El mayor asesino del mundo, Duncan Vizla está retirado pero es expuesto por su antiguo trabajo y en contra de su voluntad se ve nuevamente enfrentado a asesinos más jóvenes que él.El mayor asesino del mundo, Duncan Vizla está retirado pero es expuesto por su antiguo trabajo y en contra de su voluntad se ve nuevamente enfrentado a asesinos más jóvenes que él.El mayor asesino del mundo, Duncan Vizla está retirado pero es expuesto por su antiguo trabajo y en contra de su voluntad se ve nuevamente enfrentado a asesinos más jóvenes que él.
- Dirección
- Guionistas
- Elenco
- Premios
- 1 nominación en total
Lovina
- Junkie Jane
- (as Lovina Yavari)
Stasia Caz
- Evalina
- (as Anastasia Marinina)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
I really didn't expect to like this with a 6.5 critic rating.
However, within a few minutes of watching, I found myself chuckling at the odd and playful style they took with the film, somewhat reminding me of a videogame.
It's enjoyable and I think worth a watch and a decent action film.
However, within a few minutes of watching, I found myself chuckling at the odd and playful style they took with the film, somewhat reminding me of a videogame.
It's enjoyable and I think worth a watch and a decent action film.
A good action movie is like a classic meat-and-potatoes meal; standard fare that although might be seasoned differently is both filling and unsurprising. Occasionally a genre-breaking film will surprise everyone and pop open a bottle of Malbec to serve with a little filet mignon. Usually? The plot, situation, even the action itself, is as recycled as a hot dog washed down with a Coors Light. Forgettable. Ordinary. Monotonous. Then there is Polar.
The film is Irish-carbomb crazy; chopped meat that's charbroiled yet still pink-on-the-inside, along with plenty of extra cheese.
The film's plot is insanely generic. Older hitman seeks retirement but his boss won't let him go. In fact, said boss, a maniacal Matt Lucas who was given free reign of Elton John's wardrobe circa 1987, would much rather see Duncan (Mads Mikklesen) dead than pay him his owed bank. A squad of diverse goons head out in hopes of retiring Duncan in cleverly ridiculous ways only to discover - shock - that old Duncan is more wily than initially estimated. Silliness ensues.
The slick camera-work and kinetic editing is an over-the-top, ADD-infused assault. Think Tony Scott helming John Wick. Adapted from a Dark Horse graphic novel and directed by Jonas Åkerlund, Polar looks like a full-length Rammstein music video, albeit scored by Deadmau5, and comes complete with Instagram-worthy title cards.
The film is soaked with annoying characters, absurd situations (Richard Dreyfuss on karaoke, anyone?), and a devilish weapon-fetish. Duncan, however, hi-jacks the film with his heart of plated gold, a desire for a pet, and the smooth handling of an axe.
Every plot point was slashed to bits with a dull sword. Betrayals were telegraphed as subtlety as a missile strike. And the ending was as secure as an A-Team mission. Through all that, Polar is deep-fried fun that makes an otherwise-forgettable Tuesday night slightly more memorable.
If only there were an explanation of the film's title...
The film is Irish-carbomb crazy; chopped meat that's charbroiled yet still pink-on-the-inside, along with plenty of extra cheese.
The film's plot is insanely generic. Older hitman seeks retirement but his boss won't let him go. In fact, said boss, a maniacal Matt Lucas who was given free reign of Elton John's wardrobe circa 1987, would much rather see Duncan (Mads Mikklesen) dead than pay him his owed bank. A squad of diverse goons head out in hopes of retiring Duncan in cleverly ridiculous ways only to discover - shock - that old Duncan is more wily than initially estimated. Silliness ensues.
The slick camera-work and kinetic editing is an over-the-top, ADD-infused assault. Think Tony Scott helming John Wick. Adapted from a Dark Horse graphic novel and directed by Jonas Åkerlund, Polar looks like a full-length Rammstein music video, albeit scored by Deadmau5, and comes complete with Instagram-worthy title cards.
