Un pequeño grupo de soldados estadounidenses encuentra escenas horroríficas detrás de las líneas enemigas en la víspera del Día D.Un pequeño grupo de soldados estadounidenses encuentra escenas horroríficas detrás de las líneas enemigas en la víspera del Día D.Un pequeño grupo de soldados estadounidenses encuentra escenas horroríficas detrás de las líneas enemigas en la víspera del Día D.
- Dirección
- Guionistas
- Elenco
- Premios
- 2 premios ganados y 7 nominaciones en total
Opiniones destacadas
At one stage thought to be some form of Cloverfield sequel/prequel, thanks to the association with wonder producer J.J Abrams and his production company Bad Robot, Overlord is very much a film set in its own universe that takes us on a gore filled World War 2 set adventure to occupied France, as a small collection of American soldiers discover that German run labs are not the ideal place to spend time in.
Directed by upcoming Australian filmmaker Julius Avery whose previous film Son of a Gun showed much promise, Overlord does a lot with its relatively small budget of $38 million as we are thrust into the D-Day invasion and follow a collection of paratroopers on a mission to destroy a German radio bunker set up at the base of an old church building.
It's not being over the top when you say the first 10 - 20 minutes of Avery's film are some of the most thrilling and dazzling of the last 12 months, with the audience given barely a moment to breathe as the films stunning opening set-piece takes place and we launch out of an under fire carrier plane with Jovan Adepo's Boyce and his fellow soldiers.
If Overlord had somehow managed to keep this pace, intensity and style up, Avery's film would be a dead-set undeniable gem but sadly the film unleashes its best too early as the film around it, whilst often entertaining and gloriously over the top, just never quite delivers the thrills, spills and chills like you'd wished it had done.
Truly becoming the cinematic equivalent of the famous Wolfenstein video game series (which must've been a direct inspiration for this tale), Overlord's mix of war time action, sci-fi, straight up visceral horror (found within the Nazi's underground labs) and thriller doesn't always hold up, even if it's great to see a film of this ilk play it completely straight with Overlord forgoing laughs as there's no winking to the camera as the nefarious goings on begin to take hold.
It's a gore-filled and claret flowing exercise, with Avery clearly at home with the action side of things and a little less so at character building, with side players like Wyatt Russell's knuckle-duster loving Ford, John Magaro's stereotypical Italian solider and Mathilde Ollivier's token French female tomboy Chloe having fun but remaining fairly forgettable with Game of Thrones star Pilou Asbæk stealing the acting show with his turn as evil Nazi Wafner.
You never regret going along for this ride with enough imagination, impressive make-up and special effects and darkly imagined horrors such a soldiers traumatic return from death keeping things moving and ever watchable, you just can't help but feel like Overlord had the potential to become a genuine classic of its genre mash-up.
Final Say -
There's a lot to like about Overlord (an unfortunate box-office dud) that's likely to find a much a larger audience on home release but despite its many strengths and standout individual scenes, this Wolfenstein come to life is a mostly enjoyable but mostly forgettable affair.
3 bullet wounds out of 5
Directed by upcoming Australian filmmaker Julius Avery whose previous film Son of a Gun showed much promise, Overlord does a lot with its relatively small budget of $38 million as we are thrust into the D-Day invasion and follow a collection of paratroopers on a mission to destroy a German radio bunker set up at the base of an old church building.
It's not being over the top when you say the first 10 - 20 minutes of Avery's film are some of the most thrilling and dazzling of the last 12 months, with the audience given barely a moment to breathe as the films stunning opening set-piece takes place and we launch out of an under fire carrier plane with Jovan Adepo's Boyce and his fellow soldiers.
If Overlord had somehow managed to keep this pace, intensity and style up, Avery's film would be a dead-set undeniable gem but sadly the film unleashes its best too early as the film around it, whilst often entertaining and gloriously over the top, just never quite delivers the thrills, spills and chills like you'd wished it had done.
Truly becoming the cinematic equivalent of the famous Wolfenstein video game series (which must've been a direct inspiration for this tale), Overlord's mix of war time action, sci-fi, straight up visceral horror (found within the Nazi's underground labs) and thriller doesn't always hold up, even if it's great to see a film of this ilk play it completely straight with Overlord forgoing laughs as there's no winking to the camera as the nefarious goings on begin to take hold.
