Una nueva serie de comedia sobre un hermano soltero y su hermana recién divorciada que viven bajo el mismo techo otra vez. Juntos, se entrenan mutuamente a través del mundo loco de las citas... Leer todoUna nueva serie de comedia sobre un hermano soltero y su hermana recién divorciada que viven bajo el mismo techo otra vez. Juntos, se entrenan mutuamente a través del mundo loco de las citas mientras crían a su hija adolescente.Una nueva serie de comedia sobre un hermano soltero y su hermana recién divorciada que viven bajo el mismo techo otra vez. Juntos, se entrenan mutuamente a través del mundo loco de las citas mientras crían a su hija adolescente.
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The main reason why you should watch this, if it suits you, is the style of humour about this Hulu sponsored mayhem that is godsend.
Disclaimer - This is not a spoiler, but an overview of the plot and a review of it.
Self deprecation, insecurities, imperfection - the themes that concern reality as is, portrayed subtly - mocking their own problems, mocking each other, psychoanalyzing each other - and finding comfort in each others' "issues" -- this TV series is a departure from the usual "safe-categories" of themes that producers often invest in.
Bankable for producers? Maybe not. But maybe yes, as well.
The character played by Tommy Dewey - "Alex" and his relationship with his Shrink of a sister, and the interaction of their idiosyncrasies is what got me loving this stuff.
Single mom raising a teen daughter -- Probing the fine line between an intrinsic need for independence and bohemian recklessness("California- here we came?") - almost as if no one "needs to be told" how to live their life -- this TV series with its subtle and "casual"ness about every aspect of a "kind" of life( what a kind), drives home the point and also attempts to predict with an alarming certainty, the future of interpersonal relationships between siblings and between parents and their children.
10/ 10 -- Can't wait for the new episodes. -- Only request the producers and writers to keep up humor intact, tight 'n fresh.
Disclaimer - This is not a spoiler, but an overview of the plot and a review of it.
Self deprecation, insecurities, imperfection - the themes that concern reality as is, portrayed subtly - mocking their own problems, mocking each other, psychoanalyzing each other - and finding comfort in each others' "issues" -- this TV series is a departure from the usual "safe-categories" of themes that producers often invest in.
Bankable for producers? Maybe not. But maybe yes, as well.
The character played by Tommy Dewey - "Alex" and his relationship with his Shrink of a sister, and the interaction of their idiosyncrasies is what got me loving this stuff.
Single mom raising a teen daughter -- Probing the fine line between an intrinsic need for independence and bohemian recklessness("California- here we came?") - almost as if no one "needs to be told" how to live their life -- this TV series with its subtle and "casual"ness about every aspect of a "kind" of life( what a kind), drives home the point and also attempts to predict with an alarming certainty, the future of interpersonal relationships between siblings and between parents and their children.
10/ 10 -- Can't wait for the new episodes. -- Only request the producers and writers to keep up humor intact, tight 'n fresh.
Shows centered around dating are generally problematic because it's hard to empathize with the trials and tribulations of good-looking actors who have highly active sex lives.
This show got my attention in the first two episodes by bucking that trend in a manner I can buy. The protagonist, Valerie (arguably SNL's biggest firing mistake in history in Michaela Watkins) is an attractive divorcée in her late 30's with a sincere lack of confidence in herself. Sure, sex and dating are theoretically easy (her career is a successful psychiatrist proves that point) and obtainable for a woman who's willing to go out to a bar and take the first steps in propositioning a guy but if intimacy is a psychological problem, it can be more difficult in practice. Valerie's discomfort is just visceral which makes her lows relatable and will make her eventual highs (if she gets over her hang-ups) well-earned.
Her adult brother, Alex (Tommy Dewey), is equally filled with psychological hang-ups. He's been more successful in dating than his sister but he has a certain psychological distance from the whole thing. A good move on the show's part is to strip Alex of misogynist vibes: As a guy who wrote the algorithms of the dating site he's using, Alex simply feels that both men and women are overly predictable and that he's gamed the system. The pilot contains a double date (done in secret as Alex and Valerie are carpooling) which contains some relatable and truthful moments while also adding a whiff of comedy (lots of mileage to be mined out of Jill Latiano's fitness freak).
