Polar

This isn't high art, it's certainly not Oscar bait or even trying to be tongue in cheek...this is a blatantly bloody and violent thrill ride with little exposition and a single purpose: gratuitous violence with no deeper meaning.

If you watch this for any other reason, be prepared for copious disappointment. No nuance or subtlety, just a murder ballet for the masses.

I predict that as is the current trend, that the audience will love/like it while the critics lambast it...shows the growing irrelevance of the professional critic as their disconnect with the audience grows.

//Short and simple//

If you love Mads Mikkelsen and action, this movie is not going to disappoint you. Over the top action? ✔ Overdramatic main villain? ✔ Replaceable side villains? ✔ Listen guys.. don't compare this movie with john wick and ruin the popcorn time, afterall this is comic book adaptation. Yes, this movie is not perfect (hint: lame villains) but you won't regret watching MM in action.

A good action movie is like a classic meat-and-potatoes meal; standard fare that although might be seasoned differently is both filling and unsurprising. Occasionally a genre-breaking film will surprise everyone and pop open a bottle of Malbec to serve with a little filet mignon. Usually? The plot, situation, even the action itself, is as recycled as a hot dog washed down with a Coors Light. Forgettable. Ordinary. Monotonous. Then there is Polar.

The film is Irish-carbomb crazy; chopped meat that's charbroiled yet still pink-on-the-inside, along with plenty of extra cheese.

The film's plot is insanely generic. Older hitman seeks retirement but his boss won't let him go. In fact, said boss, a maniacal Matt Lucas who was given free reign of Elton John's wardrobe circa 1987, would much rather see Duncan (Mads Mikklesen) dead than pay him his owed bank. A squad of diverse goons head out in hopes of retiring Duncan in cleverly ridiculous ways only to discover - shock - that old Duncan is more wily than initially estimated. Silliness ensues.

The slick camera-work and kinetic editing is an over-the-top, ADD-infused assault. Think Tony Scott helming John Wick. Adapted from a Dark Horse graphic novel and directed by Jonas Åkerlund, Polar looks like a full-length Rammstein music video, albeit scored by Deadmau5, and comes complete with Instagram-worthy title cards.

The film is soaked with annoying characters, absurd situations (Richard Dreyfuss on karaoke, anyone?), and a devilish weapon-fetish. Duncan, however, hi-jacks the film with his heart of plated gold, a desire for a pet, and the smooth handling of an axe.

Every plot point was slashed to bits with a dull sword. Betrayals were telegraphed as subtlety as a missile strike. And the ending was as secure as an A-Team mission. Through all that, Polar is deep-fried fun that makes an otherwise-forgettable Tuesday night slightly more memorable.

If only there were an explanation of the film's title...

Quite a poor critical reception, but having just watched it myself I can't help that many of the reviews have missed the point of this violent slice of entertainment. While for the most part what they say IS true (clunky dialogue, silly, poorly paced), they could also add slick, humourous and stylish to that list. The corridor scene - a highlight in the trailer misses the mark and would have benefitted with better choreography but was enjoyable all the same. The Female characters, empowered one minute, gratuitously undressed the next, don't make sense other than to advance the plot and pleasure the men. It did feel a lot like the graphic novel in parts though and contrary to what I've read elsewhere Mads Mikkelsen's understated, world weary portrayal is brilliant, even if Hudgens is underused (as are are most of the supporting cast). Style over substance? Maybe. But as a ultra violent comic book popcorn flick I think it works pretty well, and whether it happens or not I'd love to see the sequel it sets up in the closing scenes. I'd say watch it yourself and form your own opinion.

Somehow Mikkelsen and Hudgens are brilliant in this. I would've liked it if the movie focused more on their characters relationship. Because the script, and in particular the dialogue, is just awful. I understand that this movie is based on a webcomic, which I haven't seen, and it's painfully obvious. The characters, except for Mikkelsen and Hudgens, are cartoonish and completely over the top, and not in a good way like Kick-Ass.

Even if Hudgens deserved a lot more screen time, she made the most of what she got. And Mikkelsen is a solid 9 in a dedicated performance. Everything else is at best a 3 out of 10, which makes this movie a 6/10.