It's a gore-filled and claret flowing exercise, with Avery clearly at home with the action side of things and a little less so at character building, with side players like Wyatt Russell's knuckle-duster loving Ford, John Magaro's stereotypical Italian solider and Mathilde Ollivier's token French female tomboy Chloe having fun but remaining fairly forgettable with Game of Thrones star Pilou Asbæk stealing the acting show with his turn as evil Nazi Wafner.
You never regret going along for this ride with enough imagination, impressive make-up and special effects and darkly imagined horrors such a soldiers traumatic return from death keeping things moving and ever watchable, you just can't help but feel like Overlord had the potential to become a genuine classic of its genre mash-up.
Final Say -
There's a lot to like about Overlord (an unfortunate box-office dud) that's likely to find a much a larger audience on home release but despite its many strengths and standout individual scenes, this Wolfenstein come to life is a mostly enjoyable but mostly forgettable affair.
3 bullet wounds out of 5
I initially thought of that other movie (Frankenstein's Army) when I heard the story of this one.
It was quite enjoyable at times, but it still got stuck in the B segment.
This one looks a lot more serious and the film immediately starts off strong with the landing scene, which is very well executed and even after that the film doesn't really let up for a moment.
The tension is built up well, the camera work is very good and the gore is plentiful with good acting from almost everyone.
This is the second mix of army and horror and both were pretty good so bring on some more
100% better than expected and a successful mix between war and horror.
It was quite enjoyable at times, but it still got stuck in the B segment.
This one looks a lot more serious and the film immediately starts off strong with the landing scene, which is very well executed and even after that the film doesn't really let up for a moment.
The tension is built up well, the camera work is very good and the gore is plentiful with good acting from almost everyone.
This is the second mix of army and horror and both were pretty good so bring on some more
100% better than expected and a successful mix between war and horror.
I really felt conned by the halfway point of this, from then on i kept thinking that i'd rather have waited for it to come to TV instead of wasting time and money on it.
From what i just watched, its not the "fun, original, scary, gory, inventive thrill-ride, maximum shock value, insane" film its been reviewed to be. Definitely NOT scary or gore filled, and with the $38 million budget you'd have expected A LOT more!
The opening 5-10 minutes the reviews have been raving about was ok, its not an opening that would warrant a cinema visit, it ain't no Saving Private Ryan, Edge Of Tomorrow, etc battle scene, as it's over in a flash, roughly 1 or 2 minutes of action, pretty much whats in the trailer and the rest is characters chatting! Then it quickly slows to its meandering pace, with been-there-done-that scenes with added cheese and cliche characters, which start to wear your hopes for a fun big budget B-movie way he f down. I just became bored and just hoped for an outstanding action filled and creative finale to win me over. But NO, the ending is just standard gun play, explosions and one fight that's over way too soon and that's your lot! I would have been satisfied if it had maybe matched an exciting Expendable's type finaly as it was a similar premise.
It's a film that never takes its idea's far enough, never too crazy or too gory but just a very controlled and safe 18 certificate B-movie. And it's a movie that mostly relies on the stupidity/naivety of its lead character to make the plot move forward. If you're after a subtle b-movie then this may be for you
I was really looking forward to this because i'd read really good things, and i missed Slaughterhouse Rulez cus of this.
An episode of the Walking Dead is more exciting, gripping, tense and fun.
Check it out and make up your own mind up but i've given you a heads up. I didn't expect the grindhouse style of Planet Terror with Overlord but Planet Terror was a great fun big budget B-movie!!
From what i just watched, its not the "fun, original, scary, gory, inventive thrill-ride, maximum shock value, insane" film its been reviewed to be. Definitely NOT scary or gore filled, and with the $38 million budget you'd have expected A LOT more!
The opening 5-10 minutes the reviews have been raving about was ok, its not an opening that would warrant a cinema visit, it ain't no Saving Private Ryan, Edge Of Tomorrow, etc battle scene, as it's over in a flash, roughly 1 or 2 minutes of action, pretty much whats in the trailer and the rest is characters chatting! Then it quickly slows to its meandering pace, with been-there-done-that scenes with added cheese and cliche characters, which start to wear your hopes for a fun big budget B-movie way he f down. I just became bored and just hoped for an outstanding action filled and creative finale to win me over. But NO, the ending is just standard gun play, explosions and one fight that's over way too soon and that's your lot! I would have been satisfied if it had maybe matched an exciting Expendable's type finaly as it was a similar premise.
