Dixieland

This is a good film. It kept my attention and is an interesting take on a love story which is destined for destruction from the beginning. The way it is shot is compelling and the use of lighting within certain scenes really contributes to an almost drunken romance feeling and gives a feeling of their lives being blurred by each other. The actors portray their characters well and show depth. In a sense it reminded me of the film 'True romance' by Quentin Tarrantino, where the love struck characters are doomed by each other. A good film, and a great take on romantic cinema. The lead actors Chris Zylka and Riley Keough are well suited to their roles. Having never seen any of their previous work I would be inclined to watch a movie with either of their names in.

The acting feels natural, they are all more or less believable in the parts they play so that's good.

The story isn't particularly original though and fairly predictable, although instead of going the Hollywood route and squeezing out every emotion of every event the movie stays in a natural and low-key.

If that's good or not is a matter of preference I suppose but in the end I didn't feel any emotional connection with any of the characters so that's where it fails IMO.

To further the feeling of realism in the movie they have the occasional interview segments with real Dixieland people talking about various things every 10 minutes or so, which I thought was an okay idea but they did it a little too often if you ask me.

It was a low budget movie for sure but entertaining for what it's worth. I wish it didn't end like it did. Faith Hill was great of course. I hate when some reviewers bash other people's hard work and risk, but they themselves just play it safe all their life at a 9-5 and never take a risk or never subject themselves to creating anything because they are scared. Some people will relate to the movie and some won't, but that's just how it is. For what it's worth the sound track was pretty good (if you like hip hop). There were quite a few songs from a group called LOWC, and it's hard to believe it was made 20 years ago. http://www.lowcbigballin.com

When I watched this movie, I couldn't help but observe the romance in it. It's a very easy film to follow. Less crime, more drama. There's a quote that outlined: There comes a moment in your life when you have to decide whether you wanna sink or swim. This film is all about that.

It's very touching and beautiful. People who love crime love stories, would love this one too. Actress Riley Keough proved to be one the most talented actresses. She was brave to play her role of this silent and troubled character who had it very difficult. When it comes to the actor Chris Zylka, I can say that it was his first movie I watched. He played his role of this tough guy terrificuly. He knew about his character and I guess that's the reason he was so good at playing him. There's less action, more dialogues. One more thing I liked about this film was the message it carried. I highly recommend this film for mature audience.

This indie, set in Pearl, Mississippi, has solid acting and believable characters, but evoked in me quite a lot of sadness. It moves along at its own deliberate pace, relies too much on flowery flashbacks, but is strangely enhanced by cuts to brief interviews with real locals of the area, who tell some harrowing personal stories.

Chris Zylka is quite solid in the lead role of Kermit, just released from prison after serving a 2 year stint. There's nothing new to the plot element that he's trying to go straight, but will be quickly lured back into one last job to help his neighbor and new girlfriend Rachel pay her mother's medical bills.

Riley Keough is excellent in the role of Rachel, and Faith Hill is superb as Kermit's sexy and free spirit mother Arietta. In supporting roles, Brad Carter is quite believable as the lowlife Larry Pretty, who's seeking revenge against Kermit, and Steve Earle adds well to the mix as Kermit's Uncle Randy.

All in all, although this movie written and directed by Hank Bedord, who's making his feature debut here, takes some predictable paths early on but it does have some twists and turns as it progresses, which I didn't guess were coming. The film gives the viewer a look at many lost souls who are ensconced in a cycle of poverty, drugs, violence, and family loyalties, often leading to incarceration. However, if one doesn't mind the deliberate pacing or the grimness and sadness, it can be worth a watch.