El abrazo de la serpiente

Embrace of the Serpent deserves a special mention of the movies I watched at the 8th Bengaluru International Film Festival. Loved the way this movie delineates the Amazon, Culture, People, their belief, their love for the spirit called LIFE transcending from reality to fantasy effortlessly. Though its loosely based on the diaries of the 2 scientist, the movie gives a collective account of what it would have been to witness those times and see the true dark side of the Colonial enforcements and the resulting destruction of culture, people, nature on a wide range of a scale. The rich monochrome frames simply captivates ones mind and more importantly, the lack of background scores at times adds the muscle to the already strong Amazon backdrop. The forest & the river has this captivating power which sucks you into it and makes one feel as if he/she is also a part of the journey through time. Those handpicked tribal actors are out of the world truly - especially both the young and the old Karamakate - inspirational stuff. Certainly not to be missed.

A very good movie which reflects the tragic history of peoples Amazon between the late nineteenth century and early twentieth century. Us shows the messianic movements of indigenous peoples, exploitation, ill treatment and killings carried out by the rubber, the indoctrination by the missionaries, the Colombo-Peruvian war, etc. It also gives us a glimpse of the culture of these peoples, the use of powerful hallucinogens in ritual ceremonies to communicate with the spirits of nature, knowledge of the environment, importance of the river and the jungle and the anaconda and jaguars. Finally a production well documented and that through a history very well achieved introduces us to cosmology and history of the peoples Amazon.

I love how this movie is put together. By combining the accounts of two explorers - over 30 years apart - it manages to tell a story of a world changing. You can see how actions made by the first explorer directly changes the world of the people they meet. Mostly in a bad way. The movie conveys, with a sadness, how much the people of these tribes lost because of the way they were handled by "white people". But this is not the time tested "gone with the wolves"-story. It's an artistic and stylistic, yet believable, account of the old meeting the new.

One thought though: While it is an interesting discussion why it's in black and white, I think the movie would have been better off in color. At least partly. Black and white is nice, but the jungle scenery in this movie could have been breathtaking in color - but the again, maybe that's the point.

Interesting look at the lifestyle of the Amazon people in the vanishing jungle where a shaman deals with two diverse characters , being first Colombian film nominated for an Academy Award for Best Foreign Film . The amazing story of the relationship between Karamakate (Nilbio Torres -Young Karamakate-, Antonio Bolívar -Old Karamakate- and all the natives of the film are natural actors) and two scientists who seek a magic plant , Theo (Jan Bijvoet) and Evan (Brionne Davis) . As decades apart , an Amazonian shaman and last survivor of his people , and two scientists who work together over the course of 40 years to search the Amazon for a sacred healing flower . It's based on two true stories, linked together by one remarkable man and , perhaps, the most famous, celebrated river in the world, the Amazon . And the man is Karamakate, the last shaman of his jungle tribe . We first meet him in 1940 , deep into his sixties as played by Antonio Bolivar, when he encounters a man foreign to his home, an American scientist Richard Evans Schultes (Brionne Davis) . The rain forest of the Amazon are disappearing at the rate of 5000 acres day . Four million Indians once lives there , nowadays 120.000 remain .

Embrace Of The Serpent is one such cinematic experience which brought a deserved Academy Award Nomination . Ecological thriller that has in highlighting the destruction of the South American rain woods by the rubbers ; being based upon a real story , on diaries by scientists Theodor Koch-Grunberg and Richard Evan Schultes , both of whom delve into the Amazonian rainforest in search of a rare plant with medicinal and hallucinatory qualities, with the assistance of a local shaman on opposite ends of his own life journey . An ecological adventure with mystical touches that was ahead of its time in denounce about forest destruction , including some disconcerting scenes , as the frames where a man is praised to be the Messiah is based on an actual event . Embrace of the Serpent attempts to frame the destruction of the rain forest's ecology and peoples as a slow-motion tragedy on scales both personal and cultural , but it is more intriguing in its ambitions, which frustrate it, than in it successes, which are limited . This exciting film contains thrills , emotion , adventure and marvelous scenes from deep rainy forest that generate a lot of surprises and illusion . This film has got some images "stuck in their head" including several sequences can stay in your brain for a long, long while .

Glamorous and lush cinematography by David Gallego who photographs wonderfully the Amazon jungle , obviously filmed under difficult conditions on location . Shot in black-and-white, which is at once visually distinctive but also rather flattening . Evocative musical score by Nascuy Linares and the music Evan plays on the gramophone is Haydn's "The Creation". This engrossing and enjoyable film with interesting screenplay by Ciro Guerra and Jacques Toulemonde Vidal was well directed by Ciro Guerra . He's a good professional filmmaking giving various Colombian successes such as Los Viajes Del Viento (2009) and La Sombra Del Caminante (2004) . Rating "Embrace of the Serpent" : Better than average . Wholesome watching .

For the things we don't see, or weren't around to see, 'Embrace of the Serpent' attempts to re-image a dark past in our history.

Karmakate is the last survivor of his tribe, living in the heart of the Colombian Amazon. At two separate points in time, he is asked by foreign scientists' Theodor Koch-Grunberg and Richard Evan Schultes -- both with different purposes -- on how to find a scared healing plant. The film borrows a lot of its content from their diaries from when they had commissioned Karmakate to help them in 1909 and 1940, respectively. He is conflicted as he has no ambition to help "the White man" because his tribe was wiped from the Earth by them, and he lives his days by himself.

The film doesn't beat around the bush. As it progresses, it becomes evident that the story is about the devastation of colonialism and what it had done to the land & its people. Everything from spreading Catholicism to Rubber Farming, more and more they see the land changing for the worse.

It was impressive to not only hear these actors speaking Spanish, but also being able to converse in the native tongue of the locals, including the several other languages that were used through out the film. Couple that with the beautiful cinematography, and you have yourself quite the masterpiece.

Fans of Miguel Gomes' 'Tabu' would likely enjoy this. Shot in black and white. Beautiful transitions and landscape shots. Winner of the Art Cinema Award at Cannes. Expect this film to go for Best Foreign Film at the Oscars.