Opiniones de usuarios

I am now 93 years old, and counting. I have outlived all of the people that I have known in my prime, so at this point in my personal odyssey I feel empowered to comment on men that I have known well over the years, since now they are all safely dead.

Which brings me to "Retake" (2016).

First of all, I agree in all respects with the only two reviewers currently listed as of this date in the "Retake" comments section. Where I expand on the other two reviewers' comments is that I have known personally three men who -- over time -- did what the character Jonathan (Tuc Watkins) did in Retake, and more importantly, I have know personally two of the three men who did what the character Brandon / Adam (Devon Graye) did in Retake.

The three real-life Jonathans that I have known tried to recreate the emotionally charged special events that they had enjoyed on their road trips from New York City toward the West Coast with their young lovers in the early 1960s, 1980s, and early 1990s, respectively. And a Polaroid camera was confirmed to be present in at least two of the three road trips.

All three real-life young lovers died of drug overdoses. All three real-life Jonathans later rented young men who looked similar to their respective dead lovers to play-act their way through a later parallel road trip in their ultimately failed attempts to relive their respective emotional highs, and all three coincidentally traveled from New York via the classic Route 66 highway. I know all of this because I was asked to clean up the various messes that my three Jonathans left in their wakes, which I did in the 1960s, 1980s, and 1990s, retraveling the still classic Route 66, or its remains.

But for me, the weird, even eerie parallels with the movie Retake is that my three Jonathans were unsettlingly similar to the portrayed character Johathan, and my two personally known Brandons / Adams were virtually identical to the character so beautifully and skillfully played by Devon Graye (Devon Graye Fleming). The personally unsettling, definitely eerie, and almost identical behavior displayed by Devon Graye was later confirmed with the two now-not-so-young men rented years before, neither of whom had seen Retake before I recently approached them and supplied them with DVDs of Retake to confirm my conclusions. Which both emphatically did. And both were suitably amazed, as I was.

Yes, the movie Retake is not perfect, but it definitely is A MUST SEE. And please permit me to conclude, as one of the earlier reviewers did: "Overall, the picture is an example of well executed independent film that delivers something we lack in today's American cinema ‑ a REAL people's story."

Parenthetically, I wonder if the director of "Retake", Nick Corporon, personally knew or knew of any of the six real-life people in question.

FILM: Retake DIRECTOR: Nick Corporon RATING: 8/10

Jonathan is a man in his late forties whose emotional center has been entirely decimated by his previous partner, and this film begins as he hires a male prostitute to accompany him on a road trip to the Grand Canyon. His hope is to recreate a moment he shared with his ex, down to every last precisely staged polaroid. A shaky premise to be sure, but disbelief is quickly suspended in the capable hands of the two lead actors. Played quietly by Tuc Watkins, Jonathan wears his pain in his eyes and in the occasional quiet outburst. Brandon, 25 years his junior, shares a similar depth of spirit, his will toughened by just trying to survive. With these two richly complex characters, Nick Corporon gives us a searingly raw account of two men finding each other amidst the land mines of their own heart break. With gorgeous hand-held camera work that is at turns intimate and grandiose, this film takes us deep inside the damaged hearts of two individuals and leaves us believing again in the healing power of human connection. Not without its problems, but an absolute must see.

This was a far better film than the rating reflects. Sure, it's kind of a downer and doesn't have the happy ending you'd hope for, but it's real, it's honest, and the acting and production are top notch. Just because a film doesn't give a fairy tale ending is no reason to give it a low score. When there are so few films about the LGBT community that are high quality and of some substance or believability, it's truly sad to not give credit where credit is due.

No, it's not a love story, or story of redemption. It's a film about heartbreak, and a broken man (two broken men) trying to find happiness the only way they know how or can think of. Sure, I would have LOVED it to have ended differently, but It's FAR better than most other fare out there. It can be tough to watch at times, but is ultimately worth it.

A simple story, full of nuances from its beginning, Hitchcock influence, realistic portrait of hustlers, a nice relation, discovered in its complexity, correct work, good acting, delicate subject, portrait and eulogy of loneliness , bitter , perfect end. A trip of two strangers. The precise purpose of the old one, the temptation to escape from his life circle of the other. And complex relation between them. Not great but, obvious, more than decent, beautiful for melancholia of story and for few inspired scenes. And nice for the courage of end , giving simple, precise message about a pain without cure.

This an interestingly quirky take on a road trip movie. "Jonathan" (Tuc Watkins) retains the services of a much younger hooker and proceeds to attempt to turn him into the partner he has lost. They set off en route to the Grand Canyon and their relationship - despite themselves - starts to flourish. Devon Graye plays the "duplicate" boyfriend ("Adam") really very well and the toing and froing of their relationship encompasses lust, pain, longing, despair and anger as it reaches it's conclusion. There is enough ambiguity throughout to keep this interesting and the writing is taut. It is well worth a watch.

