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IMDbPro

The Ones Below

  • 2015
  • R
  • 1h 27min
CALIFICACIÓN DE IMDb
6.1/10
11 k
TU CALIFICACIÓN
Clémence Poésy and Laura Birn in The Ones Below (2015)
A couple expecting their first child discover an an unnerving difference between themselves and the couple living in the flat below them who are also having a baby.
Reproducir trailer2:07
1 video
16 fotos
DramaThriller

Una pareja que espera su primer hijo descubre una diferencia desconcertante entre ellos mismos y la pareja que vive en el piso de abajo y que también va a tener un bebé.Una pareja que espera su primer hijo descubre una diferencia desconcertante entre ellos mismos y la pareja que vive en el piso de abajo y que también va a tener un bebé.Una pareja que espera su primer hijo descubre una diferencia desconcertante entre ellos mismos y la pareja que vive en el piso de abajo y que también va a tener un bebé.

  • Dirección
    • David Farr
  • Guionista
    • David Farr
  • Elenco
    • Clémence Poésy
    • David Morrissey
    • Stephen Campbell Moore
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    6.1/10
    11 k
    TU CALIFICACIÓN
    • Dirección
      • David Farr
    • Guionista
      • David Farr
    • Elenco
      • Clémence Poésy
      • David Morrissey
      • Stephen Campbell Moore
    • 83Opiniones de los usuarios
    • 92Opiniones de los críticos
    • 63Metascore
  • Ver la información de producción en IMDbPro
    • Premios
      • 3 nominaciones en total

    Videos1

    Official Trailer
    Trailer 2:07
    Official Trailer

    Fotos16

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    + 10
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    Elenco principal24

    Editar
    Clémence Poésy
    Clémence Poésy
    • Kate
    David Morrissey
    David Morrissey
    • Jon
    Stephen Campbell Moore
    Stephen Campbell Moore
    • Justin
    Laura Birn
    Laura Birn
    • Theresa
    Deborah Findlay
    Deborah Findlay
    • Tessa
    Sarah Malin
    Sarah Malin
    • Sonographer 12 Weeks
    Anna Madeley
    Anna Madeley
    • Abi
    Jonathan Harden
    Jonathan Harden
    • Mark
    Sam Pamphilon
    • Tom
    Franc Ashman
    Franc Ashman
    • Indhu
    • (as Frances Ashman)
    Christos Lawton
    Christos Lawton
    • Phil
    Daniel Easton
    Daniel Easton
    • Kate's Colleague
    Laila Alj
    Laila Alj
    • Sonographer 20 Weeks
    Joseph Mills
    • Baby Billy
    Elliot Mills
    • Baby Billy
    Stephanie Jacob
    • Registrar
    Tuyen Do
    Tuyen Do
    • Allergy Doctor
    Alex Avery
    Alex Avery
    • Estate Agent
    • Dirección
      • David Farr
    • Guionista
      • David Farr
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios83

    6.111.4K
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    Opiniones destacadas

    4the_real_Doc_Justice

    Good thing the action starts before the end credits

    Character buildup. For most of the movie. Too bad they are so two dimensional it hurts, some drastic change of behavior is supposed to be intriguing when it's just a welcomed announcement that things are actually moving towards the ending, which is obvious right from the start.

    Don't miss the blatant, obnoxious plot device near the middle, or you might actually get surprised by some detail at the end. The Hand That Rocks The Cradle even had that more subtly, in addition with a decently paced script. Which is another crappy movie, but fairly entertaining for its time.

    Acting isn't bad, until daddy throws his fit, but the plot is bad, predictable, and dare I say, unimaginative. A TV movie from the 80's.
    6Sergeant_Tibbs

    Like a very good student film.

