Opiniones de usuarios

Its realy nice movie to watch if you just want the emotions,its not eventfull and it doesnt have that much dialog but i realy enjoyed it because i just wanted to wach something thats relaxing and where you dont focus on the words that much.Wouldnt recomend this movie to those people who are all about plot and drama.

"Seashore" is not a film that rushes its audience; instead, it unfolds with the quiet rhythm of the waves, a slow and delicate exploration of connection and self-discovery. The film's strength lies in its nuanced performances, particularly from its two leads, whose chemistry is both subtle and deeply affecting. The actor portraying Tomaz is especially captivating. There's a captivating authenticity to his portrayal, a naturalness that draws you into his internal world. His performance is a quiet triumph, filled with understated emotion that lingers long after the credits roll. It's a performance that invites you to lean in and truly observe, rewarding your attention with layers of unspoken feeling. "Seashore" is a film for those who appreciate the beauty of subtlety, the power of quiet moments, and the profound impact of human connection. It's a gentle tide that washes over you, leaving a lasting impression of warmth and introspection.

Here is an example of self-conscious introspection going in too many directions at once. Bad enough for the viewer trying to cope with shaky frames from hand-held cameras, even worse when the narrative slows for long, heavy pauses in either words or actions. One wonders why so many low budget films share this phenomenon. It is tempting to call out to the screen, "Get on with it, already!"

Still, there is charm in the notion that two young friends can figuratively swim their way, as ocean sounds play in the distance, through casual interruptions in a simple assignment to locate and retrieve a family document of some importance as they visit a beach house in the cold of winter. It might even be possible to salvage this film by cutting out totally irrelevant scenes that serve only to provide background for their respective characters. A filmmaker's self-indulgence in attempting to recreate a familiar story from his or her past reminds me of how quickly I run away whenever someone says, "To make a long story short..." which in fact becomes a stream of consciousness without an end.

Indeed, there is no clear end to this film. It just goes on and on.

This is a pleasantly developed story, well acted and directed. The two themes interweave - coming to see a bullying father for what he is, and using the character of a gay friend to help Martin, who is the victim of his own father's anger, arrive at freedom and self-assurance. This is one gay character who is not angst ridden, but comfortable in his own life and consequently able to be a guide and support. The final sequence shows self-doubt being finally overcome. This is not an action movie, but a story of psychological development. It is of the utmost importance when watching this film to read the subtitles carefully. The film is slow in parts because these are teenagers given time to say things they find it hard to express. There is a lot of time given to plucking up courage. A good film, and I enjoyed it.

So do you suppose there is a way for me to sue Filipe Matzembacher and Marcio Reolon, the directors of this staggeringly boring movie, for my time back? This film was rambling, boring, pointless. I wondered if this even had a script and they just let the actors improvise. Nothing was solved. Nothing resolved. I finally kept fast-forwarding through it hoping that something would happen. The actors were cute and seemed to be able to act. But I certainly won't be looking out for anything by these directors again. What a waste of my time. What is it with gay movies that the creators seem to think they have to get artsy-fatsy? Straight love films have a beginning, middle and end. Why can't a gay movie?

I was delighted to discover this gem of a film. Outstanding, naturalistic performances and relatable characters. I found myself completely engaged from the very beginning of this film. Excellent casting and direction of two quality lead performances. Highly recommend this film!

Well, this film was about...uhm, what was it about? Nothing happened - and I mean NOTHING! It was about nothing. This was like watching someone's home videos. It is a very quiet film and very weirdly photographed. There's no chemistry between the actors. I wanted to hit the forward button to get the movie to move along, or just go somewhere! I wondered why some scenes ended up in the film instead of the editing room floor. This...was...so...slow...moving...

Yawn!

I understand that to make a gay themed movie in Brazil might not be very easy but in what is generally considered one of the more passionate of Latin American countries this is lacking in passion. It's not that the story is told too slowly, it just feels like the actors spent the whole movie looking forward in mild embarrassment to the" love scene" they were going to film at the end. Half way through I was wondering if this wasn't one of those movies that are accidentally labelled as gay themed just because they have a gay friend in one scene or something and then when one of the leads goes to buy beer with the girfriends boy friend it looked like maybe they were the gay couple because those two actors actually seemed to have chemistry...but no. I gave it five stars and I feel that I was very, very generous . Not great but watchable if you can't find anything better.

A soft tale of rite of passage for two boys. The story unfolds in an undramatic way. Nothing more than the absolutely necessary is explained. The acting is superb, awkwardness, confusion, fragility and desire all perfectly depicted on the actors' faces.

I can understand this movie doesn't get the best rating from the average gay movie viewer. It stays away from most gay movie clichés. There's no mentioning of anything gay scene related. There's no dancing to cheap house music in a gay disco or bar. There's no muscular actors or too pretty characters with successful high paid jobs. There's no singing of musical tunes nor is there a group of happy gay friends sharing their latest flings. There's no straight guys to be turned and no rent-boys and hustlers to be paid. There's no diseases and it doesn't end in drama. There's no acting in which inner dialogue is is being constantly expressed in words. There's no gimmicks or tricks to keep you entertained nor endless music scores on piano. There's two boys that could have been your best mates at school (when you discovered alternative music, alcohol and smoking weed) who admit to loving each other more than they dared show before. I enjoyed the natural pacing of this movie, the timeless boredom of seaside towns out of season, the frustration of family and the recognizable (big) events in the little lives of the everyday characters involved. Well done, I need more of this!