The Kettering Incident

Anna Macy (played by Elizabeth Debicki) is a highly-regarded doctor, working at a hospital in London. Suffering from frequent headaches and other ill-health, she returns to her home town of Kettering, Tasmania. She left the town under a cloud 15 years earlier after her best friend Gillian disappeared. Back now, she finds that the old animosities remain. Moreover, the strange phenomena that accompanied Gillian's disappearance remain and another girl has disappeared.

Started very intriguingly. There was a slow-burning intensity about the main plot with some interesting sub-plots. Elizabeth Debicki put in a solid performance in the lead role and the supporting cast were fairly good too.

The series did seem padded, however, but I figured that it would soon ramp up the pace and the payoff would be worth all the effort.

Sadly, no. The pace never quickens. The whole thing just drifts throughout. As for a payoff, the conclusion is convoluted, random, confusing and anticlimactic. It all seems set up for a second season, though apparently this is a mini-series.

Disappointing.

I don't often write reviews on IMDb, but I saw all of the other low- rated reviews and wanted to give another opinion. The Kettering Incident is a very polished, well-made, compelling Australian series. The tone is dark and mysterious, creepy at times, with also a small sci-fi twist.

The plot follows a young troubled doctor from the UK who finds herself back home in Kettering, Tasmania after being involved in a missing person's 'incident' some time ago.

The lead acting is superb, although the supporting acting to a lesser extent. There was comment about Elizabeth Debicki being disengaging, but I disagree. She does a great job in portraying her character as a medicated, disturbed person who has suffered a traumatic experience. And her accent is flawless. Matt Le Nevez is also good as the shifty cop who you can't quite trust.

The scenery is spectacular. The look and feel of the show is really enhanced by the sometimes dismal, but equally beautiful Tasmanian setting. The sheer cliff faces of Bruny Island and the peninsula, the green, mossy bush land and imposing misty Mount Wellington and surrounding ranges are all used to great effect.

The show also does well exploring issues which are quintessentially Tasmanian. It portrays the anger some have surrounding deforestation on the island, and the hatred that exists between the loggers and the 'Greenies'.

Yes, The Kettering Incident travels at a slower pace, but so do all good murder mystery series. If you like other murder / police procedural / mystery shows such as Broadchurch, the Killing or Top of the Lake, then give The Kettering Incident a try.

normally i don't watch any Australian series but this one caught my eye. heavy going very dark storytelling. the characters are a little hard to relate to, but the scenery is fantastic.i i would describe the show's themes, it is very Twin Peaks, mixed with X-Files and stranger things. you get very distracted by several ongoing story lines.but i do love the small town feeling and the sense of desperation to find out what happened. my only real concern was the finale. i leave it to you to watch but, it left me feeling i got no return for me putting in the hard yards to watch each episode.to say a little disappointing it was would be understated

Neil Young introduces his wonderful song "Don't let it get you down" with the now famous lyrics, "It sorta starts off real slow and then fizzles out altogether".

The difference between Young's song and The Kettering Incident is that Neil Young was brilliant and this isn't. "Fizzles out" doesn't cover it at all.

My God but this was awful. I see another reviewer gave up after Episode 5. My wife and I wish we'd given up mid way through Episode 1. Sadly, we didn't. We stuck it out until Episode 8 hoping to make some sense of it but now feel we've been robbed of 8 hours of our lives.

I could say more but what's the point? It's mediocre at the start and just goes downhill from there. That about covers it and there really isn't any need to spend any more time writing this.

Sad thing is that by the end of 8 it's clear they intend a Series 2 of this. Hard to believe and one can only hope they come to their senses and abandon the idea. We won't be sucked in a second time and would think few others will bother to watch it either.

Bottom line: don't waste your time.

I'm rarely sold by ad campaigns but this one got me early, and I'm grateful. Clea's rendition of Crimson and Clover played dreamily over glowing lights and floating moths as the traliers expanded over the weeks until we glimpsed some of the nightmare to come last night. Woods and Krawitz exploit the Twin Peaks mountains and forest locations, the camera rolling at magma pace over a gorgeous slate-filtered Tasmanian backdrop. There's even something of the early X-Files atmosphere to this, made modern and Australian as a deeply intelligent script drip-feeds character and back-story in creepy and surreal flashes. As good as it is, this show belongs to Elizabeth Debicki, who is on career-making form as the disheveled and twitchy Dr. Anna Macy. A far cry from her American-accented turn as the Bond-girl-like Jed in the Night Manager, Debicki's nuanced Thin White Duchess performance pitches perfectly between vulnerable and unsettling. Delivering her lines in low, cultured tones and frequently shot as an unmoving silhouette framed in door or window frames, or in centre close-up (that scream is a visual and auditory shock) this is compelling stuff indeed. 9/10.