Rostros de una mujer

I'm watching this on Mubi in the UK and I have to admit that I have pretty much no idea what is happening at any point. There seem to be several separate films joined together for no reason. Despite the cast including several of my favourite actors, I'm constantly on the verge of abandoning it. It's not like there is anyone to get attached to or sympathise with, and I can't see any connection between the episodes aside from guest appearances by certain characters. I'm giving it 5 out of 10 as a sympathy vote as I think I'm probably missing something. Finally, for character length, it's interesting and refreshing to find Gemma Arterton in a French film.

The film was a Different incarnations of one woman are drawn into a dark vortex of sex, gambling, and crime in this shape-shifting, seductive French drama. Starring alongside Gemma Arterton and Adèle Haenel as one of four faces of mysterious femininity, Adèle Exarchopoulos is as beguiling as ever. Synopsis Four moments in the lives of four female characters. Little Kiki plays a game of hide and seek that turns into tragedy. Karine's teenage years are full of men and mishaps. Young Sandra moves to Paris and has a brush with disaster. Finally, the grown-up Renée thinks she is safe from her past, I love it.

You may think about David Fincher's BENJAMIN BUTTON, but on a lesser scale, of course, when you see this French film telling the story of a woman during the four major steps of her life. Child, teen, young woman and a little later. And those phases are shown through four different faces, four different faces. A splendid cast which emphasizes a moving but very sad tale that will let no one unaffected. Adèle Haenel and Exarchopoulos are both outstanding in two of the female's faces. And the editing did not bother me at all. But I am afraid that many audiences will avoid this film. Sure, this is not a comedy and this dark side of the characters can be depressing to many folks. such a shame. I highly recommend it.

This could have been superb, but films with fragmented nonlinear timelines require more care to tie the pieces together than we receive in Orphan. It's a drama depicting major traumas in one character's life, but in reverse time order, inside a wrapper that begins and ends in current times.

Portrayal of the progressively younger main character Renée/Sandra/Karine by Adèle Haenel, Adèle Exarchapoulos, and Solène Rigot were excellent as expected, and young Vega Cuzytek played the child version, Kiki, with skill far beyond her years. Technical aspects of the film were fine.

But completely lacking is anything that provides a causal link from Kiki's experience to her mindset and behavior as Karine. I interpreted Kiki's trauma as one of misadventure, and not one in which blame is due. Nothing in the film shows otherwise. And the drastic change in personality and behavior of her father is given unacceptably short shrift. The end of Karine's tale, her transition to Sandra, and the transition from Sandra to Renée also could have been depicted more explicitly, but the gist should suffice.

Other than that, once viewers understand that these women and girl are the same person, the film is accessible. And unlike some folks, I interpreted the final scene as redemptive, with Renée facing up to what is required of her while having hope and honest intent to return to her newest responsibility when she can.

It's worth watching!

Frankly its very annoying movie. You will not understand anything. Excepted the brilliant and sexy Adèle Exarchopoulos this movie really suck. Its pleasure to see her playing and moving anyway but all other actor are really out. Trust me this is a worse movie "à la française" with no beginning and no end, a very uninteresting story. Go outside playing with your kids your dog you will have better life moment than this scrap movie.