Una actriz cría a sus tres hijas mientras lidia con las presiones de trabajar en Hollywood y ser madre soltera.Una actriz cría a sus tres hijas mientras lidia con las presiones de trabajar en Hollywood y ser madre soltera.Una actriz cría a sus tres hijas mientras lidia con las presiones de trabajar en Hollywood y ser madre soltera.
- Nominado a 2 premios Primetime Emmy
- 6 premios ganados y 38 nominaciones en total
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Sam Fox (Pamela Adlon) is an older Hollywood actress struggling with work and raising three daughters, Max, Frankie, and Duke, by herself. She has been a working actor since childhood. On top of that, there's her unstable mother across the street.
Pamela Adlon is this character. This is a semi-autobiographic show and Adlon is brilliantly realistic. These are compelling characters. There is some fun and plenty of poignancy. This show does have one giant elephant in the room and his name is Louis C. K. Louis is a producer and helped Pamela develop the show. In the end, she is the one and only voice that matters. That helps one ignore Louis' name in the credits. Maybe he'll salvage his career in the future. For now, this is a great personal show on its own and it's worthwhile TV.
Pamela Adlon is this character. This is a semi-autobiographic show and Adlon is brilliantly realistic. These are compelling characters. There is some fun and plenty of poignancy. This show does have one giant elephant in the room and his name is Louis C. K. Louis is a producer and helped Pamela develop the show. In the end, she is the one and only voice that matters. That helps one ignore Louis' name in the credits. Maybe he'll salvage his career in the future. For now, this is a great personal show on its own and it's worthwhile TV.
Pamela Adlon offers much richer characterizations for her trio of young co-stars this year, and it's hard to think of another tv series since Malcolm in the Middle that has had such an ingenious representation of the youngest-middle-oldest sibling dynamic. The writing is indelibly sharp too, as just like Louie the show is as precious as it is hilarious, and it's captured in a way that's simply beautiful on every level. In a year with no new seasons for Atlanta or Louie, FX subscribers that appreciate more subversive comedies with a knack for subtlety will find all they desire here, in Better Things.
Funny, real and inspiring. I have loved Pam since Californication. The story is original. I love that men are not saving these women. They are facing the world on their own not waiting for a man to help them. They deal with real world problems in a non forgiving world of social media, changing family structure and the role of women in society is changing. Cannot wait to see where life takes these women.
I love that this show is centered on a working mom in her 40s/50s. So much raw, relatable content. It doesn't glamorize the inner workings of day to day family life. But, and it's a big BUT, the oldest children are spoiled and entitled. Sure, that makes for conflict and drama. But it's becoming unwatchable the way she portrays herself as this martyr for enduring her own two older children's behavior. It's beginning to make her an unlikable character for me. It is not endearing to watch her ALLOW her children to be monsters. Aside from that, there's plenty of good stuff there.
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- TriviaThe long gap between season 2 and 3 came about due to the firing of co-creator Louis C.K., who co-wrote every episode. So Pamela Adlon needed the extra time to put together a writers' room and learn how to run it, a big change regarding the making of the first two seasons.
- ConexionesFeatured in Conan: Bob Costas/Pamela Adlon/Mary Mack (2016)
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