The film is soaked with annoying characters, absurd situations (Richard Dreyfuss on karaoke, anyone?), and a devilish weapon-fetish. Duncan, however, hi-jacks the film with his heart of plated gold, a desire for a pet, and the smooth handling of an axe.
Every plot point was slashed to bits with a dull sword. Betrayals were telegraphed as subtlety as a missile strike. And the ending was as secure as an A-Team mission. Through all that, Polar is deep-fried fun that makes an otherwise-forgettable Tuesday night slightly more memorable.
If only there were an explanation of the film's title...
Somehow Mikkelsen and Hudgens are brilliant in this. I would've liked it if the movie focused more on their characters relationship. Because the script, and in particular the dialogue, is just awful. I understand that this movie is based on a webcomic, which I haven't seen, and it's painfully obvious. The characters, except for Mikkelsen and Hudgens, are cartoonish and completely over the top, and not in a good way like Kick-Ass.
Even if Hudgens deserved a lot more screen time, she made the most of what she got. And Mikkelsen is a solid 9 in a dedicated performance. Everything else is at best a 3 out of 10, which makes this movie a 6/10.
Even if Hudgens deserved a lot more screen time, she made the most of what she got. And Mikkelsen is a solid 9 in a dedicated performance. Everything else is at best a 3 out of 10, which makes this movie a 6/10.
This isn't high art, it's certainly not Oscar bait or even trying to be tongue in cheek...this is a blatantly bloody and violent thrill ride with little exposition and a single purpose: gratuitous violence with no deeper meaning.
If you watch this for any other reason, be prepared for copious disappointment. No nuance or subtlety, just a murder ballet for the masses.
I predict that as is the current trend, that the audience will love/like it while the critics lambast it...shows the growing irrelevance of the professional critic as their disconnect with the audience grows.
If you watch this for any other reason, be prepared for copious disappointment. No nuance or subtlety, just a murder ballet for the masses.
I predict that as is the current trend, that the audience will love/like it while the critics lambast it...shows the growing irrelevance of the professional critic as their disconnect with the audience grows.
First of all, the film shouldn't be a movie you'll definitely take seriously. Please leave your brain if you decide to watch this movie. Because this film is a crunchy film that focuses entirely on the action and the charm of ferocity. So there is no deeper meaning nor a deep scenario.
The visuals are great, the color palette is so good that even the nature looks modern. It looks like an Instagram filter has been applied to a picture taken with a proper camera. The girls are beautiful, the main character is charismatic, the bad character is a fat asshole. There are plenty of clichés. You can predict what's going to happen. Predicting what will happen is a problem in such films because it eliminates the thriller factor.
You don't have to pay much attention to, it's a fun movie. If you love action you can watch. 7/10
The visuals are great, the color palette is so good that even the nature looks modern. It looks like an Instagram filter has been applied to a picture taken with a proper camera. The girls are beautiful, the main character is charismatic, the bad character is a fat asshole. There are plenty of clichés. You can predict what's going to happen. Predicting what will happen is a problem in such films because it eliminates the thriller factor.
You don't have to pay much attention to, it's a fun movie. If you love action you can watch. 7/10
¿Sabías que…?
- TriviaThe neighbor's cabin is also the same one from the final season of Hannibal (2013).
- ErroresVivian says "He's currently staking out in Belarus, Russia", to Duncan while discussing business at the restaurant. Belarus and Russia are two separate countries.
- Citas
Duncan Vizla: Try not to be scared.
- Créditos curiososThe end credits roll from top-to-bottom instead of the more widely used bottom-to-top
- Bandas sonorasSeptember
Performed by Earth Wind & Fire (as Earth, Wind & Fire)
Written by Al McKay, Maurice White, Allee Willis
(c) Steel Chest Music/EMI Blackwood Music Inc./EMI April Music/Irving Music, Inc.
Courtesy of EMI Music Publishing Germany GmbH/Rondor Musikverlag GmbH
(p) 1978 Sony BMG Music Entertainment
Courtesy of Sony Music Entertainment Germany GmbH
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idiomas
- También se conoce como
- Polar: Sát Thủ Tái Xuất
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución1 hora 58 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.00 : 1
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