Rey del anillo: La historia de Jem Belcher

Not sure why it has such a low score from the critics compared to the popcorn audience. I enjoyed it. Found it believable. Maybe it's too real. Making a champion is simple. But the simplest things can be difficult. And boring to watch perhaps. Perhaps it's just a little too British? Especially the ending. If you love sports biographies, it's worth a watch.

It's well acted, well shot and the score is excellent but it's very confused as a historical account of early 19th century boxing.

The fight between Belcher and Pearce would not have been fought with gloves, nor would it have had timed rounds. It would have been fought under London prize ring rules since it was about 60 years away from the Marquis of Queensbury changing the game.

Just watched this and enjoyed this biopic of prizefighter Jem Belcher ; not sure how historically accurate it actually is but was entertained throughout with the storyline and good fight sequences , well acted by all with as usual standout performances by Ray winstone and Russell Crowe and a good performance from the lead actor too , well worth seeing.

I take my hat of to Matt Hookings for righting and directing this but it's been done before and better, standard plot line and I didn't overly care for his character. Ray Winston does a great turn as Ray Winston (no harm, no foul 😃) but Cinderella Man or million Dollar baby had me both heavily invested in characters and in tears at points, this has neither. Watch, Enjoy & Review.

The greatest boxing film of all time -- of many to choose from -- is Cinderella Man (2005). It is technically perfect, it remains exhilarating no matter how many times you watch it, it is on my IMDb list of great films, and it stars Russell Crowe. This boxing film also stars Russell Crowe. But the similarities end there. This film is an interesting experiment in combining a sports film with an historical biography ... to see how they mix? The result is entertaining, but in many places awkward and imbalanced. The moment the protagonist becomes champion, he immediately chooses a dark path. The viewer is disappointed. The moment the protagonist has a chance at redemption, the scriptwriter (who is also the star!) borrows every trope and trick you have ever seen in a Rocky film, and throws them onscreen. To see what sticks. Another disappointment. The pattern becomes clear. No matter how often Belcher wins, the audience always ends up the loser.