Red Rock

I couldn't get enough of this show the first two seasons. There were likeable as well as unlikable characters. In season 3 the only characters who dominate the storyline are the unlikeables. Spending time with Keith or Bridget Kiely is not fun or enjoyable. Gone are the two Hennessy sons as well as Claire and instead we're stuck with their mother Patricia. I could give more examples but for me I like to spend my time with people I like. Season 3 doesn't provide that for me. It's kind of a miserable experience watching it. Lowering my rating from a nine to a seven because I did like the first two seasons a lot.

The good news is that this series does feature good acting, and lotsa cliff hangers, just as any self-respecting soap opera should. The bad news is that, much like "The Bridge" did to El Paso, Texas, USA, "Red Rock" shows (imho) Ireland and the Irish people in a very unflattering light. Gawd, these people are stupid and most of them are cowards, as well! I can't believe how many of them choose to do the wrong thing, over and over! And, then they compound their errors with even more errors!

I never thought I'd see any show where a Junkie shows more clarity of thought and courage than other, supposedly clean and normal people! Conor, a heroin junkie, is the only one who dares to face the thoroughly despicable Brian McGonigle in his own lair, and speak out against him.

We can't stop watching, but we are continuously amazed, mystified, and confused by the idiocy of the many characters! Watch at your own risk.

At 25 minutes or less an episode it breezes along. 2 feuding families and a Garda station with varying degrees of competence and corruption. As a soap it knows how to suck you into love/hating the characters quickly, and by episode 20 you really want the bad guy to get his, and by episode 30 he may be close to doing so. Will they drag it out some more? To keep us on our toes we have the good guys continually showing their clay heels, strong characters with holes, and a truly white trash family vying with one not much better, merely richer. Can cops be really as dumb as Westlife and Paudge? Will Sharon get justice or will she tell them all to shove it?

Very entertaining.

Before I started watching Red Rock I had seen a headline using a quote from an actor in the series saying they couldn't wait to be "knocking Fair City off their perch" with this new show. I taught this was mad as Fair City bad and all as it is, is still the main Irish soap opera around. After watching the first 6 episodes of Red Rock, I am sure it will knock Fair City "off their perch".

As the show opens with the death of a young man from a local feuding family we are drawn into every detail going around about the death as if we were members of An Garda Síochána. The show has so far shown how close the community is and has indicated at what the future holds with locals in corruption, law breaking Gardaí, the re-igniting of feuding local families the 'Kielys' and 'Hennessy's', behind closed doors relationships and the hopes and dreams of some members of the Gardaí being crushed.

While the show is still in it's early days and TV3 has commissioned the continuing drama for the next two years with 160 episodes to come. I hope to be for a long-haul of excitement, with every episode already ending on the note of the typical soap cliffhanger.

Why do I watch Red Rock? Why do I look forward to the next episode? Well, this show is crisply paced and it's fairly well acted. Ultimately, I have to like (at least one of) the characters, and I have to root for someone. Here, Red Rock is solid. From Garda Cleere to Det. Tyrell to Supt. McKay, Red Rock features regular folks -- they all have issues, just like I do -- whom I'd want as neighbors here in New England, folks I'd be honored to sit down and share a pint with in Ireland.

Of course, there's evil in Red Rock, and the police, plus some of the other townspeople, do battle in back alleys and hallways, on street corners and mobile phones, sometimes with criminals and sometimes with each other.

It's the details -- looks of anguish or triumph, phrases packed with anger or angst, with big, broad troubles like murder and pedophilia sharing the canvas -- that make this drama pop. For a soap opera, it surely seems real to me, so I care.

Well done. There's room for growth to be sure, but I want to see more. (nearly 8 out of 10)