"Retake" is a road-drama about a lonely guy in his late 40s who hires a younger male prostitute - to drive with him from LA to Colorado. But "Retake" is not just another "road- buddy-movie". It's a powerful drama about human condition, relationships, pain, loss, and - love. The lead players (T. Watkins and D. Graye) are excellent in their portrayal of two complex characters, who search for answers through sensual and physical exploration. Their little "game" frequently breaks the rules, taking them to another dimension; exploring their past, and their inner-pain. It's a well written non-mainstream narrative, with certain dramatic elements of various European realism "waves" (such as Kieślowski, Wenders, and early Wajda). Nick Corporon's (director) mise-en-scène approach is semi-minimalist: long interior shots, mixed with hand-held photography and natural movement. An old Polaroid camera prop (used by the main character) - ads a touch of nostalgia to carefully staged cinematic ride. Overall, the picture is an example of well executed independent film that delivers something we lack in today's American cinema - a REAL people's story.

Okay, so now I've just watched this movie ... 6 stars on IMDb, I thought it was very much better! A realistic portrayal of hustlers, and what they are like. John's and what they can be like. I met guys like this for sure in real life! It all made sense to me!

Hustlers are screwed up, John's are really strange, (I know from experience,) it played out as a real possibility, right up to the very end results.

"Brandon," Adam ... (Devon Graye) had a realistic imperfect body, although an AMAZING face you just must fall in love with! Then there was the other protagonist, Jonathan, (Devon Graye) the messed up John. Amazing.

The script was strong and realistic right to the very end. I thought it was great! Been there, done that, (well not quite,) but it played out REAL!

Strong 8 stars from me!

This is a good movie, one that holds your interest with some kink and a lot of tension.

We never quite know exactly what Jonathon is up to when he hires Brandon. Brandon tells us what he wants and what he intends to do, but we're not exactly sure just how dark his kinkiness will go. Neither is Brandon, which is a sensible of him, IMO, and which only adds to the puzzle.

Essentially Retake features a Vertigo-like make-over, though this one is gay and a little more downtown. Like Vertigo, the principal characters seem to be developing an affection for one another, though we're not exactly sure what's genuine and what isn't.

All this uncertainty and kinkiness adds up to a picture that has you traveling down the highway to who-knows-where. You just aren't sure of the final destination until it gets there, and that's a very good thing.

Well-written, well-crafted, and worth seeing.

Definitely a strange, but well scripted story of a man trying to recreate his days with an ex love. Beautifully played by the two leading actors, as well as the general ensemble. The sex scenes though suggestive are not explicit which was disappointing given the story line. But the interaction between the characters and the role playing and how the emotions changed kept me gripped.. Very interesting and recommended.

Hadn't heard of this movie....just randomly saw it on Youtube. At first, I thought it was going to be a dull/lame hustler movie with no interesting characters. But it quickly became interesting as the plot thickened and the hustler and his handsome, older benefactor are suddenly on a car trip to the Grand Canyon. I enjoyed the twists and turns and was rooting for both characters. I wanted the two characters to stay together as a couple, but apparently that didn't happen at the end. Acting was good. Dialogue was good. It was well cast and it was unpredictable. Actually liked it quite a bit.

The unsteady Camera was very distracting and pointless. When will this stupidity end? It's not unique, creative or edgy. Grow up Hollywood.

I wasn't sure where this was going, but was pulled in as the story unfolded. As Jonathan's story comes together, you are actually want to know more about the tragic relationship with the real Brendon. Was it a true love or a "project" Jonathan was going to fix. I am glad the story ended as it did,. Anything else would have been pathetic.

Some reviewers gush about this film as if it's some great work of art; it's not. Others seem to think the twp main characters are in some sort of normal, deep, and meaningful relationship; they're not. A few even ridiculously bring Hitchcock into it; don't try so hard. Hitchcock would be insulted.

My question is this: how sad, pathetic, and desperate would a man have to be to pick up and pay a scrawny and smelly street hustler (with bad hair) to recreate a past relationship? Twisted doesn't begin to cover it and there's nothing "real" about it. Who knows where the hustler's been, what disease(s) he'll give you, and how much he'll roll you for the first chance he gets. Get some extensive therapy instead or at least find somebody who regularly bathes. I give this film two stars, one for each of Tuc Watkins' delightful and playful butt cheeks. They're the only worthwhile things about this film.

The plot description intrigued me. A lonely middle aged man hires a male escort to accompany him on a road trip to recreate a specific time from his past he cannot seen to move on from.

Tuc Watkins as the middle aged man and Devon Graye as the hustler are both fantastic in this. You don't expect acting of this caliber in a low budget indie gay film and I was continually impressed by how both men fully inhabited their roles.

The film is a road trip movie but also a complex and intelligent film about love, loss, trauma, regret, and moving on.

I did question how the hustler was as sane, resilient, and emotionally intelligent as he was. Not being a drug addict made me further question his line of work. But when I learned of what brought him to the streets, it made more sense.

I read another review here where the reviewer was angry that this didn't have a "Pretty Woman" ending. Personally, I would rather a film be thought provoking and honest than have a fake tacked on happy ending. That was clearly never to be for these two complex and troubled men.

A solid 9/10 from me.