CALIFICACIÓN DE IMDb
5.4/10
27 k
TU CALIFICACIÓN
Una estación de tren al anochecer, dos asesinos, una camarera, una asesina... venganza.Una estación de tren al anochecer, dos asesinos, una camarera, una asesina... venganza.Una estación de tren al anochecer, dos asesinos, una camarera, una asesina... venganza.
- Dirección
- Guionista
- Elenco
- Premios
- 2 nominaciones en total
Benjamin Griffin
- Toby
- (as Ben Griffin)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Cleaver dialogue from all the characters, a bit of crazy gruesome, plus a few twists and you have an entertaining movie. If you liked Snatch, Sherlock Holmes or Lock, Stock and 2 Smoking Barrels, you'll find this enjoyable enough. Not Guy Richie good, but entertaining enough.
Unknown, bewildered and mysterious. Those are the words that appear across your mind as this tarted-up noir feelings cartoon shows itself with flamboyant colors spread around the hollow space of the ominous underground of terminal.
This dark tale focuses on a few key characters and their conversations and meet-ups with a deranged waitress played by none other than the charming with talents, Margot Robbie. The Terminal opens with Ms. Robbie as Annie who meets with a priest that will lead to a number of assassinations and overly complicated double crosses which is unbeknownst to the audience before the story uncovers itself layer by layer.
The plot is hazy and foggy for the first ride of 20 minutes but it does take shape beyond that that gives the thinking of alerting the audience to stop daydreaming and start paying attention as the story begins to properly revolve and complete its messy puzzles.
Most of the plot and character developments here willingly to take in the form of twists. There are three major twists deliver within this movie and two of them are quite unexpected but stay to its relevancy of the unnecessary draggy and hard-boiled dialogues.
Encountering the frequent odd happenings and disjointing scenes, time doesn't always move in a linear fashion here. The reason here is because Terminal is mainly relegated to two separate narratives that never quite intersect as a whole. It touches briefly upon another and moves on again with their story back and forth. What is even worse is those two separate entities entitle to slow down the front gear with the misdirection of irrelevant talkings however, they later on become somewhat important for the twists at the end gear that the audience could never see beforehand.
Robbie serves as the personification of what we imagine a femme fatale would be, she delivers her character deep into dark territories as her face morphs into an evil-smiling mad scientist and scary-looking enchantress, hoping that the people watching may madly falling in love with her overly done character, or so you thought. Of course, Robbie does well with her performance as usual but the servings of the substances for the movie lacks the foundation of a truly good movie even far from being a masterpiece artistry of work.
While the recent trailers and neon-lighted posters let on that this is a revenge story, well not so much. It's more of having a porn-fashioned movie with mesmerizing colors and sparkling environments igniting the dark empty world of crime.
Verdict: 49/100. Hands down, I can guarantee it is one of 2018's best looking visuals, the visually stunning colors and dazzling cinematography mimics Suicide Squad, another movie with the presence of Robbie of a different genre that holds the identity of the true definition of 'style over substance'. Robbie may save this movie, cracking the judgments on two sides of which she may or may not. If you love Margot Robbie, then give it a try. Her performance here is the solid proof for her to get that Harley Quinn spin-off film made, already.
This dark tale focuses on a few key characters and their conversations and meet-ups with a deranged waitress played by none other than the charming with talents, Margot Robbie. The Terminal opens with Ms. Robbie as Annie who meets with a priest that will lead to a number of assassinations and overly complicated double crosses which is unbeknownst to the audience before the story uncovers itself layer by layer.
The plot is hazy and foggy for the first ride of 20 minutes but it does take shape beyond that that gives the thinking of alerting the audience to stop daydreaming and start paying attention as the story begins to properly revolve and complete its messy puzzles.
Most of the plot and character developments here willingly to take in the form of twists. There are three major twists deliver within this movie and two of them are quite unexpected but stay to its relevancy of the unnecessary draggy and hard-boiled dialogues.
