Godzilla Resurge

If you are expecting a stereotypical monster movie you will be disappointed. This film is definitely much more of a political thriller than a monster flick.

The movie is filled with plain and mostly forgettable characters, however, collectively they make the real protagonist of the film: Japan. The film critiques and parodies a dysfunctional bureaucracy, allowing for some not so subtle irony and other comedic moments using techniques such as extreme close-ups, quick changes in POV's, rapid-fire dialogue to reinforce these while still allowing for suspense when needed. Its overly fast pace is a bit jarring at times, making it hard to concentrate with its many fast and transitionless cuts.

Shin Godzilla feels very much like a documentary, with convincing this-is-really-happening atmosphere. The filmmakers really make you feel like a participant and witness to the events happening throughout the film engrossing you into the universe and adding a huge sense of realism which adds to the political side of the film and the impact of the destruction.

Godzilla himself is also amazing, the combination of puppeteering, animatronics and digital effects create such a unique portrayal of the monster evoking terror and intrigue. Though, the cgi isn't always perfect, but this can be overlooked.

The ending is also a mixed bag, it has a great message of collaboration and ends with an interesting introspection on who the bigger monster is: humanity or Godzilla. However it did feel too cheap and easy which kinda diminished the realistic tone set by the film.

The movie is definitely not perfect but its multi layered symbolism and message are so interesting I couldn't help but be invested throughout the whole thing.

First of all, if you are expecting the stereotypical monster movie where the point of it is just watching a monster destroy stuff and watch people running around, you WILL be disappointed. The majority of this film takes place in offices and meeting rooms.

Japan just went through a nation-wide Earthquake that took more than 15,000 lives, and triggered the second worst nuclear meltdown in history, both just five years ago. And this is a clear satire on the sociopolitical events since.

The film takes us through what goes on in the government when a unprecedented crisis hits the nation. It's a bunch of long meetings, finger-pointing, paperwork, and slow decision-making. It is the epitome of dysfunctional bureaucracy.

On top of all that, you start to see the US government and other UN nations start to poke their heads into the matter, treating the hometown of 15 million Japanese people like just another battleground for just another war.

There are no clear-cut heroes; Just a group of normal people who are experts in their own fields, doing their best to contribute and put this disaster to an end. They have to fight the politics more than the actual monster.

The reality of all of this is astonishing, and completely believable. It starts to feel like a crisis simulation film.

But of course, the center of it all is Godzilla:

Godzilla himself is truly awe-inspiring in this film. What they have done with the monster is totally new, different from any of the Godzillas in the past (be careful of spoilers out there on the web if you want to experience the amazement). It's personally my favorite by far. Throughout the film, Godzilla is dubbed as "The truly perfect organism", "The most evolved being on the planet", and "A god". So that is the level which you should expect. His crazy power is far beyond belief, so you can safely immerse yourself into this fictional monster.

The tag-line for "Godzilla Resurgence" in Japan reads: "Reality(Japan) V.S. Fiction(Godzilla)". So you are witnessing the fault line between reality and fiction.

When Godzilla is turning the city of Tokyo into rubble, the Japanese don't see fiction. They see the events of 2011/03/11. The director clearly took measures to parallel the tsunamis, the rubble, and the fear of radiation to the events in real life.

Put that together with the bureaucratic mess, the international politics, and terror/awesomeness of the devastating monster Godzilla; The result is this masterpiece. It's a movie clearly wouldn't have come out from the Hollywood scene.

It does have it's faults (like Satomi Ishihara's cartoonish character), but the impact and significance of the film far surpasses its faults.

A must-watch.

New version based on Japanese classic monster with excessive and modern computer generator FX . An unknown accident occurs in Tokyo Bay's Aqua Line, which causes an emergency cabinet to assemble , but only to say that the creature is so huge it's weight would crush it if it came on land . Nuclear waste and carlessness of man mutate a gilled creature in the Tokyo Bay. As an underwater prehistoric reptile emerges from the depths after he has been awakened from slumber by atomic energy and destroying buildings and people . With social media capturing the footage and with newly acquired appetite for atomic testing , the emergency cabinet meets to find out what the creature is and if it will be a real threat , then Godzilla's destructive power outbursts . They are proven wrong as the creature comes on land horrifying the people of Tokyo and knocking over buildings . Meanwhile , the monster appearance precipites an international incident .The monster scaring towners , terrorizing Tokyo and its streets , breaking buildings and everything to get in its ways. Later it comes back in its next form and is now taller , impressive and indestructable . The cabinet gives it the name "Godzilla". Along the way Godzilla clumsily destroys Tokyo office buildings, skyline , skyscraper and knock commuter trains of their elevated tracks . A god incarnate. A city doomed. Nippon tai Gojira. Reality versus fiction.