    Partly funded by the BBC and premiering at the Toronto and London Film Festivals, The Ones Below is a demonstration of the lack of imagination in British cinematic language that's really disheartening. British cinema is often great from the eyes of an auteur with something to say, such as Mike Leigh, Terence Davies and Shane Meadows, but when it comes to something like this which is supposed to simply be a piece of thrilling entertainment, it's disappointingly one- dimensional. I yearn for more emerging voices to get this type of exposure instead. The Ones Below is like a very good and expensive student film. Had it been conceived from a recent graduate, it'd earn a bit more of a pass. Instead, it's overthought and underdeveloped, too often opting for cheaper tricks and easier melodrama.

    Clémence Poésy, a familiar face from her role in Harry Potter, In Bruges and 127 Hours, plays mother-to-be Kate who just moved into the top half of a duplex with her husband Justin, played by Stephen Campbell Moore. Apprehensive about their downstairs neighbours, they avoid them until Kate discovers that Teresa, played by Laura Birn, is equally far along with her pregnancy. They swiftly become friends and she invites Teresa and her intimidating husband Jon, played by David Morrissey, upstairs for dinner. Though friction with conflicting personalities initially rustles tensions, it's an unbearable tragedy at the dinner's end that sparks the film's ultimate story of parental paranoia in the vein of Roman Polanski's memorable motifs on women in apartments.

    To be fair, Poésy really commits to the film in the first performance I've seen from her which isn't somewhere between a bit part and a supporting character. She combats the melodrama with a rawness that really benefits the film. The problems come in the film's contrivances and staging where each actor's hesitations and reactions are over measured. Perhaps this is due to writer/director David Farr's previous theatre background, as it very clearly shows his lack of nuance when it comes to the bigger screen. Throughout the whole aforementioned dinner sequence, Morrisey's eyes are shrouded in shadows as if the idea of his menacing nature couldn't have been more subtly communicated. But admittedly, in its simplicity it is entertaining and engaging, but it's not satisfying to be so spoon-fed. The questions it asks are superficial albeit acceptable if this was designed for Britain's smaller screen.

    There's not an inch of the frame wasted as they try desperately to make this two-story narrative cinematic. It works, and it's thoroughly attractive, but it's almost too full and vibrant, not reflecting the rough tone that the film should have. Spending money on lights and cranes which are just used for unmotivated movement remove the film of a human grounding that it's begging for. It does offer this reflection of how Kate feels later on as it grows more rugged and desperate, but it doesn't stitch together in a way that really puts you in her head, and by that point it's too late. The scenes feel more like examples of feelings rather than following a strong narrative thread, developing the characters beyond well worn archetypes. The language it uses is based in clichés rather than speaking a compelling voice of its own.

    Otherwise it's trying too hard to cover all ground as it shoehorns in a subplot regarding Kate's relationship with her parents. We have a distant mother who's unfathomably selfish and then some kind of connection with her dead father as she for some reason must brave the weather to visit her grave and leave her child in the hands of someone she explicitly doesn't trust. The film often defies logic for the sake of an empty gravitas. It's piling lots of ideas about relationships in social classes and anxieties about motherhood but never really exploring a single theme to a particular result. In fact, its terrifying conclusion ends up being a relieving best case scenario. It'd be unfair to call it a complete mess and its effort isn't wasted. I just expect much better things from well-resourced British cinema that doesn't resort to appealing to the least perceptive people in the room.

    6/10

    Read more @ The Awards Circuit (http://www.awardscircuit.com/)
    7nairtejas

    Thrills You Gradually. ♦ Grade B-

    I think David Farr gave more time to this thriller than to his much- anticipated and more popular le Carre adaptation, The Night Manager. For this one is a real winner between the two, despite of the variance in genre.

    Kate (Poesy) and Justin (Moore) are a sweet preggers couple living in peace in the upper part of a duplex apartment. The newest renters of the lower part are another sweet but superstitious couple from Germany, Theresa (Birn) and Jon (Morrissey), also expecting a child. Soon after they move in. an emotionally devastating incident brings endless grief to the ones below and paranoia to their luckier neighbors above, especially to Kate. Because Kate thinks that Theresa and Jon might have some ulterior motive. And then the plot starts moving swiftly, exhibiting some great cinematography and writing as it moves.