Encountering the frequent odd happenings and disjointing scenes, time doesn't always move in a linear fashion here. The reason here is because Terminal is mainly relegated to two separate narratives that never quite intersect as a whole. It touches briefly upon another and moves on again with their story back and forth. What is even worse is those two separate entities entitle to slow down the front gear with the misdirection of irrelevant talkings however, they later on become somewhat important for the twists at the end gear that the audience could never see beforehand.
Robbie serves as the personification of what we imagine a femme fatale would be, she delivers her character deep into dark territories as her face morphs into an evil-smiling mad scientist and scary-looking enchantress, hoping that the people watching may madly falling in love with her overly done character, or so you thought. Of course, Robbie does well with her performance as usual but the servings of the substances for the movie lacks the foundation of a truly good movie even far from being a masterpiece artistry of work.
While the recent trailers and neon-lighted posters let on that this is a revenge story, well not so much. It's more of having a porn-fashioned movie with mesmerizing colors and sparkling environments igniting the dark empty world of crime.
Verdict: 49/100. Hands down, I can guarantee it is one of 2018's best looking visuals, the visually stunning colors and dazzling cinematography mimics Suicide Squad, another movie with the presence of Robbie of a different genre that holds the identity of the true definition of 'style over substance'. Robbie may save this movie, cracking the judgments on two sides of which she may or may not. If you love Margot Robbie, then give it a try. Her performance here is the solid proof for her to get that Harley Quinn spin-off film made, already.
I don't usually post reviews on IMDb - other people have already done it, and often better than I could - and most of the time, I find the ratings more or less on par with my own impressions of movies.
However, sometimes, I can't help but wonder "How in God's name has this movie gotten this rating?" Terminal is one of those movies.
The abysmally low rating, coupled with the very few (and most of them, poor) reviews, made me want to give my two cents and try to set the record straight. Or, at least, set it straight-er.
For me, Terminal was a thoroughly enjoyable movie - it has a great cast, witty and dark humor, interesting enough plot (not too cliche or too predictable) and, being around one and a half hours long, it does not overstay it's welcome. If you're into labeling things, you could call it neo-noir or something other, but the fact is that Terminal is very much its own thing, visually and plotwise. Personally, it reminded me of a theater play.
The ending could have been executed differently or better - the plot unraveling was overly (and unnecessary) convoluted and the ending itself was a little unimaginative and disappointing. But that's just my personal view.
Overall, Terminal is a good enough movie - and that is good enough for me. And even though it wouldn't make it to any of my "top 10 movie lists", it is still a pretty solid movie, that deserves at least a 7. Which is why I gave it an 8.
However, sometimes, I can't help but wonder "How in God's name has this movie gotten this rating?" Terminal is one of those movies.
The abysmally low rating, coupled with the very few (and most of them, poor) reviews, made me want to give my two cents and try to set the record straight. Or, at least, set it straight-er.
For me, Terminal was a thoroughly enjoyable movie - it has a great cast, witty and dark humor, interesting enough plot (not too cliche or too predictable) and, being around one and a half hours long, it does not overstay it's welcome. If you're into labeling things, you could call it neo-noir or something other, but the fact is that Terminal is very much its own thing, visually and plotwise. Personally, it reminded me of a theater play.
The ending could have been executed differently or better - the plot unraveling was overly (and unnecessary) convoluted and the ending itself was a little unimaginative and disappointing. But that's just my personal view.
Overall, Terminal is a good enough movie - and that is good enough for me. And even though it wouldn't make it to any of my "top 10 movie lists", it is still a pretty solid movie, that deserves at least a 7. Which is why I gave it an 8.
I thought it was an Excellent film. Noir style with a twist ending. Actors were excellent. Music was quality. Recommended
My movie needs are simple. I want to be entertained. that is it. I don't need any fancy references or nods to previous movies or directors etc. I don't need to be informed or moved or left speechless.
The best part of this movie is it makes it very easy to suspend belief. So you don't have to watch it and suddenly think oh man that wouldn't happen or gee that was wrong. It is highly stylized, the dialogue is great and there is a definite rhythm to it. The acting is great some of the back and forth between actors is actually very witty and very solid. It has twists and turns- none of them earth shattering but great nonetheless.
