Opening Night

I actually like musicals, but this one just didn't quite work for me. I am a huge Topher Grace fan, and I liked the rest of the cast--it wasn't their fault. The cast delivered what was asked of them. It was a grin hearing all of the "one-hit wonders" again, but some of the arrangements didn't do the music justice--especially for a musical based on popular and well known songs. Of course the story line had all of the usual musical ingredients--love story, boy loses girl, etc. etc. with some fine dancing thrown in. I really should have enjoyed the film much more than I did.

I believe the fault was in the way the story was told--there was simply too much of the "poor me" aspect, and not enough of the rallying, let alone the come back. It's like they emphasized the wrong part of the movie, or else rushed the ending to wrap it up before the story was fully told. It left an empty space where character development/growth should have gone. The uplifting ending was just too abrupt. If it was a song, it would be a three note lullaby.

If you like musicals you should like this. If you don't care about character development, especially in a musical--then you'll like this. It just didn't quite hit the mark for me. Could have been much better with a little more development. It wasn't terrible, or even bad, just- -forgive me, flat and a little "pitchy".

Well color me happy there's a sofa in here for two! This must be one of the most entertaining movies I've seen in a long time. Such an amazing script (all those hilarious lines, all the pop culture references in every other sentence, the light-hearted self deprecating humor...), and such fantastic delivery, I tried to will it not to end. Excluding the cheesy AF unrealistic ending, I loved every scene. One has to be well-versed in the music and celebrity tidbits of the past three decades to get everything, to say the least, though.

There was also quite a bit of soul-searching for quite a few characters, and amazingly, it was all done smoothly and with just the right amount of depth. That's a tough thing to accomplish in such a short time, but they nailed it!

So yeah, I definitely recommend it. "Treat yo self".

Other people are saying this movie fails because it's copying other movies about the behind the scenes of theatres , but this film is so much cleverer than that.

It's wholly based on old 1 hit wonder songs that we all know, the movie is not about taking it serious at all. Some of the songs will take you back to places that some people will remember.

It's no masterpiece of a movie, it's meant to be cheesy but it's still a clever production.

Give it a go.. it's all about having a little bit of fun.

The title gives it all away, opening night of a musical show in Broadway. This film is like a short trip down memory lane with all the songs and the familiar players, the star of the show, the big egos , the crazy, frantic scenarios backstage before the curtain rises and what happens in the dressing rooms after the curtain falls. The singing is not a la Rock of Ages, ditzy and over the top, but here it's like the characters are practicing in front of a karaoke machine before going onstage to audition for Simon Cowell. Please lower your expectation bar in order to enjoy the cheesiness and candyness of this film.

What happens when a Music Video Director (Isaas Rentiz) gets his shot at making a feature film? Well of course, he makes a musical-ish type movie. Unfortunately, not even the always terrific Topher Grace ("That Seventies Show"), Anne Heche, Taye Diggs and/or NSYNC's JC can make this embarrassing so called musical comedy entertaining. Grace is a failed Broadway star, now stage managing the Broadway Show "One Hit Wonderland". The musical tells the story of many a one hit wonder song, lead by JC, co-starring Heche and directed by the always yelling Rob Riggle ("How to Be a Latin Lover"), all done to the Christmas Past theme. NSYNC joke are a plenty, over the top acting is at its highest, and stage and behind the scene sporadic dance numbers (choreographed by Aakomon Jones) are weak. Writers Gerry De Leon and Greg Lisi just didn't know when to stop, so they didn't (especially with the NSYNC jokes). Luckily for the viewer, a few actors weren't encouraged to "let it fly," thus Lauren Lapkus ("Crashing") and Alona Tal ("Hostages") ground the chaos that encompasses this production. It is no wonder this film (released by Wolfe Video 8/1) is going directly to DVD release. One can only hope that the actors involved here "paid off an outstanding debit" for their involvement and can now move on.