Free Fire

I have never written a review on IMDb, but I decided to because I was so annoyed while watching this movie last night after reading the featured glowing user review.

I don't need a fantastic action movie to make me happy. I just need a good movie. Drama, thriller, comedy, action, you name it: so long as it's good.

This movie is only slightly above average. It failed to make me care about any of the characters, and I'd probably need two hands to count the number of times I sat in the theater thinking to myself "pick up the pace!", "Hurry up!", "oh, they missed AGAIN?", and "WHEN is something going to HAPPEN?"

I honestly went in quite excited for a quirky, norm-defying flick based around the interactions of several characters. You have a star- studded cast: Cilian Murphy, Brie Larson, Sharlto Copley; it will be DECENT at least, right?

No. The characters have no depth. The actors play their characters well, but it doesn't feel like these are people that could actually exist. It just feels like you're looking at a drawing an artist put together of imaginary characters, who only exist on that paper. Most of the time the characters simply yell at each other from different positions in the room and then fire shots that fail to hit anything from their seemingly endless reserves of ammo. If they're gun dealers/criminals, why can't they shoot? Why do they fire with wild abandon instead of aiming?

Even the setup for the situation is illogical, which is another thing that irritated me. No one can accomplish anything unless it serves the plot. Everyone can fire bullets everywhere BUT their target, until it serves the plot. It's exasperating.

If you're a fan of movies which are paced far too slow, leave obvious logical holes in order to advance the plot, have exasperatingly stupid and drawn-out gunfights, and leave you feeling unfulfilled, irritated, and wondering why you wasted 90 minutes of your time when you could have been watching something better, this is the movie for you. If not, then avoid it.

Ben Wheatley certainly has a twisted sense of humour, evident in films such as Sightseers and High-Rise, and he brings it to proceedings once again in Free Fire, a relentlessly entertaining action comedy. Featuring an impressive ensemble cast, Free Fire was a film that had been on my radar for a while.

Boston, 1978, and two gangs set a meeting in an abandoned warehouse for an arms deal. It doesn't all exactly go to plan and it's not long before a full on shootout between the two gangs occurs, leading to bullets flying all over the place and a game of survival for everyone involved.

Free Fire wastes no time in getting into things and when the entire cast are together, the film really does fire on all cylinders. Ben Wheatley's film is by no means the best film I'll ever see but it is the perfect choice for an entertaining time at the cinema, making sure it doesn't overstay its welcome with a swift ninety minute runtime.

Wheatley collaborates once again with Amy Jump to write the film and the result is a quick screenplay that delivers plenty of wit and humour, as well as a shootout that the films builds itself around, which becomes farcical due to the sheer amount of incompetent characters the film plays host to.

A screenplay like this deserves a cast to do it justice and Free Fire has exactly that in the shape of an ensemble cast to get excited about. Cillian Murphy has one of the more prominent roles and he manages to bring the coldness we are so used to seeing from him to the role of Chris. Brie Larson gives the film its singular female character and she's certainly no pushover, Larson playing Justine with a sense of grit and superior intellect over her male counterparts. Then there is Armie Hammer, who shines as the overly sarcastic and suave Ord.

The man who steals the film from everyone else though is Sharlto Copley as Vernon, an arms dealer who runs his mouth a little too much. Sure, his South African accent makes him sound funnier but there is no doubt that Copley's Vernon gets the majority of the film's quips., and he absolutely revels in them. There's some fine support from Jack Reynor and Sam Riley on show too as a couple of warring members from their respective gangs.

For a fun night at the cinema, I can't recommend Free Fire enough. If you're someone who is easily offended by foul language or doesn't like loud noises though, I feel as if you'd take an instant dislike to this film, which would certainly be your loss.

By no means an "important" movie, but a good way to kill a Thursday afternoon in an empty theater. "Free Fire" makes no pretense at anything other than a sustained warehouse shootout intermixed with snatches of dialogue (snarky banter for the most part). Its cast of reprobates in gaudy '70s wear is really what makes this fun (in particular the foxy Brie Larson, and both Armie Hammer and Sharlto Copley providing yuks).

I really did grow to like these people (some more so) and that helps when the whizzing bullets start to lose their appeal (I say that as an ardent admirer of cinematic gun-play); enough so that the loss of one character was a real disappointment. We never got to hear the John Denver story!

7/10

Boston, 1973. Members of the IRA and an arms dealer come to an abandoned warehouse to make a deal to buy some machine guns. Everything is supposed to go smoothly until one member from the one group draws out a gun and shoots the other because of a previous incident. And all hell breaks.

