Deutschland 83

I was in that business around that same time, in West Germany. The details in this production are amazing, right down to two Trabis on the same street in the East, and no Mercedes in the Stasi parking garage. I love the fact that Americans speak with a slight American accent, and use English words -- though not necessarily the ones a German would use. This takes me back, to the uniforms, buildings, concerns of a different time. One I sincerely hope will disappear forever.

The problems of sending an East German to the West reflect the problems we had sending a Westerner east. The 1,001 ways to be tripped up brings back memories of complex plans that felt good, but you knew had huge holes in them no one had noticed. The risk to the actual agent cannot be downplayed, and this series (after only seeing #1) seem to lock in tight on that vital element of spy games.

1980ies was a really critical decade in the post-WWII period, tensions were the highest since the 1960ies, as the economical gaps between the East and West started to enhance faster. The split Germany encountered apparently the biggest tensions as the nation/language was the same, NATO bases were close, and GDR intelligence was considered among the best in the world...

Although I was quite young at that time, Deutschland 83 seems very realistic to me, brings forth some memories and attitudes East Germans were known in the Warsav Pact block... True, some topics were apparently "bedighted" and intensified for the sake of feature series and providing meatiness and additional warmth and humour, this mini-series is no US-type of action mockery, with constant chases and blasts. For younger generations accustomed to search engines etc., some events may seems odd and questionable, but back then all checking was much more complicated and slower.

The cast is evenly strong, I found Jonas Nay as Martin Rauch / Moritz Stamm, Maria Schrader as Lenora Rauch, and Ludwig Trepte as Alex Edel most elaborated characters/performances. But still, it is good that all speak their native language (or broken German), and being made on German soil and cities, you can feel the real European/German life and background throughout the whole series.

The ending could have been more twisty, but still, a good series. Special mention to those who selected songs and soundtrack - one can hardly find more suitable melodies and texts for specific events and general atmosphere.

My Brother was is W. Berlin from 1980 to 1983. I was in Kitzingen, Germany from 1984 to 1987. This show is true to the look, feel and emotions of the Cold War at that time. The emotional and psychological tug of Cold War was palpable during the 80's with every step one took, and this show, somehow, surprisingly brings those feelings and emotions down to the minutest detail alive again. The U.S. and the Soviet Union were preparing for war, and the Fulda Gap was where we practiced our maneuvers for a ground assault (this is common knowledge, so don't get your panties in a wad over this information). Everything in this series, especially the use of music, cars, and women is spot on. Bravo! This series deserves to continue.

Refreshing to watch the beginning of this series on Sundance Channel, a foreign language entry that catches a moment in recent German history without the usual quintessential archetypes and funny accents of any random American production involving Germans. The tables are turned in fact because it is the American characters speaking German who seem a bit less than convincing. English subtitles are no major distraction, because the script is terse and direct.

As in most German cinema, nothing is left to the imagination. If a character is destined to be a hero or a saint (or something in between) that element is telegraphed in advance by the director's emphasis on a frown, an arched eyebrow, a look of confusion, or a surreptitious stage movement. We know where the series is going by the end of the first episode, yet we identify with the young man at the center of the story irrespective of his opening attitude. There is none of the ambivalence or inchoate suspense found in one of John Le Carré's filmed spy novels.

I am looking forward immensely to viewing the remainder of the series in spite of not believing, really, that many of the easy coincidences, arch villains, clandestine meetings in the woods, and other stereotypical story devices could have actually happened.

This show is just awesome! They capture the feel of the 80's in a great way. I was not in East or West Germany but the older guys I worked with were and this show is as described. A people on the edge....

I really like the German actors and actresses, but especially the younger ones. The star, Jonas Nay, is awesome. A sense of innocence, youth, determination, and bravery even though he is the EG spy. It is great! Nikola Kastner is really great too. She conveys my memory of an 80's woman, from wherever so well.

The intrigue is great. Reminiscent for me of The Americans...kind of places a stress on you to watch as you get involved with the characters.

I think the only drawback for some viewers would be the subtitles. I don't mind at all.

You know, I want to know the model of that EG car that the mother drives!

I may be biased as reading, movies, and artifacts from the cold war era are a hobby of mine.

They really place you in it.....a good feel for what happened I think.