Una marioneta cobra vida gracias a un hada, quien le asigna llevar una vida virtuosa para convertirse en un niño de verdad.Una marioneta cobra vida gracias a un hada, quien le asigna llevar una vida virtuosa para convertirse en un niño de verdad.Una marioneta cobra vida gracias a un hada, quien le asigna llevar una vida virtuosa para convertirse en un niño de verdad.
- Dirección
- Guionistas
- Elenco
- Premios
- 1 premio ganado y 13 nominaciones en total
Opiniones destacadas
I'm gonna be honest, I do try my best to tolerate most of the live action remakes. We only got Jungle Book as the only one worth watching, everything else are either decent or just okay. Now the movie is released, I can already see a good reason people will debate this and the 2019 Lion King. The 2022 Pinocchio remake may not be the worst Disney Plus film, but this could be the worst live action Disney remake to date. There are Pinocchio movies out there that do try to find a way to tell the story of the character well. But this is more of a recycled film from the original 1940 one. Despite it does have some of the performances that's fateful to the original film, it had a weak execution with a poorly written story, mediocre characters, overly dark setups, and awful looking visuals. The one thing I'll say the visuals got right is with Pinocchio himself. But for the most part, they can be out of place and most of the designs try way too hard to make animal characters realistic. I mean, we already gotten Ugly Sonic in Chip and Dale. What more do you want to do all that in, Disney Plus? Of course as a painfully pointless live action Disney remake, I recommend to skip this one and stick with the original film. But you know what, let's all be thankful at least we're getting the one by Del Toro at the end of the year. When that gets released, I can guarantee it will be the one you'd want to watch instead. I think Disney should take a break from remaking their classic animated films before they embarrass themselves the more that are made.
Where do you even begin? You have to wonder why some Disney exec hasn't come right out and said the quiet part out loud, that they are on a quest to destroy everything that was great about Disney and completely make that legacy unrecognizable. Pinocchio doesn't seem to be an active participant in the movie he's more a victim of circumstance. He doesn't make any decisions, he's just kind of along for the ride and he really didn't have to suffer any consequences for choices. The original movie actually taught kids something valuable, and in this one they've watered down every single one of those elements. Apparently the lesson that they want to teach kids in this one is that there is no personal responsibility there's always somebody else to blame. Lying is no longer something that is to be avoided if it can be used as a superpower to get you your own way and it's a benefit to you. What an absolute disappointment.
Robert Zemeckis is a filmmaker responsible for some of the most colorful, ambitious, and uniquely fanciful films of all time. While his Pinocchio remake is certainly not entirely without its effective moments of visual splendor, it pains me to say that he has continued the trend of live-action Disney remakes that somehow manage to take everything about the original and make it significantly worse.
Every character and setting in this is less expressive and vibrant than it was in 1940, completely draining them of the personality and emotional resonance that once made them so memorable and beautiful.
The voice performances are lacklustre, to say the least. Every line of dialogue from Jiminy and Pinocchio is delivered with the exact same tone of voice. There is no variety to emotions, so the stakes are never clear.
Monstro the whale is not built up at all in this version, so any sense that he is a feared, menacing presence is gone. The tension is nonexistent in the finale. The story's other villainous characters are equally disappointing, coming across as goofy and incompetent rather than calculating and manipulative.
Worst of all, there are some narrative changes made in this version, and all of them make the themes of consequence and repentance lose their meaning and weight.
In this film, Pinocchio never has any moments when he learns the negative consequences of lying, stealing, and self-indulgence like he did in the original. He seems to know these things from the get-go, and he only finds himself in the marionette show and on pleasure island because of circumstance rather than by deliberate choice.
Outside of a couple of visually creative scenes, this is a shallow, soulless copy of a once-profound story. Not to mention that it comes across as insultingly disingenuous, as we all know quite well that Disney executives today don't actually know or care about the difference between right and wrong.
Every character and setting in this is less expressive and vibrant than it was in 1940, completely draining them of the personality and emotional resonance that once made them so memorable and beautiful.