This is a roller-coaster ride plenty of destruction , wreak havoc , action-packed , thrills , chills and breathtaking scenes . Fun moments and frightening entertainment when happens appearance Godzilla carrying out an extreme mayhem , confusion and destruction . As Japan is plunged into chaos upon the appearance of a giant monster, then the cabinet sends a defence force to eliminate the monster but it evolves and starts inadvertently overheating with radiation and this causes the monster to run back to the bay, leaving a risk of returning to the cabinet . Based on the original Godzilla , any other bigger-than-life tale that span almost 60 years would have to answer some serious question about plot repetition . Fantastic design creature , being well and brilliantly made by means of state-of-art digital efects .The motion picture was competently directed by Hideaki Anno, Shinji Higuchi . Finale leaves door open for an inevitable follow-up but still no realized.

Other movies about the Japanese monster, always produced by Toho productions and with rubber suits, miniature sets, are the following ones : the classic ¨Gojira¨ (1955) or ¨Godzilla King of the monsters¨ by Inoshora Honda ,commercially hit in the US , being one of the first post-WWII Japanese film to break American boxoffice including ridiculously primitive FX even in its own day ; ¨Godzilla king of the monsters¨(1956); ¨Godzilla raid again¨(1959); ¨Godzilla vs the sea monster¨(1966) Jun Fukuda; ¨Godzilla on mosnter island¨ (1972) , ¨Godzilla vs Smog monster(¨72) , ¨Godzilla vs Biollante¨ , ¨Godzilla vs King Ghidora¨, ¨Godzilla Vs Monster Zero¨ , ¨ Godzilla vs Megalon¨(1976); ¨Godzilla¨ (1985) , ¨Godzilla vs Megagodzilla¨(1993); ¨Godzilla revenge¨, ¨Godzilla 2000¨....

The film takes a somber, serious tone as to what would happen if Japan were attacked -- in this case, by a seemingly unstoppable foe.

At present in Japan, there is an ongoing debate as to whether or not Japan should amend it's constitution to allow for an offensive military and this Godzilla film plays to exactly how powerless Japan would be in making it's own decisions during an attack of any kind. The reality is that the Japanese Prime Minister would have to ask for permission from the United States President before making an offensive move against a foreign threat and this film plays to that hard reality.

This new Godzilla starts out as an homage to its former man in a monster suit so that when you first see Godzilla, you'll disbelieve what you're seeing, but this Godzilla evolves into something majestic and utterly awe inspiring in its power.

What's more, this film makes it clear people die. In the Japanese release there's a lot of word play about how the government officials up high (on the fifth floor) make decisions that get passed down to people on lower floors that eventually hurt the people. I'm not sure how much will be translated, but the film is deliberately showing the disconnect between the political and day to day realities.

Overall, the performances are good. There is one character who they, for whatever reason, decided to make speak English in odd an inappropriate times.

This isn't a film for US audiences. The aesthetics will turn off a lot of non-Japanese young people accustomed to CG reality. But if you're open to learning about another culture, this is an excellent film, one of the best kaiju-films you'll ever see.

"Shin Godzilla" is a far departure from the usual Godzilla movie. With a darker tone and vastly different design of the titular monster, this movie isn't afraid to set itself aside from the more traditional monster movie, focusing more on the political side of things. While I at first thought this was unnecessary, it's important to note that this film was a representation of Japanese tragedies. Similar to how the original film was representative of the nuclear bombings of Japan, this film is representative of the Fukushima Daiichi nuclear disaster and the 2011 Tohoku earthquake, events heavily involved in political controversy. This isn't a perfect movie in any way, but I admire that bold steps it took to change. Honestly, probably one of the best Godzilla movies.