I think every actor in it was great- I cannot for the life of me figure out why everyone hates it so much. My best guess is that pretentious people either thought it was going to be one thing and it wasn't so they are upset or pretentious people expected it to be more artsy like some of those noir type films can be.
Reading the reviews before I watch it I sort of knew it would be good. I think at a certain point people who I disagree with made it clear they didn't like it so in a sort of the enemy of my enemy thing- The bad reviews seemed like folks who expect too much of a simple small movie or tried to take this movie way too seriously and those who liked it seemed to simply take it as a piece of entertainment.
My wife and I watched it on a Sunday night after dinner curled up on the couch and felt like it sounded good, so we'll ignore the bad reviews and buy it on Xbox 1. I am really glad we did. The movie isn't going to change your life, it isn't going to be one of those life altering movies This movie was great and it did the one thing we wanted on a lazy Sunday night... It entertained us.
My God the people who hated this movie are the same type of people who loved La La Land and Mother- I will almost always enjoy a movie they hate- I watched two movies this past week- Black Panther and Terminal. Black Panther was applauded as being incredible- I thought it was just ok and I just can't get anymore involved with it than saying it was just ok.
So if you are looking for something a bit different than what has come out the last few years and can enjoy something for what it is- simple entertainment the give it a shot you'll probably also really like it.
In short, only people that hate fluffy puppies- don't like this movie.
The best part of this movie is it makes it very easy to suspend belief. So you don't have to watch it and suddenly think oh man that wouldn't happen or gee that was wrong. It is highly stylized, the dialogue is great and there is a definite rhythm to it. The acting is great some of the back and forth between actors is actually very witty and very solid. It has twists and turns- none of them earth shattering but great nonetheless.
I think every actor in it was great- I cannot for the life of me figure out why everyone hates it so much. My best guess is that pretentious people either thought it was going to be one thing and it wasn't so they are upset or pretentious people expected it to be more artsy like some of those noir type films can be.
Reading the reviews before I watch it I sort of knew it would be good. I think at a certain point people who I disagree with made it clear they didn't like it so in a sort of the enemy of my enemy thing- The bad reviews seemed like folks who expect too much of a simple small movie or tried to take this movie way too seriously and those who liked it seemed to simply take it as a piece of entertainment.
My wife and I watched it on a Sunday night after dinner curled up on the couch and felt like it sounded good, so we'll ignore the bad reviews and buy it on Xbox 1. I am really glad we did. The movie isn't going to change your life, it isn't going to be one of those life altering movies This movie was great and it did the one thing we wanted on a lazy Sunday night... It entertained us.
My God the people who hated this movie are the same type of people who loved La La Land and Mother- I will almost always enjoy a movie they hate- I watched two movies this past week- Black Panther and Terminal. Black Panther was applauded as being incredible- I thought it was just ok and I just can't get anymore involved with it than saying it was just ok.
So if you are looking for something a bit different than what has come out the last few years and can enjoy something for what it is- simple entertainment the give it a shot you'll probably also really like it.
In short, only people that hate fluffy puppies- don't like this movie.
Margot Robbie Through the Years
Margot Robbie Through the Years
Take a look back at Margot Robbie's career on and off the screen.
¿Sabías que…?
- TriviaThe "crisp new five pound note" Bill offers to buy the gun near the beginning is actually a Duke of Wellington five pound note that was in circulation from 1971 to 1991. This was probably to add to the city's anonymous nature by also obscuring what era the film is set
- Errores(at 29:43-31:40) in the cafe scene between Annie and Bill, Annie's pencil appears and disappears behind her left ear.
- Bandas sonorasRabbit Hole
Written by Performed by Newton Faulkner
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- How long is Terminal?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idioma
- También se conoce como
- Địa Giới
- Locaciones de filmación
- Kelenföld Power Station, Budapest, Hungría(Mr Franklyn's control centre)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total a nivel mundial
- USD 843,970
- Tiempo de ejecución1 hora 35 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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