Un agente vive sucesos extraños y violentos aparentemente vinculados a un grupo de misteriosas figuras encapuchadas tras llevar a un hombre al hospital.Un agente vive sucesos extraños y violentos aparentemente vinculados a un grupo de misteriosas figuras encapuchadas tras llevar a un hombre al hospital.Un agente vive sucesos extraños y violentos aparentemente vinculados a un grupo de misteriosas figuras encapuchadas tras llevar a un hombre al hospital.
- Dirección
- Guionistas
- Elenco
- Premios
- 3 premios ganados y 2 nominaciones en total
Trish Rainone-DiLuzio
- The Mother
- (as Trish Rainone)
Michael J. Walsh
- Transformed Beverly
- (as Michael Walsh)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
I attended a screening of The Void at the Nevermore film festival in Durham, NC. It was a remarkable throwback to classic John Carpenter-style films. I hesitate to list too many details about it, since the feel of the film is very much like a nightmare that might be spoiled if you go in knowing how it turns out. I can say that the creature designs were some of the best I've seen on film in recent years. The feel of the film reminded me a great deal of Silent Hill, perhaps because it shares a lot of the same influences.
My few criticisms have to do with the screenplay. The filmmakers do a good job of leaving some mystery, but there's a bit of exposition I felt like I missed that would explain why some of the people take the actions they do. Even so, that didn't detract from the film enough for me to stop enjoying it. It's a minor miracle how nice the film looks given its low budget. The production design was just outstanding. Considering how ambitious the feature is, I think missing the mark by a bit in certain areas is forgivable.
My few criticisms have to do with the screenplay. The filmmakers do a good job of leaving some mystery, but there's a bit of exposition I felt like I missed that would explain why some of the people take the actions they do. Even so, that didn't detract from the film enough for me to stop enjoying it. It's a minor miracle how nice the film looks given its low budget. The production design was just outstanding. Considering how ambitious the feature is, I think missing the mark by a bit in certain areas is forgivable.
I gave this one a solid 7 out 10. What it lacks in solid lead actors it makes up for with some amazing visuals and special effects. The void does have some real levels to it and really immerses you into the threat of imminent danger. It's almost reminiscent of silent hill meets Netflix's stranger things. The only thing that drove me bonkers about this film is it's unapologetic and total lack of explanations on plot and drive. It's like being dropped into hell and the devil forgets to tell you how you died. The whole time i was waiting for that one character who seemingly knows all but for "reasons" inconveniently discloses the full story by the time its too late. The void is worth watching for sure but don't expect to understand right away. I will definitely be pondering away and painfully scratching my head on this film for a while. It isn't without it's perks though. For the avid horror and sci fan it contains some real tone and plenty of gore to tide you over
I'm floored by the poor reception this movie got. It's a loving throwback to horror classics with modern polish, clearly influenced by HP Lovecraft and body horror classics like Hellraiser and The Thing. If you like "classic" horror - i.e., horror before CGI and jump scares replaced practical effects and slow dread - you owe it to yourself to watch this movie.
It does drag a little bit at the end, but the opening and middle are fantastic. I would have given this movie a 10/10 if the denouement had been done more efficiently. But honestly, it's very watchable right up to the credits.
This movie has some of the best damn body horror I have EVER seen, period. I don't know how much of it was accomplished by practical effects, but it does seem like a lot. The acting is mostly good, and the pacing, while slower than most modern horror movies, is brisk enough that I didn't get bored.
I really wish horror movies like this were still getting made.
It does drag a little bit at the end, but the opening and middle are fantastic. I would have given this movie a 10/10 if the denouement had been done more efficiently. But honestly, it's very watchable right up to the credits.
This movie has some of the best damn body horror I have EVER seen, period. I don't know how much of it was accomplished by practical effects, but it does seem like a lot. The acting is mostly good, and the pacing, while slower than most modern horror movies, is brisk enough that I didn't get bored.
I really wish horror movies like this were still getting made.
I am shocked, seen too many "80s feel" horror, or so called, which are either poorly filmed or the acting is painful.
Just heard about this and thought "oh not another" but happy to say this is very good, its not going to win any Oscars for acting, the script is not Shakespeare, but what it try's to do it does well.
The practical effects for the most part are great, The Thing/Hellraiser type, on a very low budget.
Story is in realm of Hellraiser/Phantasm/Event Horizon, seen those? you will get my drift.
Its ending does leave questions, but also left me wanting to know more, and I would happily watch a second film if they stick to this way of making them, maybe a bit more money spent but keep away from CGI.
Overall I am impressed, they should be applauded for going old school and doing it well.
Just heard about this and thought "oh not another" but happy to say this is very good, its not going to win any Oscars for acting, the script is not Shakespeare, but what it try's to do it does well.
The practical effects for the most part are great, The Thing/Hellraiser type, on a very low budget.
Story is in realm of Hellraiser/Phantasm/Event Horizon, seen those? you will get my drift.
Its ending does leave questions, but also left me wanting to know more, and I would happily watch a second film if they stick to this way of making them, maybe a bit more money spent but keep away from CGI.
Overall I am impressed, they should be applauded for going old school and doing it well.
A local sheriff brings the victim of a mysterious attack to a rundown hospital, where sinister events ensue during a night of blood and gore ...
Ambitious siege horror with all sorts of influences. After a disturbing opening scene, we have one moment of normality followed by a constantly twisting nightmare that never lets up. At one point it seems there's a triple threat coming from different angles, and the story is at risk of collapsing from overload, but then the endgame comes into play through well produced set pieces and the climax brings some clarity.
The weakness is in the writing, which gives us two heroes, three pregnancies, over elaborate back stories, and plenty of shouty dialogue. The strength is in the effects and the photography and sound that create the hellish otherworld. The performances are OK, but the pace ebbs and flows instead of building steadily.
Overall: impressive vision delivered through a hectic concept.
Ambitious siege horror with all sorts of influences. After a disturbing opening scene, we have one moment of normality followed by a constantly twisting nightmare that never lets up. At one point it seems there's a triple threat coming from different angles, and the story is at risk of collapsing from overload, but then the endgame comes into play through well produced set pieces and the climax brings some clarity.
The weakness is in the writing, which gives us two heroes, three pregnancies, over elaborate back stories, and plenty of shouty dialogue. The strength is in the effects and the photography and sound that create the hellish otherworld. The performances are OK, but the pace ebbs and flows instead of building steadily.
Overall: impressive vision delivered through a hectic concept.
¿Sabías que…?
- TriviaHardly anything in the film is CGI. All of the monsters, gore, etc are real effects created by the team behind the movie.
- ErroresA hospital wouldn't keep narcotics like morphine sitting on a shelf like that, DEA regulations require that they be kept in a locked cabinet or drawer separate from other medications that are not controlled substances.
- Citas
Dr. Richard Powell: You'd be surprised at the things you find when you go looking...
- ConexionesFeatured in Chris Stuckmann Movie Reviews: The Void (2017)
- Bandas sonorasBye And Bye We're Going to See The King
Written by Unknown - traditional
Performed by Darrell Simpson / Jahmeel Russel / Amy de Blois
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- How long is The Void?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idioma
- También se conoce como
- The Void
- Locaciones de filmación
- Sault Ste Marie, Ontario, Canadá(Studio)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total en EE. UU. y Canadá
- USD 151,042
- Fin de semana de estreno en EE. UU. y Canadá
- USD 50,026
- 9 abr 2017
- Total a nivel mundial
- USD 368,372
- Tiempo de ejecución1 hora 30 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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