The Eichmann Show

One of my earliest memories is the Eichmann trial. Watching the film I now realise that it started on my sixth birthday. We talked about it in the playground built up an image of a monster. In London at the time we were surrounded by bomb sites and so his capture and trial was big news.

I remember vividly seeing the filmed news reports the film depicts and the shock of how ordinary this monster looked.

A good film and worth watching.

What to make of THE EICHMANN SHOW? It is necessary to detach fiction from fact. Paul Andrew Williams's production includes large slices of archive footage of the trial, showing the impassive features of Adolf Eichmann as he listened to the testimonies of several witnesses (victims?) of the atrocities he condoned. There are also newsreel records of the concentration camps and their victims, who if they were not already piled up into heaps of dead naked bodies, were left emaciated, mere shadows of what was once live humanity. These sequences are difficult to stomach, even at seventy years' remove; we still wonder how people could behave in such a bestial manner.

The dramatized parts are less effective, to be honest. The action is structured around a conflict between television producer Milton Fruchtman (Martin Freeman) and his director Leo Hurwitz (Anthony LaPaglia). Fruchtman has rescued Hurwitz from a ten-year exile on the Un-American Activities Committee blacklist, but finds him difficult to work with, as Hurwitz seems obsessed with focusing his cameras on Eichmann's face, to the detriment of other events during the lengthy trial. At one point Hurwitz misses a dramatic moment when one witness faints as he tries to recall his harrowing experiences in the death camps. Yet sometimes the conflict between producer and director distracts our attention away from the events at hand, almost as if director Williams were trying in some way to soften the dramatic impact of his piece. Matters are not helped by the regular use of reaction shots on Freeman's and LaPaglia's faces as they respond to one another.

On the other hand Williams does question Fruchtman's morality, as he seems more obsessed with maintaining global ratings rather than broadcasting the material. We are into areas explored in Sidney Lumet's NETWORK (1976) here: are television companies really undertaking public service responsibilities, or are they simply trying to render all events as entertainment to attract high viewing figures? Hurwitz understands the significance of what he directs, but Fruchtman appears not to.

THE EICHMANN SHOW is certainly a powerful piece that needs to be watched, but perhaps the reconstructed material could have been more slickly handled.

The Eichmann Show is a documentary drama about the televising of Adolf Eichmann's 1961 trial in Israel after he was captured in Argentina. Eichmann was regarded as one of the architect's of the final reckoning which led to the deaths of countless Jews and others.

Anthony LaPaglia is the television director Leo Hurwitz and Martin Freeman is the producer Milton Fruchtman who set about televising what became known at the time as the 'trial of the century' as it was broadcast in 37 countries over four months. It was maybe the first time witnesses described the horrors of the concentration camp to a wider public. As the hotelier, Mrs Landau (Rebecca Front) informs her guest, many people simply could not believe such events had occurred during the second world war.

Although Fruchtman had been given permission to film the trial by the authorities the Judges were uneasy as they felt the television cameras and the noise they made would be a distraction and they set about to hide the cameras or disguise them so they would be intrusive.

The film inter-cuts the black and white real trial footage. The historic documentary footage of the victims of concentration camps is rather distressing. Eichmann is impassive throughout the trial as the footage is shown and witnesses testimony is given.

Its a worthy piece but the drama was rather bland. Of course the historic footage is shocking and sickening, the dramatised parts in contrast failed to enthral me. I felt a better constructed documentary would had told the story better with the historical footage.

An obviously monumental time in TV and more importantly for the stories of those subjected to the war crimes The Eichmann Show displays, this film presents the documentary production as interesting if not entirely compelling. The investigation into someone's humanity is well studied, yet it doesn't allow the film to particularly go anyway, although it's opportunity to do so is limited.

The use of real footage from the time is well spliced into dramatic reenactments, and many scenes of concentration camps are incredibly difficult to watch adding to the importance of certain scenes. Overall it is a good representation of the case, however probably doesn't fully do the enormity of the context justice, camera angles just don't feel important given the context.

Leo Hurwitz dialogue was horrendous, he constantly complained or found fault with everything. I had to stop watching after a while.Pity its a great movie and subject matter.