Beirut

In 1972, Mason Skiles (Jom Hamm) is a U.S. diplomat in Lebanon living in Beirut with his Lebanese wife, Nadia (Leika Bekhti) . They have recently started caring for Karim, a 13-year-old Palestinian boy who claims he is without a family , but he has actually a brother who has been linked to the 1972 Munich massacre. While hosting a party , Skiles is confronted by his friend, CIA analyst Cal Riley (Mark Pellegrino) , who wants to question Karim . Then the party is attacked by Karim's brother , Rami, and there takes place an ensuing gunfight with dramatic consequences . Ten years later , Skiles has become an alcoholic and is working as a self-employed labor arbitrator in New England . While arbitrating a labor issue between particularly intransigent parties and struggling to keep his small firm afloat , he is approached by Sully (Douglas Hodge) , an old client, on behalf of the U.S. government . Beirut: 1982 there Skile meets some CIA officers : Sandy Crowder (Rosamund Pike) , Gary Ruzak (Shea Whigham) and Donald Gaines (Dean Norris) to carry out a risked mission . The events developed in this film led to the known in Lebanon as "the invasion" , it began on 6 June 1982, when the Israel Defense Forces (IDF) invaded southern Lebanon , after repeated attacks and counter-attacks between the Palestine Liberation Organization (PLO) operating in southern Lebanon and the IDF that had caused civilian casualties on both sides of the border . The military operation was launched after gunmen from Abu Nidal's organization attempted to assassinate Shlomo Argov, Israel's ambassador to the United Kingdom. Israeli Prime Minister Menachem Begin blamed Abu Nidal's enemy , the PLO, for the incident,and used the incident as a casus belli for the invasion, subsequently , there took place Sabra and Shatila massacre of Palestinians and Lebanese.¨The Paris of the Middle East Was Burning . The Americans want to keep their secrets . The Israelis want to raise the stakes . He only wants to save a life¨.

Engaging and dark picture , skill montage , magnificent acting , thrills , plot twists , emotion and intense drama . Concerning murky and dark issues , dealing with thorny themes of corruption and betrayal in which our protagonists become involved . Set in Beirut , Lebanon, when it was full of a lot of warlike organitations and militias , especially formed by Drusos , Christians , Maronits , Falangists , Palestinians of PLO , Chii of Hamas , Sunnies , among others . In the movie there is action filled , brief studio character , drama with turns , as well as moving chases . It was originally conceived as a tense as well as thrilling flick based on actual events well written by Tony Gilroy though diverting in an action thriller , at times . Gilroy's fictionalized portrayal of U.S.A, Israeli and PLO -Palestine Liberation Organization- scheming in 1982 Lebanon ultimately proved too hot to handle , resulting in a real Lebanon encroachment . Jon Hamm is pretty well as the former U.S. diplomat caught in the crossfires of civil war, then CIA operatives must send to negotiate for the life of a friend he abandoned . And Rosemund Pike is very good as brave and stubborn CIA agent who helps him to execute his purport to negotiate for the life of a friend he left behind. In addition , a frankly fine support cast , such as Shea Whigham , Mark Pellegrino , Leïla Bekhti , Kate Fleetwood , Larry Pine , Douglas Hodge and Dean Norris.

It contains an atmospheric and evocative photography by Cinematographer Bjorn Charpentier, this expert cameraman paid homage to the time period chronicled in Beirut by fitting his cameras with vintage lenses, in fact those lenses were built from that era . And shot on location in Rhode Island and Tangier . Being accompanied by a thrilling and stirring musical score by John Debney. The motion picture was competently and splendidly made by US director Brad Anderson , though it had limited success at box-office. Brad Anderson was born in Madison, Connecticut, USA and was graduate of Bowdoin College in Brunswick, Maine, and member of the dramatic jury at the Sundance Film Festival . He is a notorious director and producer, known for Next Stop Wonderland (1998) , Session 9 (2001), The machinist (2004) , Transsiberian (2008) , The Call (2013) , Asylum (2014) , among others .

