Un pequeño grupo de soldados estadounidenses encuentra escenas horroríficas detrás de las líneas enemigas en la víspera del Día D.Un pequeño grupo de soldados estadounidenses encuentra escenas horroríficas detrás de las líneas enemigas en la víspera del Día D.Un pequeño grupo de soldados estadounidenses encuentra escenas horroríficas detrás de las líneas enemigas en la víspera del Día D.
- Dirección
- Guionistas
- Elenco
- Premios
- 2 premios ganados y 7 nominaciones en total
Opiniones destacadas
Perfect blend of WW2 action, zombies and gore. Don't go into this expecting Oscar nominations, and you'll enjoy the ride. It was exactly what I expected- I was entertained for close to 2 hrs. Got my money's worth.
A black soldier in a white unit during WW2!! I understand the need for inclusion and im black, but in these kind of stories inspired by real events its better to stick as close as possible to History; otherwise it diminishes the struggles, sacrifices and accomplishments of those people back in those days. He could have been separated from his unit during the jump and joined the others on the ground.
If you want to go in to watching this film without seeing the trailer, then don't read any reviews - including this one. There are no spoilers beyond what the trailer shows.
I make that opening claim because if you hadn't seen the trailer, you wouldn't know of the dual-genre nature of Overlord. The genre shift to full-blown 'zombies-but-not-quite' action comes after 75 minutes of truly brilliant wartime drama with some moderate scares. The opening scenes of the paratroopers entrance to the war-torn French countryside is a particular highlight for its chaotic, intense and disorientating depiction of what it must've been like for those who did the deed for real in WW2.
The horror element begins to build early on but is never an indication of the upcoming genre shift (if you've not seen the trailer, at least) until the point (From Dusk to Dawn style) where it's made clear that we're not in Kansas anymore. The only bummer I can think of is the film falls into the trap of a predictable final 30 minutes. With all the enjoyment had before then, it's so disappointing to feel let down at the last hurdle.
The soundtrack is immense, the cinematography is brooding without being dark (a style which works for both of the film's genres), and the CGI special effects are affectingly convincing. Don't expect great things from the script (which includes several awful one-liner comebacks), but I think this film will go down as one of the great zombie films of recent years, and may even be noted for its even better turn as a war film.
Best quote: "What is this?!" - "Our greatest achievement. With it, we create super-Nazis; a thousand year army and it's thousand year soldiers."
I make that opening claim because if you hadn't seen the trailer, you wouldn't know of the dual-genre nature of Overlord. The genre shift to full-blown 'zombies-but-not-quite' action comes after 75 minutes of truly brilliant wartime drama with some moderate scares. The opening scenes of the paratroopers entrance to the war-torn French countryside is a particular highlight for its chaotic, intense and disorientating depiction of what it must've been like for those who did the deed for real in WW2.
The horror element begins to build early on but is never an indication of the upcoming genre shift (if you've not seen the trailer, at least) until the point (From Dusk to Dawn style) where it's made clear that we're not in Kansas anymore. The only bummer I can think of is the film falls into the trap of a predictable final 30 minutes. With all the enjoyment had before then, it's so disappointing to feel let down at the last hurdle.
The soundtrack is immense, the cinematography is brooding without being dark (a style which works for both of the film's genres), and the CGI special effects are affectingly convincing. Don't expect great things from the script (which includes several awful one-liner comebacks), but I think this film will go down as one of the great zombie films of recent years, and may even be noted for its even better turn as a war film.
Best quote: "What is this?!" - "Our greatest achievement. With it, we create super-Nazis; a thousand year army and it's thousand year soldiers."
I initially thought of that other movie (Frankenstein's Army) when I heard the story of this one.
It was quite enjoyable at times, but it still got stuck in the B segment.
This one looks a lot more serious and the film immediately starts off strong with the landing scene, which is very well executed and even after that the film doesn't really let up for a moment.
The tension is built up well, the camera work is very good and the gore is plentiful with good acting from almost everyone.
This is the second mix of army and horror and both were pretty good so bring on some more
100% better than expected and a successful mix between war and horror.
It was quite enjoyable at times, but it still got stuck in the B segment.
This one looks a lot more serious and the film immediately starts off strong with the landing scene, which is very well executed and even after that the film doesn't really let up for a moment.
The tension is built up well, the camera work is very good and the gore is plentiful with good acting from almost everyone.
This is the second mix of army and horror and both were pretty good so bring on some more
100% better than expected and a successful mix between war and horror.
It's D-day. A squad of paratroopers are tasked with destroying a radio tower on top of a church. Their plane is shot down. After their leader gets shot by the Nazis and one steps on a landmine, four survivors remain. They find refuge with a scavenger named Chloe. The Nazis are experimenting on the locals at the church.
It's a horror story within a historical event. It has a good amount of action and thrills. The characters are compelling. It's always nice to have Nazi villains. It may not be completely new. It is not trying to be break new ground. It's a well-made B-movie and that's commendable.
It's a horror story within a historical event. It has a good amount of action and thrills. The characters are compelling. It's always nice to have Nazi villains. It may not be completely new. It is not trying to be break new ground. It's a well-made B-movie and that's commendable.
¿Sabías que…?
- TriviaOverlord's first sequence, which sees the soldiers jumping from a burning plane, was done by rigging a plane on a gimbal, actually blowing up the front, tilting it as if it were actually falling through the air, and sending stuntmen tumbling through real fire.
- ErroresDuring the credits, a mock 1940s newsreel shows a United States flag with 50 stars when Jovan Adepo is credited as Boyce. The flag had only 48 stars from 1912 until 1959.
- Versiones alternativasAfter the film was given the restricted R18+ rating in Australia, Paramount Pictures decided to edit out almost 1 minute of footage to lessen the violence for the cinema version. The subsequent re-submission got the film a more accessible MA15+ rating. Although this version never ended up getting released due to Paramount Pictures changing their minds to instead give the original R18+ rated cut to cinemas.
- ConexionesFeatured in Projector: Overlord (2018)
- Bandas sonorasBridging the Gap
Written by Ansel Collins (as Ansel George Collins), Nas (as Nasir Jones), Winston Riley (as Winston Delano Riley), Dave Barker, Salaam Remi (as Salaam Remi Gibbs), Olu Dara, Muddy Waters (as McKinley Morganfield), Melvin London (as Melvin R. London) and Bo Diddley (as Ellas McDaniels)
Performed by Nas feat. Olu Dara
Courtesy of Columbia Records
By arrangement with Sony Music Entertainment
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Detalles
Taquilla
- Presupuesto
- USD 38,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 21,704,844
- Fin de semana de estreno en EE. UU. y Canadá
- USD 10,202,108
- 11 nov 2018
- Total a nivel mundial
- USD 41,657,844
- Tiempo de ejecución
- 1h 50min(110 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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