Ben Wheatley's previous film, High Rise, I was not a fan of. High Rise felt too disturbing with heavy-handed messaging while lacking a coherent plot. Free Fire is by far a major improvement with hilarious dialogue, fun and well-written characters and non-stop action. I saw the movie at TIFF today and was pleasantly surprised. Wheatley turns this empty warehouse into a war zone with each of these character taking cover behind various objects and firing blindly. Unlike a lot of generic action movies where characters seem to magically dodge bullets, no one is safe and everyone eventually gets scraped or hit by bullets. This leads to some fun sequences of characters crawling on the ground to get from one cover to the next.

Surprisingly the two standouts are Cillian Murphy and Armie Hammer. Both were surprisingly funny in subtle ways. Sharlto Copley once again plays another weird but yet still hilarious and fun character. I also give strong shout-outs to Sam Riley and Jack Reynor. And Brie Larson is bad-ass as she holds her own weight against her male co- stars.

If I can say one negative it's that this isn't a movie with a lot of depth. It's not flat but don't expect this to be too much of a complex film. It is just simply about the these 2 trigger-happy groups trying either to kill or survive. It is more of a black comedy/thriller.

Free Fire is definitely one of the most fun and exciting action movies you will see so it is definitely worth a shot to watch once it releases in theatres.

As I write this, I'm really struggling to evaluate whether the latest film of Ben Wheatley ("High Rise") is a masterpiece or just pulp trash. It's certainly a brave and highly distinctive venture, with that you can't argue.

Set in Boston in 1978, an arms deal is going down in a deserted warehouse. Brokered by Justine (Brie Larson, "Room") an IRA team headed by Frank (Michael Smiley, "The World's End") with his business guy Chris (Cillian Murphy, "Inception", "Batman Begins") are on the buying side. As 'roadies' they've brought with them a couple of crack- head friends Stevo (Sam Riley, "Brighton Rock", "Maleficent") and Bernie (Enzo Cilenti, "The Martian") who are far from stable.

On the selling side is South African dealer and "international a-hole" Vern (Sharlto Copley, "Elysium"), his suave and wisecracking protector Ord (Arnie Hammer, "The Man From Uncle") and Vern's right hand man Martin (Babou Ceesay, "Eye in the Sky"). What connects all of these individuals is that no-one likes or trusts anyone else.

Unfortunately, one of Vern's van drivers is John Denver-lover Harry (the excellent Jack Treynor, "Sing Street") who has very recent personal history with Stevo. The fuse is lit, and when the two meet chaos ensues: in the words of Anchorman's Ron Burgundy, "That escalated quickly"!

And, for a 90 minute film, that's basically it. If you think after viewing the trailer "there must be more to the film than this".... you're wrong!

However, what there is of it is enormously entertaining. Played ostensibly for laughs, with very very black humour and an F-word and a gunshot in every other sentence, some of the characters – notably those played by Sharlto Copley, Armie Hammer and Brie Larson – have some hilarious dialogue. The star turn for me though was Jack Treynor who was just so impressive as the 'lost at sea' brother in the delightful "Sing Street" and here delivers a stand-out performance as another brother on a mission... this time a mission of vengeance. You are waiting throughout the film for the inevitable showdown between Harry and Stevo - - and when it comes it is both bloody and memorable.

A cracking 70' soundtrack, put together by the Portishead duo of Geoff Barrow and Ben Salisbury, involves 70's classics by Credence Clearwater Revival, John Denver and The Real Kids and it's hammered out at top volume over the action. The downside of this effect is that - for my old ears at least - it sometimes make some of the dialogue hard to follow.

As a policing exercise, the film clearly has merit. In the same manner as Schwarzenegger's "Running Man" put criminals in an arena to cull them, so this must have reduced the crime rates in both Boston and Belfast no end! While some may not approve of the levels of violence on show, it is all done in a highly cartoonish way: like a "Tom and Jerry" cartoon, or "Home Alone", everyone seems to get shot multiple times and yet (in the main) is still active and mobile. All of this makes criticism of the performances something of a waste of time, but I would comment that some of the acting is of the "over the top" variety: surprisingly, I found some of Oscar winner Brie Larson's scenes falling into this category and snapping me out of the narrative at times.

But overall, my evaluation is now done and I am rooting on the side of it being a brash and exhilarating minor masterpiece. Yes, it's one- dimensional. Yes, it is virtually impossible to feel any empathy with any of the characters, as they are all universally loathsome. But it's a movie whose flaws are forgivable based on the characterisation and the cracking good script by long-term collaborators Ben Wheatley and Amy Jump.

Tight as it is within its 90 minute running time, I doubt you will be bored.

(For the graphical version of this review, please visit bob-the-movie- man.com. Thanks).