Ambientada en la década de 1630 en Nueva Inglaterra, una familia está desgarrada por las fuerzas de la brujería, la magia negra y la posesión.Ambientada en la década de 1630 en Nueva Inglaterra, una familia está desgarrada por las fuerzas de la brujería, la magia negra y la posesión.Ambientada en la década de 1630 en Nueva Inglaterra, una familia está desgarrada por las fuerzas de la brujería, la magia negra y la posesión.
- Dirección
- Guionista
- Elenco
- Premios
- 43 premios ganados y 72 nominaciones en total
- Black Phillip
- (as Wahab Chaudhry)
- Lead Coven Witch
- (as Vivien Moore)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
The film takes place in such a secluded location that it instantly gives you a feeling of loneliness and dread before it even unfolds its beautifully constructed storyline. I loved the plot, the timing, the acting... basically everything about the film. It's also a brilliant display of female empowerment, which is common among horror films, but in a whole new way that's different from the standard last surviving girl motif.
Whether you're a fan of horror, or just great films in general... I highly suggest The Witch to everyone.
A very strong and deserving 8 out of 10!
The characters are a very believable, ordinary family, with the sorts of tensions and problems you'd expect from people living a hard and substantially isolated life after being exiled from the local colonial town. They also have period Calvinist attitudes, and the storytelling doesn't present an outsider's view of this or offer a modern commentary, but instead it just displays these attitudes and tells a story from the characters' standpoint.
Their reliance on period folklore means that it doesn't strictly follow modern horror movie tropes, either. It has the slow build of a modern psychological horror/thriller as well as the standard formula where tragedies start from tragic flaws, but the traditions it's drawing on depend on a Calvinist's conception of flaws, and treat witchcraft as a horrible, well-understood occurrence rather than a shocking supernatural surprise. This story applies these perspectives.
It's very well done in terms of writing, acting, and other aspects of execution, so it might have cross-over appeal to fans of horror, folklore, or straight period drama from colonial America.
The film is a loving and accurate recreation of Puritan New England in the 1600s with everything from the language to the sets being authentic to the period. That in and of itself makes it fascinating to watch. Having lived in Virginia, where the Jamestown Settlement and the 1600s sometimes can seem like they happened the day before yesterday, I especially enjoyed the film. The location, in Ontario, reminded me of rural Virginia in winter, which made me quite homesick. So the film might have affected me more than some other audience members.
The Witch is a fascinating glimpse into Christianity as practiced by 17th century Puritans. Satan and Evil are almost tangible presences in the woods and wilderness of the New World, while God is a distant, cold, and demanding being who must be constantly begged for forgiveness and mercy, since all human thoughts, words, and deeds seem to be gravely sinful and offensive to his eyes.
A family of seven (parents, four children, and an infant) are exiled from their plantation community for not adhering to the accepted interpretation of scripture. They build a farm at a distance from the plantation near a frightening wood. The farm is failing (the family won't have food to last the winter). Meanwhile, the infant has been snatched from the oldest daughter while in her care at the edge of the wood. From this point on the family either descends into madness or is destroyed by Satan in the form of a witch who lives nearby in the woods. How the family's disintegration is interpreted will depend on which century's point of view you choose to use.
It's hard for an audience of this day and age to get into a period piece set in the 17th century without any big name actors or action elements. And I have to admit that I wasn't sure I wanted to see a film like this, especially with its horror elements. But my eyes were pealed from beginning to end. I wouldn't say anything about the story shocked me or had me confused, but the imagery, score, and uncompromising nature to Robert Egger's direction left me breathless. Within 10 minutes I was looking at the screen and whispering to myself "why would you go there?", "Don't do that!", or "come on, really?". Not because I thought it was poor story- telling, but because I was so invested as to what these characters were doing.
With that said, I don't think this film is for everyone. It's brutal, harshly relentless, and utterly disturbing. The characters use all 17th century dialogue and the cinematography sets this grey and ominous tone. The imagery from beginning to end will stick in your head as it has done with me. But that's the way horror films should be. I wouldn't say it's more a psychological thriller because there are plenty of terrifying moments, but it is more for the 'Under the Skin' crowd than it is for people who love 'The Conjuring'. Even in its harsh moments, I was always invested and I can't deny the quality of the writing, directing, and acting all around. This is how you make a horror film.
+Terrifying imagery
+Egger's direction
+Invested from beginning to end
-Sometimes the dialogue is difficult to follow
7.6/10
Very watchable.
¿Sabías que…?
- TriviaThe spelling of the title "The VVitch" is how the word was written in the story's period because the letter "W" was not yet in common use at the time.
- ErroresOne mistake in the dialogue is the incorrect usage of the personal pronouns "Thou" and "You." During the 17th century, "You" was reserved for formal situations, and when one was addressing someone of higher status/rank. "Thou," on the other hand, was used in personal/informal settings and between peers and close relations (similar to the French Tu vs. Vous). Throughout the film, the characters use thou and you interchangeably; however, a close-knit family such as theirs would not have likely addressed each other with the formal "You."
- Citas
Thomasin: Black Phillip, I conjure thee to speak to me. Speak as thou dost speak to Jonas and Mercy. Dost thou understand my English tongue? Answer me.
Black Phillip: What dost thou want?
Thomasin: What canst thou give?
Black Phillip: Wouldst thou like the taste of butter? A pretty dress? Wouldst thou like to live deliciously?
Thomasin: Yes.
Black Phillip: Wouldst thou like to see the world?
Thomasin: What will you from me?
Black Phillip: Dost thou see a book before thee?... Remove thy shift.
Thomasin: I cannot write my name.
Black Phillip: I will guide thy hand.
- ConexionesFeatured in Film '72: Episode #45.3 (2016)
Selecciones populares
Director Robert Eggers' Essential Watchlist
Director Robert Eggers' Essential Watchlist
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idioma
- También se conoce como
- The Witch
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 4,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 25,138,705
- Fin de semana de estreno en EE. UU. y Canadá
- USD 8,800,230
- 21 feb 2016
- Total a nivel mundial
- USD 40,423,945
- Tiempo de ejecución1 hora 32 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.66 : 1