whistle on the U. S. treatment of prisoners of Guantanamo Bay. Usually, if a movie as Oscar-baity as this one fails to receive a single nomination, it's because it's not very good. So call me pleasantly surprised when I discovered the film to be the exact opposite.

To some, "The Mauritanian" will likely be too heavy handed. It's one of those liberal Hollywood diatribes (and I say this as a self-identified liberal progressive) that can be too much even for those who've already bought what the movie is selling. I might have been turned off if I'd been in a different mood when I watched it. But sometimes, the commitment of the people making the movie can overcome its excess earnestness, and that was the case for me here. Among the usual Liberal Activists = Good, U. S. Government and Military = Bad tropes, the film does try for some nuance in its characters. Jodie Foster gives a sensational performance as the attorney dedicated to freeing the film's protagonist, played in an equally wonderful performance by Tahar Rahim, and we're allowed to see that she's unlikable and conflicted. Likewise, Benedict Cumberbatch, as the prosecuting attorney, is introduced as what we're sure is going to be a macho Southern military goon stereotype, complete with unacceptable accent, but the movie subverts our expectations and shows that he's capable of letting personal and patriotic feelings be outweighed by humanitarian ones. Granted, the film does none of this elegantly or delicately, but I just appreciated a story that at least attempted to populate a liberal/conservative issue movie with characters that are more than easy ciphers. The film could probably be criticized as yet another white savior story, and those criticisms would be justified. But it's a damn good one.

Shailene Woodley rounds out the cast as Foster's assistant, and she's excellent as well. The director is Kevin Macdonald ("The Last King of Scotland"), who has a knack for making blisteringly entertaining movies out of gruesome true event subject matter.

Grade: A.

... but even then you're still guilty, because somebody has to pay, so it might as well be you! If it wasn't for people like Nancy Hollander we wouldn't have the outstanding Tahar Rahim to thank for portraying, through an award worthy performance, the unbelievable injustices endured by Mohamedou Ould Slahi. Unlocking some of the not so secret secrets behind the incarceration of the innocent, the torture and torment of the unfortunate, the proximity in time and space to a place you probably call home reinforcing the impact of lessons seldom learnt and the overwhelming ignorance of those entrusted to protect us when given carte blanche to do so.