The voice performances are lacklustre, to say the least. Every line of dialogue from Jiminy and Pinocchio is delivered with the exact same tone of voice. There is no variety to emotions, so the stakes are never clear.
Monstro the whale is not built up at all in this version, so any sense that he is a feared, menacing presence is gone. The tension is nonexistent in the finale. The story's other villainous characters are equally disappointing, coming across as goofy and incompetent rather than calculating and manipulative.
Worst of all, there are some narrative changes made in this version, and all of them make the themes of consequence and repentance lose their meaning and weight.
In this film, Pinocchio never has any moments when he learns the negative consequences of lying, stealing, and self-indulgence like he did in the original. He seems to know these things from the get-go, and he only finds himself in the marionette show and on pleasure island because of circumstance rather than by deliberate choice.
Outside of a couple of visually creative scenes, this is a shallow, soulless copy of a once-profound story. Not to mention that it comes across as insultingly disingenuous, as we all know quite well that Disney executives today don't actually know or care about the difference between right and wrong.
Yet another live action adaptation from Disney of one of their beloved cartoon classics. You wonder why they bothered in this instance when most of the characters are CGI anyway with the exception of Tom Hanks, seriously miscast as the eccentric inventor. As usual with these modern-day Disney productions, this is a bland and soulless affair that goes through the motions without ever engaging the senses. It's not quite as long as some of these remakes can be, thankfully, but it fails to stir the senses in every respect and I find it quite telling that the CGI Pinnocchio has less humanity in his eyes than the old animated version.
I watched the film and it was not that bad but it wasn't that good either. Some of it was cringe to be honest. I didn't like Honest John and Gideon in this version. Honest John sounds nothing like the 1940 version. The Coachman song was fine and so was the other songs. I found the song the Blue Fairy sang good and the part where Pinocchio tells his father that he loves him was wholesome too. But there's another thing I don't like..I don't like how they changed it to hint that Geppetto had another son before Pinocchio and a wife. I don't know, it's cool to think that Geppetto had a wife but the son thing is just very not realistic. It sounds like a fanfiction. That wasn't in the 1940 version and I think it shouldn't have been there. I think one of the points of the 1940 version was that Geppetto was happy to have a son for the FIRST TIME. Also, the lesson is kinda a bit blurred now because Pinocchio didn't really make bad choices besides going to the puppet theater and lying. The lesson was not to make bad choices, and Pinocchio seems more wise in this version. I also liked the idea of the story changing a bit, but it shouldn't have been changed too much. They also should've at least got a real boy for Pinocchio turning into a real boy. This was also a bit boring. This is just my opinion, I recommend watching so you could see if you like it or not. I don't think this is absolutely horrible, but I can see why people hate this.
¿Sabías que…?
- TriviaGeppetto's cuckoo clocks are a collection of Disney characters: Woody and his horse Bullseye from the Toy Story series (starring Tom Hanks) Donald Duck, Roger Rabbit and his wife Jessica kissing (from Robert Zemeckis's previous film ¿Quién engañó a Roger Rabbit? (1988)) Archimedes the Owl (from La espada en la piedra (1963)), The Lion King (1994), Princess Aurora and Maleficent from La bella durmiente (1959), Dumbo (1941), Snow White and the Seven Dwarfs (1937). The remaining clocks recreate those seen in the original Pinocho (1940).
- ErroresWhen Pinocchio is locked in a cage, he lies to Jiminy Cricket. In one part, he tells Jiminy Cricket he wanted to go to school, which is actually true because he wanted to try out school earlier in the film, despite telling part of the truth, but his nose still grows anyways.
- Créditos curiososIn the beginning, Jiminy Cricket floats by the Disney logo, singing along to the "When You Wish Upon a Star" fanfare, and opens the film.
At the end of the film, Jiminy Cricket flies away.
- ConexionesFeatured in AniMat's Crazy Cartoon Cast: Remembering Stephen Hillenburg (2018)
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- How long is Pinocchio?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- USD 150,000,000 (estimado)
- Total a nivel mundial
- USD 33,731
- Tiempo de ejecución
- 1h 45min(105 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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