CALIFICACIÓN DE IMDb
5.9/10
45 k
TU CALIFICACIÓN
Un agente vive sucesos extraños y violentos aparentemente vinculados a un grupo de misteriosas figuras encapuchadas tras llevar a un hombre al hospital.Un agente vive sucesos extraños y violentos aparentemente vinculados a un grupo de misteriosas figuras encapuchadas tras llevar a un hombre al hospital.Un agente vive sucesos extraños y violentos aparentemente vinculados a un grupo de misteriosas figuras encapuchadas tras llevar a un hombre al hospital.
- Dirección
- Guionistas
- Elenco
- Premios
- 3 premios ganados y 2 nominaciones en total
Trish Rainone-DiLuzio
- The Mother
- (as Trish Rainone)
Michael J. Walsh
- Transformed Beverly
- (as Michael Walsh)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
"The Void" is one of those horror movies with a big (capital "M") Mystery at its center, but let's just see if you give a damn about it by the time the film finally gets around to (badly) explaining it. This film is all build up, dropped hints, and dangled carrots. The problem is that it never gets around to just being a damn movie.
The premise, which I don't think I could explain if I tried, is clearly overly ambitious for the filmmakers to pull off. It's part "Hellraiser," part "Re-Animator," part "Event Horizon," part, I don't know, "Halloween II?" There are people trapped in a hospital, Klu Klux Klan members lurking outside, a devil worshiping doctor, mutant zombie corpses, a woman giving birth, a useless nurse, a Libertarian. Everyone shouts a lot and for a long time the hostages are their own worst problem. Then they go exploring the murky depths of the hospital and boy, does the exposition begin. But the exposition never makes any sense, and to this day I'm still totally in the dark about who all the hooded figures walking around were.
I like my horror cerebral if it's done well, but if it's not, then I'd prefer something dumber but actually scary.
Grade: C-
The premise, which I don't think I could explain if I tried, is clearly overly ambitious for the filmmakers to pull off. It's part "Hellraiser," part "Re-Animator," part "Event Horizon," part, I don't know, "Halloween II?" There are people trapped in a hospital, Klu Klux Klan members lurking outside, a devil worshiping doctor, mutant zombie corpses, a woman giving birth, a useless nurse, a Libertarian. Everyone shouts a lot and for a long time the hostages are their own worst problem. Then they go exploring the murky depths of the hospital and boy, does the exposition begin. But the exposition never makes any sense, and to this day I'm still totally in the dark about who all the hooded figures walking around were.
I like my horror cerebral if it's done well, but if it's not, then I'd prefer something dumber but actually scary.
Grade: C-
I'm floored by the poor reception this movie got. It's a loving throwback to horror classics with modern polish, clearly influenced by HP Lovecraft and body horror classics like Hellraiser and The Thing. If you like "classic" horror - i.e., horror before CGI and jump scares replaced practical effects and slow dread - you owe it to yourself to watch this movie.
It does drag a little bit at the end, but the opening and middle are fantastic. I would have given this movie a 10/10 if the denouement had been done more efficiently. But honestly, it's very watchable right up to the credits.
This movie has some of the best damn body horror I have EVER seen, period. I don't know how much of it was accomplished by practical effects, but it does seem like a lot. The acting is mostly good, and the pacing, while slower than most modern horror movies, is brisk enough that I didn't get bored.
I really wish horror movies like this were still getting made.
It does drag a little bit at the end, but the opening and middle are fantastic. I would have given this movie a 10/10 if the denouement had been done more efficiently. But honestly, it's very watchable right up to the credits.
This movie has some of the best damn body horror I have EVER seen, period. I don't know how much of it was accomplished by practical effects, but it does seem like a lot. The acting is mostly good, and the pacing, while slower than most modern horror movies, is brisk enough that I didn't get bored.
I really wish horror movies like this were still getting made.
"The Void" has been compared, quite a bit, to John Carpenter's 1980's remake of "The Thing", and understandably so. The use of practical effects in this movie are really its highest selling point. Like "The Thing", this film does not shy away from showing you some extremely well crafted and effective monsters. However, to compare this film with "The Thing" for reasons outside of practical effects, does not make a lot of sense.
In short, "The Void", is well worth a watch. If the trailer interested you, the movie will absolutely deliver. In a recent rash of indie horror films, "The Void" stands out for several reasons. In many of the recent indie horror films, there is usually something glaring that needs to be overlooked in order to make the film enjoyable. Whether it be poor acting, loose plot lines, or an over abundance of things that attempt to shock, many recent indie horror titles have been held back by mediocrity. "The Void" as a sum of its individual parts its a well crafted and enjoyable ride that I would feel comfortable recommending to most horror fans. The special effects are easily its highest selling point, but the film is held together by a decent story line and fair acting. The characters are believable for the most part, and the story does a good job explaining the necessity of the effects.
Where the film falters the most however, is in its lack of atmosphere. The film feels as if it should be claustrophobic and isolating, but for some reason, I was unable to connect with these themes. I am usually an advocate for a movie telling less to the audience, in order for the viewer to create some of the more frightening aspects in their mind, bu with this particular film, I was left wanting more exposition. Unlike the original "Hellraiser" film, "The Void" did not leave the origins of the monsters creation completely unexplained, but the origin story was a little to vague, and it made it difficult to connect as deeply to the conclusion of the film as I may have liked.
