Beowulf: Return to the Shieldlands

I have written scripts so know how tough it is, but this is, indeed, a wasted opportunity. Was it viewed as a follow to GOT or Lord of the Rings? Could have been. At first I wondered if it was a spoof, but there are enough kernels to keep viewers interested. Just.

O.M.G. To say that this show was terrible would be an UNDERSTATEMENT. It was basically just Game of Thrones only they scrimped on the special effects and aired it before the watershed.

This idea sounded WONDERFUL but the end product was as best campy and at worst like a budget Game of Thrones. Even the THEME MUSIC is reminiscent of the Thrones theme. Whoever conceived this should be fired!

I could go on for hours about the faults of this show but, I'll end on this: Beowulf is a story that has been around for over a thousand years and is ripe for adaptation, but the next time you want to adapt it for TV, stay close to the source material. In short, GET. IT. RIGHT!

As a complete fantasy addict who is normally very forgiving, and a lover of early history, I personally had high hopes, but this show is a huge disappointment. It is far inferior to modern series like the Vikings, Last Kingdom and Game of Thrones.

There is nothing wrong with a modern telling of an ancient story for a young audience today. To fill out and even creatively adapt the epic for a 21st century audience would be good if it was done well. This wretched mixed up travesty abuses and soils the name of one of the the original and greatest works in the English literature. It has very little to do with the original Anglo-Saxon epic of Beowulf, rather it is a badly written 21st century quasi-medieval fantasy that steals a few names from the original and begins to tell the audience a utterly different inferior story.

Good grief the whole program is a bad with below average direction, production and acting. The whole cast where wholly unconvincing and Beowulf himself was a very poor version of the super top notch warrior of English literature. And what the hell have they done with Heriot, the great hall was some weird Mayan, tolkienesque, 21st century fantasy temple hybrid, were warriors did not have banquets but mingled at cocktail parties. So many of the costumes and sets appeared to be either bad or borrowed from other fantasy productions.

I hoped for so much something as great as 'Vikings,' or 'The Last Kingdom,'but it felt like an episode of Doctor Who (i.e. more for kids and sets that look like sets). Then after a lot of irritated huffing and puffing on my part, I realised it has been made for a young audience who would get the most from this ambitious reworking and I expect these it would delight. I can't rate this properly as it wasn't made for me, but if I look back to my earlier tastes in life, am sure I'd have revelled in this show. The time slot should have given me a clue that it wasn't intended for me and all the gripes I had are answered by it being reworked for it's target audience which doesn't include me. From childhood to 24 I expect I'd have loved this version of Beowulf. I hope enough of it's target audience find it.

Comparison inevitably will be made to The Vikings since these shows walk on the same genre. However, Beowulf is the more casual of the two, using special effect and colorful scenery for broader demographic, a bit like the animation from years earlier only without CG Angelina Jolie. This direction if fine, not all recent works must be brooding and gritty, although Beowulf suffers from erratic shifts in plot as well as a few dubious displays of mythical creatures.

It is noticeable that the story pushes the titular Beowulf into many tribulations from the first steps. Unfortunately, this sets up too many subplots at the same time. Characters are being murdered, betrayed and chased even before any connection could be made to any of them, which presents a couple of strange seemingly rushed developments. It also tries to present some mystery and political struggle, but these aspects lack depth since they have to share the scene with many other angles like childhood memories or shoehorned romance.

Much of the resources evidently went to costume and setting. The attires these characters don are incredibly polished, certainly different yet appreciated fashion from typical medieval series. Its surroundings are fairly gorgeous as well, colorful both in human settlement and natural landscape. If any flaws should come from this eye-catching presentation, it's that the characters look a tad too modern for the era.

CG effect is a toss-up, some scenes look terribly crude while few others look very meticulous. At its best, the display of creature is presentable, having decent features and surprising detail on fur or beastly motion. On the other hand, when it falters, it further weakens the immersion since the human characters already react unconvincingly to inorganic monsters.

Beowulf: Return to the Shieldlands is a light excursion for wider audience with more colorful presentation, although the cumbersome plot and sloppy CG might undermine that effort.