Ella es un monstruo

The viewer feels little compassion for the problems these characters both find and make for themselves. Worse, the characters wreak murderous destruction on an Asian nation, but we're supposed to feel sorry for their romantic entanglements? The story, such as it is, is told thru the wrong end of the telescope.

Greetings from Lithuania.

I found "Colossal" (2016) much more interesting, dark and deep then i thought i will be after reading a premise. This isn't your typical comedy staring Jason Sudeikis - it isn't funny movie, except if you are looking for some very dark comedy.

Premise here looks like from a mind of Spike Jonze of Charlie Kaufman. Although it isn't as brilliant as those two might have made this movie - i loved the story overall and movie itself.

Ovreall, "Colossal" is a kinda fresh take on a premise. There is a very dark humor down below, but i enjoyed it very much in a first place because of very solid writing, pacing (at running time 1 h 43 min this movie never dragged) and not by "a numbers" movie. Good, underrated movie.

This is a love-it or hate-it movie. If you were looking for a RomCom or Kaiju movie, you may be in the hate-it camp. If, however, you want the clever outworking of a dark metaphor presenting itself as a mystery, you may have found a film you can appreciate. That might, also, have been the draw for the cast. Unusual roles for all the actors, performed well. Anne Hathaway held our attention. In terms of storytelling, there were times when the metaphor and the mystery collided with each other and the audience may be left (ironically) scratching their heads, trying to fit the pieces together. With that said, I am giving this film a 7 (clever) out of 10. {A Dark Metaphor}

Gloria (Anne Hathaway) is a mess. Her existence revolves around drinking, sleeping and abusive men. Dumped by her boyfriend, Gloria returns to her hometown in a half-hearted attempt to begin again. She continues to be a sucker for abuse. The men in Gloria's life, each controlling in their own way, manipulate her will-power as much as the alcohol.

At about the same time a gigantic monster begins stalking Seoul. Gloria discovers a connection between this monster, herself and her tragic relationships with men and the bottle.

Endearing qualities of the film include touching scenes, powerful underlying themes and independent charm. Yet the storyline is disjointed and lacks effective transitions. Gaps need to be filled in the writing/directing. Hathaway, Jason Sudeikis and Tim Blake Nelson are fun to watch, yet Nelson seems somewhat restrained. Seen at the Toronto International Film Festival.

Gloria (Anne Hathaway) is unemployed and often drunk. Her boyfriend Tim (Dan Stevens) dumps her and kicks her out of his New York apartment. She moves back into her family home and reconnects with childhood friend Oscar (Jason Sudeikis). She discovers that she is directly connected to a monster destroying Seoul. It's the result of a childhood incident with Oscar twenty five years ago.

It's a fun and different take on the monster movie. Hathaway is good. I like Oscar's heel turn. I would rather not tell Joel and Garth about the secret. If it's kept only to Gloria and Oscar, the tension could be much higher. I don't see Joel going along with Oscar's turn. Joel's character could be combined with Tim to make this more of a love triangle. There are some questionable logic with the ending but logic can't be taken seriously in this movie. This has a fresh take and stays compelling despite some bumps along the way.