It's a film that never takes its idea's far enough, never too crazy or too gory but just a very controlled and safe 18 certificate B-movie. And it's a movie that mostly relies on the stupidity/naivety of its lead character to make the plot move forward. If you're after a subtle b-movie then this may be for you
I was really looking forward to this because i'd read really good things, and i missed Slaughterhouse Rulez cus of this.
An episode of the Walking Dead is more exciting, gripping, tense and fun.
Check it out and make up your own mind up but i've given you a heads up. I didn't expect the grindhouse style of Planet Terror with Overlord but Planet Terror was a great fun big budget B-movie!!
I saw this film at the Philadelphia Film Festival and I had a good time watching it. It's a very intense movie with a lot of action throughout; it never has a moment where it calms down. I like that aspect of it but I can definitely see it being sensory overload for a lot of people. It's also quite graphic, and sometimes it's a little gratuitous and overly gory. I think the film relies a little too much on jump scares but the atmosphere is pretty creepy anyway. I think towards the end the film gets pretty over-the-top and silly, but I think it's an interesting setting and it's very well-shot and the VFX are pretty good.
Overlord is one of those films that starts as one thing but then becomes something else. Following some Allied paratroopers as they land behind enemy lines toward the end of WW2, they come across a small town next to their target - a church with a radio tower on it. With the help of a local family, they must somehow get in there and take it down. However, they soon discover that the building also houses something far worse than Nazi soldiers...
I must say I was genuinely surprised by how good this film actually is. I was expecting the war aspect to be little more than a backdrop to the horror, but even during the build up this actually has a stab at being a decent war film in its own right. Then the horror starts and the film loses none of its intensity, action or pacing. The story is interesting, the characters are believable and the special effects are actually really good. Imagine if the modern Wolfenstein video games were made into a film - that is pretty much what this feels like and I thought it was far better than it has any right to be. Give it a go!
I must say I was genuinely surprised by how good this film actually is. I was expecting the war aspect to be little more than a backdrop to the horror, but even during the build up this actually has a stab at being a decent war film in its own right. Then the horror starts and the film loses none of its intensity, action or pacing. The story is interesting, the characters are believable and the special effects are actually really good. Imagine if the modern Wolfenstein video games were made into a film - that is pretty much what this feels like and I thought it was far better than it has any right to be. Give it a go!
¿Sabías que…?
- TriviaOverlord's first sequence, which sees the soldiers jumping from a burning plane, was done by rigging a plane on a gimbal, actually blowing up the front, tilting it as if it were actually falling through the air, and sending stuntmen tumbling through real fire.
- ErroresDuring the credits, a mock 1940s newsreel shows a United States flag with 50 stars when Jovan Adepo is credited as Boyce. The flag had only 48 stars from 1912 until 1959.
- Versiones alternativasAfter the film was given the restricted R18+ rating in Australia, Paramount Pictures decided to edit out almost 1 minute of footage to lessen the violence for the cinema version. The subsequent re-submission got the film a more accessible MA15+ rating. Although this version never ended up getting released due to Paramount Pictures changing their minds to instead give the original R18+ rated cut to cinemas.
- ConexionesFeatured in Projector: Overlord (2018)
- Bandas sonorasBridging the Gap
Written by Ansel Collins (as Ansel George Collins), Nas (as Nasir Jones), Winston Riley (as Winston Delano Riley), Dave Barker, Salaam Remi (as Salaam Remi Gibbs), Olu Dara, Muddy Waters (as McKinley Morganfield), Melvin London (as Melvin R. London) and Bo Diddley (as Ellas McDaniels)
Performed by Nas feat. Olu Dara
Courtesy of Columbia Records
By arrangement with Sony Music Entertainment
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Detalles
Taquilla
- Presupuesto
- USD 38,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 21,704,844
- Fin de semana de estreno en EE. UU. y Canadá
- USD 10,202,108
- 11 nov 2018
- Total a nivel mundial
- USD 41,657,844
- Tiempo de ejecución1 hora 50 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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