Gloria es una fiestera desempleada obligada a dejar su vida en la ciudad de Nueva York y volver a casa. Cuando afloran informes de que una criatura gigante está destruyendo Seúl, gradualment... Leer todoGloria es una fiestera desempleada obligada a dejar su vida en la ciudad de Nueva York y volver a casa. Cuando afloran informes de que una criatura gigante está destruyendo Seúl, gradualmente se da cuenta de que está de alguna manera conectada con este fenómeno.Gloria es una fiestera desempleada obligada a dejar su vida en la ciudad de Nueva York y volver a casa. Cuando afloran informes de que una criatura gigante está destruyendo Seúl, gradualmente se da cuenta de que está de alguna manera conectada con este fenómeno.
- Premios
- 3 premios ganados y 9 nominaciones en total
- Waitress
- (as Melissa Montgomery)
- Expert #1
- (as Charles Raahul Singh)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Without spoiling anything I'll just say that i thought the director (who also wrote the script) does an impressive job of keeping you into the story being told, and just slightly off track as to what's around the bend story wise. There were a couple times watching this where I thought i knew where the story was going to go, but ended up being somewhat off the mark. As the movie kept going I also started to wonder how the heck the director was going to bring this thing to a satisfying ending, and the answer to that question was with a fantastic climactic sequence that i very much liked watching unfold but didn't quite hit the mark in terms of satisfying to me, but somehow still felt quite right in keeping in tone with what we had been watching the whole time.
So basically i'm just saying--its worth checking out but with some slight reservations about the story as it unfolded. (I personally thought the big reveal about the origins of the monster's appearance was a little too symbolic and mystical and out of the blue, but other people might like how its explained)
All that said, the main concept of the movie i thought was pretty superb, and I thought Anne Hathaway in a kind of role we rarely if ever see her play was excellent and does a tremendous job in a very difficult role. If you don't like her, you'll end up hating the movie because she is a very large component of the movie. I thought even tho her character is aimless, she did a terrific job of keeping her likable throughout, even when you're kind of cringing at some of the decisions she makes on screen. Similarly, i thought the performance of Jason Sudekis was also surprisingly good. He starts out the film the way you normally see him in films, as the seemingly good hart-ed, wry, slightly bumbling slob, but as the story unfolds and he gradually starts to change those very qualities ever so subtly, it may not be til very late in the film or possibly thinking about it on the way home that you realize how strong a job he did as well playing opposite Hathaway. (Dan Stevens for the record has a very smallish part so if you're going to see this specifically for him, you might be disappointed)
In closing i'll just say that if you already know the premise to the film and are wondering whether or not its for you, I'll just say that if you like slightly out there premises, you should check this out because overall despite again some narrative choices I might not have been too crazy about, i thought it was a very solidly engaging movie, and for what its worth, I didn't think it was too strange to appeal to people who think that this may be too far out there for their comfort zones/slightly more mainstream tastes.
At about the same time a gigantic monster begins stalking Seoul. Gloria discovers a connection between this monster, herself and her tragic relationships with men and the bottle.
Endearing qualities of the film include touching scenes, powerful underlying themes and independent charm. Yet the storyline is disjointed and lacks effective transitions. Gaps need to be filled in the writing/directing. Hathaway, Jason Sudeikis and Tim Blake Nelson are fun to watch, yet Nelson seems somewhat restrained. Seen at the Toronto International Film Festival.
Anne Hathaway was cast a bit too far out of character. She just wasn't quite believable as the wastrel party girl. She couldn't quite pull off acting drunk. Her character's story is a classic redemption tale, with the monster twist.
Jason Sudeikis plays her foil in the story. His character arc is very poorly handled. There wasn't enough setup, almost like a few scenes in the middle were cut. That being said, he played it pretty well, except it was hard to tell when he was supposed to be drunk.
As I've mentioned both main characters being drunk, there is a lot of drinking in this movie. The central movie set being the bar run by Oscar (Jason Sudeikis) where Gloria (Anne Hathaway) starts working. This is after returning to a home her parent's left vacant, and after being kicked out by her boyfriend for being a party girl who can't get her life together. This is where I would caution that this isn't really an appropriate movie for children, despite the silly almost cartoon premise.
The bottom line of a movie review is the recommendation of whether or not to see it. If you are bothered by plot holes and trite characters, you probably want to steer clear. If you like silly popcorn movies, you might want to give it a shot. I don't feel like I wasted 2 hours on the movie, but I probably wouldn't watch it again.
Upon watching, the true underlining meaning becomes more apparent and it touches on a more dark subject matter, that apparently was lost on some viewers. It is a very real world dynamic in the relationship between Gloria (Anne Hathaway) and Oscar (Jason Sudeikis) that was well executed in this manner of storytelling.
It very difficult to say why this film is worth watching without "Spoilers", but I enjoyed this film; even the second time around, watching it on Netflix just recently.
It's a fun and different take on the monster movie. Hathaway is good. I like Oscar's heel turn. I would rather not tell Joel and Garth about the secret. If it's kept only to Gloria and Oscar, the tension could be much higher. I don't see Joel going along with Oscar's turn. Joel's character could be combined with Tim to make this more of a love triangle. There are some questionable logic with the ending but logic can't be taken seriously in this movie. This has a fresh take and stays compelling despite some bumps along the way.
¿Sabías que…?
- TriviaAnne Hathaway was in the second trimester of her pregnancy while filming the movie.
- ErroresIn the final flashback to Gloria and Oscar's youth, a comic book is shown falling from Oscar's backpack. The back cover of the comic features a partial quote from David S Goyer and mentions his films Batman Begins (2005) and The Invisible (2007). The flashback occurs twenty-five years before the present day of the film, so either Colossal is set in 2032 at the earliest -- which does not appear to be the case -- or the book is an anachronism.
- Citas
Gloria: [throws the bar keys towards Oscar] Here! There are your keys; I'm not coming back to your shitty bar!
Oscar: [picking up the keys] Yeah you are.
Gloria: [panting] Oh yeah?
Oscar: Yeah.
[Throws the keys at Gloria with enough force to hurt her]
Gloria: [holding her stomach in pain] Ow!
Oscar: [calmly] You're gonna keep working at the bar, or I'm gonna come back here tomorrow, and destroy an entire neighborhood.
Gloria: [through her teeth, bringing her face close to Oscar's] Then I'll come back and I'll kick your fucking ass!
Oscar: [still calm] No you won't. I'm done being Mr. Nice Guy.
[Knocks her to the ground. Gloria grunts in pain as she hits the ground hard]
Oscar: [leans down, calm] see you at work?
[Gloria looks up at him speechless]
Oscar: I'll see you at work.
- ConexionesFeatured in WatchMojo: Top 10 Anticipated Releases of April 2017 (2017)
- Bandas sonorasToda Est Energia
(Techno version)
Written by Joe Crepúsculo (as Joel Iriarte Parra)
Performed by Joe Crepúsculo
Selecciones populares
Detalles
Taquilla
- Presupuesto
- USD 15,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 3,029,287
- Fin de semana de estreno en EE. UU. y Canadá
- USD 120,226
- 9 abr 2017
- Total a nivel mundial
- USD 4,531,320
- Tiempo de ejecución1 hora 49 minutos
- Color
- Relación de aspecto
- 2.39:1