The Eichmann Show

The Eichmann Show is a documentary drama about the televising of Adolf Eichmann's 1961 trial in Israel after he was captured in Argentina. Eichmann was regarded as one of the architect's of the final reckoning which led to the deaths of countless Jews and others.

Anthony LaPaglia is the television director Leo Hurwitz and Martin Freeman is the producer Milton Fruchtman who set about televising what became known at the time as the 'trial of the century' as it was broadcast in 37 countries over four months. It was maybe the first time witnesses described the horrors of the concentration camp to a wider public. As the hotelier, Mrs Landau (Rebecca Front) informs her guest, many people simply could not believe such events had occurred during the second world war.

Although Fruchtman had been given permission to film the trial by the authorities the Judges were uneasy as they felt the television cameras and the noise they made would be a distraction and they set about to hide the cameras or disguise them so they would be intrusive.

The film inter-cuts the black and white real trial footage. The historic documentary footage of the victims of concentration camps is rather distressing. Eichmann is impassive throughout the trial as the footage is shown and witnesses testimony is given.

Its a worthy piece but the drama was rather bland. Of course the historic footage is shocking and sickening, the dramatised parts in contrast failed to enthral me. I felt a better constructed documentary would had told the story better with the historical footage.

One of my earliest memories is the Eichmann trial. Watching the film I now realise that it started on my sixth birthday. We talked about it in the playground built up an image of a monster. In London at the time we were surrounded by bomb sites and so his capture and trial was big news.

I remember vividly seeing the filmed news reports the film depicts and the shock of how ordinary this monster looked.

A good film and worth watching.

The trial and story here it in itself incredibly compelling and tragic. The real film they used within the movie was so well done and brought an element that reenactment never could .

The focus of the film was threefold. First - the atrocities of the holocaust, second the power of media and third weather or not man can inherently be evil.

The first theme is well accomplished and presented in a respectful way . The idea that surviving Jews had been left marginalized and underrepresented for so long was a fantastic undercurrent.

The power of media is also presented well but might be slightly more hidden . This was really the justification for this particular focus , if you know this going in and look for it , you find it and realize there is so much power in what was done to show and document this trial in the way it was .

The third theme, although important is not presented as clearly or as well and I think gets in the way at times of the second theme . The dialogue when Leo is thinking of leaving helps point out the overarching goal of the film , but his obsession with "breaking " Eichmann on a personal level sometimes gets in the way.

Important film, great premise and solid acting . Not done as well as it could have been but absolutely worth the time .

This is a brilliant BBC production about the trial of Otto Adolf Eichmann, a Nazi who escaped to Argentina after the Second World War, and who was responsible for facilitating and managing the logistics of mass deportation of Jews to ghettos and extermination camps in German-occupied Eastern Europe during World War II.

The film is superbly cast, and tells the story from the perspective of the production crew responsible for televising the trial in Jerusalem in 1961. We get to see the logistics involved in bringing the trial to TV screens around the world, and the problems the production team face along the way.

Of course the biggest story in a production like this is the horror of the holocaust, and how a man can be responsible for such evil. The Eichmann Show is yet another reminder of this horror, and is well worth a couple of hours of anyones time.

8/10

What to make of THE EICHMANN SHOW? It is necessary to detach fiction from fact. Paul Andrew Williams's production includes large slices of archive footage of the trial, showing the impassive features of Adolf Eichmann as he listened to the testimonies of several witnesses (victims?) of the atrocities he condoned. There are also newsreel records of the concentration camps and their victims, who if they were not already piled up into heaps of dead naked bodies, were left emaciated, mere shadows of what was once live humanity. These sequences are difficult to stomach, even at seventy years' remove; we still wonder how people could behave in such a bestial manner.

The dramatized parts are less effective, to be honest. The action is structured around a conflict between television producer Milton Fruchtman (Martin Freeman) and his director Leo Hurwitz (Anthony LaPaglia). Fruchtman has rescued Hurwitz from a ten-year exile on the Un-American Activities Committee blacklist, but finds him difficult to work with, as Hurwitz seems obsessed with focusing his cameras on Eichmann's face, to the detriment of other events during the lengthy trial. At one point Hurwitz misses a dramatic moment when one witness faints as he tries to recall his harrowing experiences in the death camps. Yet sometimes the conflict between producer and director distracts our attention away from the events at hand, almost as if director Williams were trying in some way to soften the dramatic impact of his piece. Matters are not helped by the regular use of reaction shots on Freeman's and LaPaglia's faces as they respond to one another.

On the other hand Williams does question Fruchtman's morality, as he seems more obsessed with maintaining global ratings rather than broadcasting the material. We are into areas explored in Sidney Lumet's NETWORK (1976) here: are television companies really undertaking public service responsibilities, or are they simply trying to render all events as entertainment to attract high viewing figures? Hurwitz understands the significance of what he directs, but Fruchtman appears not to.

THE EICHMANN SHOW is certainly a powerful piece that needs to be watched, but perhaps the reconstructed material could have been more slickly handled.