Overall, "The Void" is a good movie to throw on for a horror movie night with some friends who enjoy some good over the top gore and monster effects.
In short, "The Void", is well worth a watch. If the trailer interested you, the movie will absolutely deliver. In a recent rash of indie horror films, "The Void" stands out for several reasons. In many of the recent indie horror films, there is usually something glaring that needs to be overlooked in order to make the film enjoyable. Whether it be poor acting, loose plot lines, or an over abundance of things that attempt to shock, many recent indie horror titles have been held back by mediocrity. "The Void" as a sum of its individual parts its a well crafted and enjoyable ride that I would feel comfortable recommending to most horror fans. The special effects are easily its highest selling point, but the film is held together by a decent story line and fair acting. The characters are believable for the most part, and the story does a good job explaining the necessity of the effects.
Where the film falters the most however, is in its lack of atmosphere. The film feels as if it should be claustrophobic and isolating, but for some reason, I was unable to connect with these themes. I am usually an advocate for a movie telling less to the audience, in order for the viewer to create some of the more frightening aspects in their mind, bu with this particular film, I was left wanting more exposition. Unlike the original "Hellraiser" film, "The Void" did not leave the origins of the monsters creation completely unexplained, but the origin story was a little to vague, and it made it difficult to connect as deeply to the conclusion of the film as I may have liked.
Overall, "The Void" is a good movie to throw on for a horror movie night with some friends who enjoy some good over the top gore and monster effects.
A local sheriff brings the victim of a mysterious attack to a rundown hospital, where sinister events ensue during a night of blood and gore ...
Ambitious siege horror with all sorts of influences. After a disturbing opening scene, we have one moment of normality followed by a constantly twisting nightmare that never lets up. At one point it seems there's a triple threat coming from different angles, and the story is at risk of collapsing from overload, but then the endgame comes into play through well produced set pieces and the climax brings some clarity.
The weakness is in the writing, which gives us two heroes, three pregnancies, over elaborate back stories, and plenty of shouty dialogue. The strength is in the effects and the photography and sound that create the hellish otherworld. The performances are OK, but the pace ebbs and flows instead of building steadily.
Overall: impressive vision delivered through a hectic concept.
Ambitious siege horror with all sorts of influences. After a disturbing opening scene, we have one moment of normality followed by a constantly twisting nightmare that never lets up. At one point it seems there's a triple threat coming from different angles, and the story is at risk of collapsing from overload, but then the endgame comes into play through well produced set pieces and the climax brings some clarity.
The weakness is in the writing, which gives us two heroes, three pregnancies, over elaborate back stories, and plenty of shouty dialogue. The strength is in the effects and the photography and sound that create the hellish otherworld. The performances are OK, but the pace ebbs and flows instead of building steadily.
Overall: impressive vision delivered through a hectic concept.
I am shocked, seen too many "80s feel" horror, or so called, which are either poorly filmed or the acting is painful.
Just heard about this and thought "oh not another" but happy to say this is very good, its not going to win any Oscars for acting, the script is not Shakespeare, but what it try's to do it does well.
The practical effects for the most part are great, The Thing/Hellraiser type, on a very low budget.
Story is in realm of Hellraiser/Phantasm/Event Horizon, seen those? you will get my drift.
Its ending does leave questions, but also left me wanting to know more, and I would happily watch a second film if they stick to this way of making them, maybe a bit more money spent but keep away from CGI.
Overall I am impressed, they should be applauded for going old school and doing it well.
Just heard about this and thought "oh not another" but happy to say this is very good, its not going to win any Oscars for acting, the script is not Shakespeare, but what it try's to do it does well.
The practical effects for the most part are great, The Thing/Hellraiser type, on a very low budget.
Story is in realm of Hellraiser/Phantasm/Event Horizon, seen those? you will get my drift.
Its ending does leave questions, but also left me wanting to know more, and I would happily watch a second film if they stick to this way of making them, maybe a bit more money spent but keep away from CGI.
Overall I am impressed, they should be applauded for going old school and doing it well.
¿Sabías que…?
- TriviaHardly anything in the film is CGI. All of the monsters, gore, etc are real effects created by the team behind the movie.
- ErroresA hospital wouldn't keep narcotics like morphine sitting on a shelf like that, DEA regulations require that they be kept in a locked cabinet or drawer separate from other medications that are not controlled substances.
- Citas
Dr. Richard Powell: You'd be surprised at the things you find when you go looking...
- ConexionesFeatured in Chris Stuckmann Movie Reviews: The Void (2017)
- Bandas sonorasBye And Bye We're Going to See The King
Written by Unknown - traditional
Performed by Darrell Simpson / Jahmeel Russel / Amy de Blois
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- How long is The Void?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idioma
- También se conoce como
- The Void
- Locaciones de filmación
- Sault Ste Marie, Ontario, Canadá(Studio)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total en EE. UU. y Canadá
- USD 151,042
- Fin de semana de estreno en EE. UU. y Canadá
- USD 50,026
- 9 abr 2017
- Total a nivel mundial
- USD 368,372
- Tiempo de ejecución
- 1h 30min(90 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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