Hana to Arisu satsujin jiken

This anime is fresh and free-flowing. It follows the trials and tribulations of Alice who moves to a new neighbourhood and school. She soon discovers the harsh realities and related fictions around some recent incidents and its repercussions still affecting the surrounding school life.

The narrative keeps you guessing and has great depth in character exploration and philosophical musing, including a mysterious old man. It physically and metaphysically moves with the colours of the beautiful drawings. There are a few chases, intertwined with moments of peace, pose and beauty like the underlying aesthetics of ballet.

A rare mixture of quirkiness and quintessential existentialism, married with some strong storytelling elements to make it a superb artistic whole that will stand multiple viewing and the test of time.

In terms of story, imagine Old Boy but with teenagers and love theme instead of grown-up violence and revenge. But it terms of tone, it is light-hearted yet intellectual, artistic and emotional.

A great addition to the top-notch anime productions we come to expect from Japan. This time as a first animation feature from gifted and acclaimed Shunji Iwai who writes, direct, edit and even provides music to this miraculous masterpiece.

Japan 2015 | 110 mins | FANTASIA INTERNATIONAL FILM FESTIVAL | HD | Japanese (English subtitles)

A heart warming and sweet, and most certainly hilarious, story about relationships and the many different encounters in life that shape who we are and where we go. We follow the two leads on their investigation to solve a mystery that is as enigmatic and confusing as being a teenager. The musical score is a a perfect compliment to the simple and charming pace and tone of the film. A anime must!!!

Through anecdotes, superstitions, and myths, the story captures the essence of Asian culture in a straightforward yet profoundly significant way. It emphasizes the errors made in high school and is sympathetic and relevant. Western and European audiences find the story's straightforward yet profound delivery to be endearing and delightful.

Alice was a transfer student at first, and when she arrived at her new school, her classroom had a tale. The tale of her desk made her the center of attention, and I suddenly realized that I was drawn into the narrative as well. Can you tell me about her desk? Abruptly, I found myself immersed in a tale of friendship, revelation, veracity, and the frailty of human emotions. Without knowing the truth, you cannot move on, and without accepting reality, you cannot move at all. Otherwise, your life would be stagnate and you will suffer.

This film perfectly captures the adventurous spirit, the whimsical imaginations, and the awkward solutions that fuels every day life of a 14 year old. As someone who grew up in this kind of environment (although a decade ago) I was uplifted by nostalgia and the naive purity of all the characters.

Just look at the screen! The sky painted in this film is absolutely stunning. Backgrounds are detailed and yet not an eye-sore. Sure the characters looked like rough sketch compared to other more visually accomplished Japanese anime, but I think it was simply a wonderful style to match the story.

Iwai Shunji, the sensitive soul behind such classics like "Love Letter" and "April Story (Shigatsu Monogatari)" reunites with the original 2004 cast of "Hana and Alice" (Yu Aoi and Anne Suzuki) to tell this small but emotionally rich story involving ballet, a school cult, and a murder investigation. It's fine that you haven't watched the 2004 film. This sets up a new story and invests time in proper character development. The film follows Alice as she interacts with a number of people and proceeds to build relationships with them. Some are hilarious (the cult leader), some are touching (an old man) and her meeting with Hana, is something else entirely. Despite an over-the-top set-up, the mystery's solution actually makes sense and isn't contrived to deliver ridiculous twist.

The laughs are there, it looks amazing, the characters are people whom I'd give big hugs to and Iwai Shunji is definitely on-form in his direction.

This is a strange little movie. OK, so in 2003, Shunji Iwai makes a live action film named "Hana and Alice". Then 9 years later, he makes a prequel starring the same two actresses, but animates it. In this world of making live action adaptations (which I hate) this is one that goes the opposite direction.

The animation is all rotoscoped. That is where you trace over a live action reference to make your animation. It reminds me of Matthew McCleskey's YouTube videos. It is a very...distinct style for a feature.

The titular case is the worst run investigation I have ever seen. As I explained it out loud, I couldn't help but laugh at Hana and Alice's incompetence in solving the mystery. The movie spends most of its runtime on these misadventures. The two of them spinning their wheels as they go nowhere.

And to think, the whole mystery happens because of a Kit-Kat bar. Give me a break.