The relationship between Alex and Valerie is one of the stronger sibling portrayals on television at the moment.
Like many Jason Reitman films, this is a film with a blurred line between comedy and drama which isn't so bad considering the show portrays truth to it. One of the few shows centering on romance that's worth watching.
In the pilot episode, he condescendingly a woman for whom dating and sex isn't easy
This show got my attention in the first two episodes by bucking that trend in a manner I can buy. The protagonist, Valerie (arguably SNL's biggest firing mistake in history in Michaela Watkins) is an attractive divorcée in her late 30's with a sincere lack of confidence in herself. Sure, sex and dating are theoretically easy (her career is a successful psychiatrist proves that point) and obtainable for a woman who's willing to go out to a bar and take the first steps in propositioning a guy but if intimacy is a psychological problem, it can be more difficult in practice. Valerie's discomfort is just visceral which makes her lows relatable and will make her eventual highs (if she gets over her hang-ups) well-earned.
Her adult brother, Alex (Tommy Dewey), is equally filled with psychological hang-ups. He's been more successful in dating than his sister but he has a certain psychological distance from the whole thing. A good move on the show's part is to strip Alex of misogynist vibes: As a guy who wrote the algorithms of the dating site he's using, Alex simply feels that both men and women are overly predictable and that he's gamed the system. The pilot contains a double date (done in secret as Alex and Valerie are carpooling) which contains some relatable and truthful moments while also adding a whiff of comedy (lots of mileage to be mined out of Jill Latiano's fitness freak).
The relationship between Alex and Valerie is one of the stronger sibling portrayals on television at the moment.
Like many Jason Reitman films, this is a film with a blurred line between comedy and drama which isn't so bad considering the show portrays truth to it. One of the few shows centering on romance that's worth watching.
In the pilot episode, he condescendingly a woman for whom dating and sex isn't easy
I will never understand what posessed me to stick with a show that starts out with three selfish, neurotically cynical and sexually dysfunctional leads, but I did and it really paid off. Casual is a beautifully written series, aside from great dialog and storytelling, the character arcs, both within each season and overall are masterful. The show's direction is nicely cohesive, with each episode's director clearly chosen for that particular episode according to style, emphasis & content. The cast has teriffic chemistry, particularly between the three principals.
I watched all four seasons of Casual over the course of a few weeks, finishing about a month ago. I've been surprised to find the characters (even the ones I still don't like) and their stories have stuck with me like a beloved novel. I can't say that about many shows or even films. Bravo!
I watched all four seasons of Casual over the course of a few weeks, finishing about a month ago. I've been surprised to find the characters (even the ones I still don't like) and their stories have stuck with me like a beloved novel. I can't say that about many shows or even films. Bravo!
I loved the first season which I would have rated an 8. The rating had to come down though for the remaining seasons - the decline was slow but real. I loved each of the three main characters to begin with, but Alex just started to drive me crazy and become really unlikeable in the subsequent seasons, esp 3 and 4. I was not rooting for him at all.
Talk about an attention seeking narcissist!
Similarly the daughter became as dull as dishwater as the series progressed. What made me see it all through until the end was the wonderful Michaela Watkins. I find her performances are always nuanced and her timing is fantastic (I know a lot of comic timing may be down to directors/editors etc, but I'm giving her credit).
In conclusion, while I was watching the series finale, I was really itching for the episode to end so that I could leave the series behind me, a series which was only a shadow of its original self.
Just finished the final episode on Amazon. Found myself genuinely moved, have grown to really like the characters and be interested in how things turned out. I guess the point about such polarising reviews is that you either like something or you don't. And that's ok. Just strongly suggest you give it a try and see which camp you fall into.
¿Sabías que…?
- TriviaIn each episode one of the three main characters gets the question asked," Are you okay?" most of the time from one another. This is further evidence of the entire plot - that each of them suffers from significant inner turmoil throughout the entire series.
- ConexionesFeatured in Conan: John Cleese/Michaela Watkins/Trey Anastasio (2015)
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