Woodshock

I'll admit the film has some very pretty and also trippy visuals that make you really feel like you're in a daze. Which I suppose is the point. To put as in the mindset of Kirsten Dunst's character. And while it excels at that, the film also kind of goes nowhere. Again, maybe that's the point as well. But it doesn't make for a super interesting watch. It's a very slow movie. Kirsten Dunst though does an excellent job. The rest of the cast is fine but not particularly memorable.

This film is terribly amazing, this film is sort of like a good camp film everybody and everything is so serious yet it is all so poorly executed. Mainly the plot is a few things happen then latter the plot may or may not tell you what in the hell was/is going on. Kirsten Dunst is amazing in this film she plays a stoned out of her mind super pot head who is just about always in her underwear or in a dress that is very focused on her boobs and butt.

The film really goes for a Nicholas Winding Refn/Safdie Brothers kind of neonesc lighting that really doesn't work with the camera movements, though it does add humor. The writing is very lacking and so is the visual story, if you were deaf or blind you'd have even less of an idea as to what is going on then those with both which is still pretty much no idea. There really isn't much of a story and not in a good "where the story lacks everything else expands" kind of way but just in a sort of "weak story that tries to seem deep" kind of way, if that makes any sense. One last critic is that the cinematography really takes me out of the reality of the reality of the films world, it just seems like a visual image not a place I could be or am.

I do like the film though, it is extremely original in the weirdest way possible, which is fantastic. If you don't take it very seriously you'll have a fun time. I really hope the Mulleavy Sisters make another film because I will definitely watch it.

(P.S. There's a Galaxie 500 song playing during one of the scenes which is just awesome)

"Woodshock" (2017 release; 100 min.) brings the story of Theresa. As the movie opens, we see Theresa taking care of a woman we later learn is her mother. Theresa, upon her mother's request, gives her a spiked joint to smoke. Later, when we see the room empty, we understand Theresa is grieving for the passing of her mom. Meanwhile, we get to know Nick, Theresa's boyfriend, and Keith, Theresa's colleague at the medical marijuana dispense store. At this point, we are 10-15 min. into the movie, but to tell you more of the plot (as it is) would spoil your viewing experience, you'll just have to see for yourself how it all plays out.

Couple of comments: this movie is co-written and co-directed by the sisters Kate Mulleavy and Laura Mulleavy, who are respected fashion designers without any prior film-making/directing/writing experience. I admit that I knew very little about the movie going in, other than it starred Kirsten Dunst in an indie movie about someone grieving. That sounded it might be in the realm of "Melancholia", so sign me up! From the opening moments of "Woodshock", it all feels quite "artsy" and you are left on your own to figure out what is going on. I have absolutely no problem with that, and figure that if the movie is good, this will sort itself out at some point. Here we are left wondering, and wondering, and wondering… Things play out on the big screen and at one point you hope to be emotionally involved and invested. I couldn't have cared less about any of these characters, whose random scenes left me utterly unmoved, if not bewildered. There are a couple of plus points, including the at times gorgeous scenery (when Dunst goes walking among the sequoia trees, etc.), and of course Dunst herself. She tries her best, although looking equally lost as we are, and in vain looking for clues (at one point literally, as she searches her house top to bottom for … what exactly?).

"Woodshock" opened this weekend at my local art-house theater here in Cincinnati, and I couldn't wait to see it. The Friday matinée screening where I saw this at was attended poorly (just a handful of people). About 30 min. into the movie, I mumbled to myself "what's going on here?", and the guy seated a few rows before me turned around and said "you and me both!". This will give you an idea as to the state of affairs in "Woodshock". I honestly cannot recommend this movie in good conscience to anyone, but of course encourage you to check it out in the theater (although I cannot imagine it will play more than a week or two, tops), on Amazon Instant Video, or eventually on DVD/Blu-ray, and draw your own conclusion.

I can't remember I last anticipated seeing a film as much as this. No theatrical release to speak of here in the UK, impossible to find on domestic dvd so ended up with a Dutch import. The IMDB score of 4.3 wasn't encouraging but I was still looking forward to seeing it.

In the end it was a real pleasure. Not a film you watch for narrative satisfaction but intensely atmospheric and a performance from Kirsten Dunst that kept you engaged from start to finish.

Beautiful to look at, listen to and experience. Well worth your time.

I thought this looked like Melancholia from the trailer so I was immediately intrigued. I love Kirsten Dunst, I find her very attractive and think she's quite underrated (please see Melancholia and Fargo Season 2 before disagreeing). I generally love independent films that focus on visuals and the aesthetic component of film so I thought I would be in for a treat with Woodshock. Unfortunately though, there is very little to write home about here.

The film is about Theresa, who recently experienced a tragic loss in her life. She is quite clearly emotionally sunken from the loss and takes a mind and reality altering drug that takes effect on her life. I wish I could say more about the film but its really hard to grasp or explain what else was going on. This isn't even a confusion in a good way. The film has nothing logical going on and doesn't even feel real. It tries to mimic profound films of a minimalist nature but fails to capture any interest or compassion for the work.

The filming style is worth viewing. Kate and Laura Mulleavy certainly have an eye for cinematic style. The use of superimposition was a huge favorite for this one. Neon lights, hazy atmosphere, and a powerful score also make the technical aspects of the film to look and feel top notch. The film does feel in tune with its drug fueled high atmosphere. That's really it. I think Kirsten Dunst is really good in this. She has really mastered the role of a depressed, grief encompassed woman. She's not at fault for the films shortcomings.

While I think Kate and Laura Mulleavy impressed with their style, their writing needs more work. Its hard to care and really follow what's going on. I am a patient person for films like this but they have to have a real impact with its minimal story. This film unfortunately does not do that and was a frustrating experience. Definitely not worth the time and effort.

5/10