    Poesy is excellent in her enactment of an anxious mother of a newborn. Her petite appearance helps and so does the support from her spouse who is a rather normal husband torn between work and personal life. Theresa and Jon steal the limelight, and the writer aptly denotes and connects them with the color yellow that is effervescent of their apparent darker side.

    The story involves human nature and the extent to which it can go when stricken with sorrow. Consequences and damages stop being concerns as the person quests to achieve what is not rationally right and what can only be achieved through crime. Farr has written the story well, and with the backing that he gets from the camera and score, he definitely places his attempt in the good baskets.

    BOTTOM LINE: David Farr's The Ones Below is a finely made film with some good actors playing natural and slightly eccentric characters who are just trying to manage life... and death. A good afternoon watch at the cinema.

    Can be watched with a typical Indian family? YES
    7syphongb

    Absorbing but Ultimately Mediocre

    Great cast, great performances, great direction...but the script...it was as if the writers either got bored of the whole thing or hastily finished it on deadline day.

    An absorbing, at times very tense buildup, hints at something possibly occult going on, but then a rushed ending that didn't need the buildup! It begins with a kind of Rosemary's Baby feel to it but the plot and tension builds to a certain level then remains there at that pace for the rest of the film.

    Well worth watching, but just enjoy the actors and mood and don't expect to be blown away by any clever plot twists and turns.

    It should have been shown as a Sunday evening BBC2 play or something.
    5mikalmoo

    Great build up to a great disappointment...

    I'm a big fan of cult classics such as Rosemary's Baby so when I saw the trailer to this movie, I was intrigued.

    The first third of the movie was quite well done; the mood was creepy and weird as intended, the actors were marvelous; the suspense really drew me in and I wanted to find out how this movie would pan out.

    Then it got reeeeeally slow. It dragged on and the repetitiveness made it very hard to push through. Midway through, the mystery of the plot has already become quite obvious and predictable as it has been constantly spelled out to us over and over again. So by the end, the only way to save this movie is for an unexpected twist instead of the predictable ending. But no twist. Just a creepy, linear story with ok acting.

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    Argumento

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    ¿Sabías que…?

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    • Trivia
      Laura Birn's character Theresa says that her father was English and her mother was a Finnish hippie. Birn is in fact Finnish and was born to Finnish parents in the nation's capital, Helsinki.
    • Citas

      Theresa: Only when you lose someone utterly dear to you, utterly and totally dear, can you understand just how little we know. About death, about the soul, who we are.

    • Bandas sonoras
      Take Me Tonight
      Written by Aaron Schröder, Wally Gold & Roy Alfred

      Performed by / Recorded by Gene Pitney

      Published by Rachel's Own Music /Minder Music Limited

      Courtesy of Gusto Records, Inc.

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    Preguntas Frecuentes18

    • How long is The Ones Below?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 11 de marzo de 2016 (Reino Unido)
    • País de origen
      • Reino Unido
    • Sitios oficiales
      • BBC Films (United Kingdom)
      • Magnet Releasing/Magnolia Pictures (United States)
    • Idioma
      • Inglés
    • También se conoce como
      • Alt Kattakiler
    • Locaciones de filmación
      • Canonbury, Islington, Middlesex, Londres, Inglaterra, Reino Unido(Exterior: The house were the two couples live is located on Willow Bridge Road.)
    • Productoras
      • Cuba Pictures
      • Tigerlily Films
      • BBC Film
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Total en EE. UU. y Canadá
      • USD 12,488
    • Fin de semana de estreno en EE. UU. y Canadá
      • USD 5,191
      • 29 may 2016
    • Total a nivel mundial
      • USD 121,827
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      • 1h 27min(87 min)
    • Color
      • Color
    • Relación de aspecto
      • 1.85 : 1

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