As a movie this is a solid, dependable thriller with a really solid performance by Jon Hamm, as well as by a range of supporting players who turn in good, taunt performances. The one exception is Rosamund Pike whom is a great actor, but is ill-used. I suspect there were a number of scenes left on the editing floor.

This movie will be controversial because of its depictions of Beirut, as well as lack of agency of the Lebanese people. These criticisms are valid, but at the same time it is very hard for Hollywood, let alone a Western director and writer to get the right nuance and tension of the period AND make a successful movie. To the critics, you have a point, but this is a thriller, not a documentary.

If you are looking for a modern spy/espionage movie, this should be on your list. Plus I would love to see more Jon Hamm in these types of roles...well done.

First, yes, the filmmakers could have been more considerate and filmed it in Beirut and hired local actors and crew if they wanted to truly pay homage to the city, but is it that despicable or offensive? Probably not. They might have made up for it by including all the clichés that the Lebanese folks like to hear and see, such as "ski in the morning, go to the beach in the afternoon, and party all night", and the girl in the bikini walking next to a veiled woman. And their over-simplified summation of the very complex nature of the conflicts seems to hold some truth and is probably just enough for the short attention span folk, who could only consume brief over-simplified summation. But overall, the film is only slightly entertaining, the story is ok, nothing deep or moving, average suspense and action, but it's interesting how it's mixed up with the tragic events of the city, although most of them is made up.

I quite like John Hamm. The man has this natural charm about him, he just seems like a nice, fun guy to the point that even when he's not great, he's still enjoyable. Beirut is a great example of that because the movie itself is kinda underwhelming but I still enjoyed him in it for the most part. Can't say the same for Pike. I don't know what it is but most of her performances annoy me and this wasn't an exception. That's really the story of Beirut though. There are times when it's good, clever and entertaining and then times when it's just soooo bad and the rest of the time it's just super generic. Nothing is ventured and nothing is really gained.

This is a tough one because I want to call it background noise but that doesn't work because there are things happening and it wouldn't work if you don't pay attention, but it's not really worth giving your attention either so it's stuck in this weird limbo space of only really being suitable for people that just want to watch it for some reason. Definitely not one I'd recommend paying any money on, if you can't at least check it out for free first then don't bother.

"I was a child during the Lebanese civil war, and I remember Israeli bombardments. So growing up, my view of Israel was completely negative. I'm not coming from a neutral place, but with time, I've had to re-examine my thinking." Ziad Doueiri (Lebanese director)

In the early '80's, Lebanon, and specifically Beirut, was a cauldron of conflicts that involved the interests of the US, the PLO, Israel, Syria, and Druze Militias. Director Brad Anderson and writer Tony Gilroy, reminding us of his fine work with Michael Clayton, carefully steer us through the city's growing rubble to chronicle the negotiations for a CIA spy to be exchanged for a rebel leader. Think The Year of Living Dangerously, Argo, and John le Carre for similar suspense.

Mason Skiles (Jon Hamm), a former US diplomat and current drunk, is called in as a skilled negotiator to bring back his friend, CIA agent Cal Riley (Mark Pellegrino), in a prisoner exchange. Hamm is particularly effective as a martini-soaked Cold War survivor whose role stateside after Lebanon as a labor negotiator has ennui written all over him.

Yet, this gig is fraught with danger because no one is a fool, and the smart players are too canny to be conned by a smooth talker like Mason. He has the good fortune to have his back guarded by cultural attaché Sandy Crowder (Rosamund Pike), an operative with multiple motives but a good bet to save the day.

Although little hope resides yet for a peace between Arabs and Israelis, the film succeeds in fleshing out the multiple points of view that have kept the Mideast a stew of ambitions and hatred. In the end, the film Beirut is an espionage thriller featuring an unBond, avowedly alcoholic hero. In that regard, it offers nothing new in this genre, just good action suspense and a modicum of insight.

The pace of this frenetic thriller set in the Lebanese Civil War is quick and smart with just enough character development to satisfy the harshest critics and enough turns in the negotiations to keep discerning audiences attentive and engaged. Be smart: see it.