Desde Allá

The vulnerable victim of a voyeuristic sexual predator (who is likely a former victim himself) tries to "fix him" and fails dramatically.

While technically good and masterfully acted, this movie tells us a bleak story that's not necessarily interesting or especially meaningful. It's a good retelling of a tale of human misery, make of this what you will.

An old-guy-meets-young-guy love story, er, hate story, perhaps. In their first encounter, Armando, the old one, promises money to Elder, the young one, in exchange for removing his clothes while he masturbates. Elder is a supposedly-straight homophobe who wails the older, gay man in the face, leaving him passed out on the floor while he steals his wallet. That's their first "date". Then they keep coming back to each other for more.

On the positive side, the acting is not half bad, especially from the young lead. He completely filled his character's shoes, right down to the body language. It didn't feel like he was acting at all. When he was supposed to be an asshole, he was a total asshole and then some. No matter how absurd the idea of his chemistry with Armando, his portrayal of unbridled passion was still shockingly convincing. The role of Armando does not require nearly as much acting by comparison. He mainly makes the same hollow face for the entire film, indicating that he just feels terrible all the time. There is nuance to both of the main characters which makes you simultaneously hate, pity, and maybe even root for them, capturing quite honestly at times the complexity of human nature and self-inflicted suffering.

All the while the characters are exploiting one another, there is never a single moment or conversation that indicates a genuine mutual interest or respect has developed between them. Suddenly, romance appears to blossom out of a couple of drinks, which I found highly unbelievable given the characters' demeanors. Armando doesn't smile even when, against all odds, he gets what he's been dreaming of. Their mere togetherness suggests perpetual self-loathing on behalf of both characters, as they ultimately can't seem to resist hurting each other.

An interesting change develops in one of the characters towards the latter part of the film, but then the story ends abrubtly and disappointingly. The lack of music in the end credits and the muted color palette perfectly exemplify the sense of emptiness one gets from the film in general.

I was hoping for and somewhat expecting a different outcome. The story's arc does not seem based in reality. The characters, Elder in particular, frequently seem guided by an unseen hand that makes them do things real people probably wouldn't do. The overall product manifests like an intoxicated, angry, revenge fantasy in which a homophobic man gets his comeuppance, but not before first being objectified and salivated over like he's a piece of meat. If you're not already bitter, you might want to avoid watching this cold-hearted film.

This is not a real review, it should be understood more as a collection of impressions on the film.

Very particular film that blends a strange but linear plot with a continuous sense of anxiety and inadequacy. A film that tries in a very bold way to tackle a very particular and very thorny theme and therefore very difficult to talk about without falling into being too terrible and therefore truly unwatchable. In the end the film is entertaining although really harsh and really strangely too bold but in the wrong way to really be considered one of those films that will remain in history. Not so good.

A film who I love. Maybe, for impecable Armando of Alfredo Castro. Or , because, as teacher, I know many Elders like the character of Luis Silva. It is not a comfortable film. But an useful one for atmosphere, high craft, for dialogue, reactions and the clash between two different worlds. And, more important, it is support for reflect about loneliness in contemporary world. Short, a great work. Simple, profound, stormy , cold and precise in each detail, giving more than it seems do.

Golden Lion winner "From Afar" is a dark romance between two men having huge age gap named Armando and Elder respectively. The film is directional debut of Lorenzo Vigas. The film never promised us to deliver a love story between leads however the connection begins to immerge but love between them have lot of tension and there is always a barrier between them even at a emotional current situation. The tight Cinematography manages to capture some best frames with good performances. From Afar" isn't about a gay romance so much as how the tension between these two men challenges the social barriers surrounding them and lack of score balances the tension so well . The ending is something you didn't expected. It's painful.